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Meng Zitao followed Su Xingshun to the home of the calligraphy seller. The seller immediately recognized Meng Zitao and happily took them to the author's home.
On the way, Qian Qiwei told Meng Zitao that in fact, the calligraphy was done by the author after he lost a bet with others. It was just for fun at the time, so he didn't think about it at all, otherwise it would be completely fake.
Meng Zitao quite agrees with this point. After all, the author's level is there. If he really intends to make a lie, he is fully capable of achieving it.
Qian Qiwei kept it secret and did not say who the author was. He smiled and said that Meng Zitao would know it when he got to the place. Sure enough, Meng Zitao reacted as soon as he arrived at the community where the author lived.
"The author should be Mr. Zou."
"it's him."
Meng Zitao is talking about Mr. Zou, a famous calligrapher in this city. He is good at cursive calligraphy and his works have won many provincial and domestic awards.
However, seven years ago, when Mr. Zou was attending a calligraphy exchange meeting, he was involved in a car accident and became paraplegic. Due to his inability to move, he gradually fell silent in the calligraphy world, and some people even forgot about him.
At this time, Meng Zitao recalled that work again and realized that not only was Mr. Zou not silent, but his calligraphy level had also been greatly improved.
The car stopped in front of a small villa. Qian Qiwei rang the doorbell. After a while, a kind-faced old lady came over and opened the door.
"Xiaowei, why do you have time to come here today?" The old lady smiled and asked everyone to enter the house.
Qian Qiwei introduced with a smile: "This is Teacher Meng, the youngest and most promising calligrapher in our country."
The old lady looked at Meng Zitao and said suddenly: "Oh, I remember you. My old man praised you full of praises and has been nagging about wanting to see you. However, his legs and feet are not good, and it is not convenient for him to go out. It is also troublesome. come here."
Meng Zitao said: "I'm rude. I should have come to visit Mr. Zou earlier."
"Young man, don't be so polite, come in quickly."
The old lady led everyone into the house and said, "What a coincidence, a Japanese guy came over today to exchange calligraphy. I don't think he has any good intentions."
Qian Qiwei asked: "Aunt Jiang, do the Japanese people have any demands?"
The old lady said: "He wants to take your Uncle Zou's calligraphy to Japan to participate in an exhibition. You should know your Uncle Zou's character. He doesn't care about fame and fortune at all now. If his work is really included in the exhibition, he will have to worry about it in the future. I I don¡¯t want my peaceful days to be ruined. Your Uncle Zou had the same idea, but the Japanese didn¡¯t give up. As he talked, he mentioned exchanging calligraphy again.¡±
Qian Qiwei waved his hand: "Hey, don't worry too much, I really don't believe that that little devil can beat Uncle Zou in calligraphy."
The old lady smiled: "If he was so powerful, he wouldn't come here. It's just that the little devil is not a good thing. I'm afraid he will use some tricks."
Qian Qiwei nodded: "That's right."
While talking, a group of people walked into the villa. The old lady took everyone into the study and saw the three people in the study.
Needless to say, the old man sitting in the wheelchair is Zou Lao. Although he is physically disabled, he looks pretty good. The other middle-aged man should be the Japanese the old lady mentioned, and the young man standing next to him should be the translator.
Seeing a group of people walking in, everyone in the room looked over. Mr. Zou saw Meng Zitao at first sight. He was slightly startled, then a look of surprise appeared on his face, and he turned his wheelchair to greet Meng Zitao.
Meng Zitao walked up quickly and said hello: "Mr. Zou, I have heard of your name for a long time, and I regret that I only came to visit you today."
Mr. Zou held Meng Zitao's hand and said, "What's the point of visiting me, a bad old man? I think it's wasting your young people's time. It's just that my legs and feet are inconvenient, so I can only let you make a trip."
Meng Zitao smiled and said, "You are so polite, old lady."
After a few polite words, the old lady signaled that there were still Japanese people present and sent them away first.
Mr. Zou laughed: "It's better to come early than to come by chance. This Miyamoto Shaojin brought a calligraphy work by his master and wanted me to comment on it. You can take a look at it too."
"I wonder who the master of Mr. Miyamoto is?" Meng Zitao asked with a smile.
Miyamoto Shaojin also knew Meng Zitao. When he saw Meng Zitao's question, he quickly said politely: "Hello, Mr. Meng, my mentor Ishida Ye, he also highly praised your calligraphy. I hope to have the opportunity to meet you." .¡±
Meng Zitao versus Ishida Ye?So as not to miss a single transaction.
At this moment, Miyamoto Shaojin's heart was filled with shock and shock. If he hadn't seen with his own eyes that it was Meng Zitao who was writing at this moment, and his first impression of the calligraphy, he would have mistakenly thought that it was written by an ancient master. Wang Xizhi's calligraphy, you may even think it is Wang Xizhi's original work.
But I found that the characteristics of Meng Zitao are not the same as those of Wang Xizhi. If you look closely at Meng Zitao's calligraphy, you can see that his calligraphy is very profound. He has his own strong personality while maintaining the basic calligraphy language. He has formed a closed style according to his own language characteristics. structure, making this structure flawless. If you read it carefully, every word is an active life form.
It can be said that cursive script has new characteristics in the hands of Meng Zitao. It is different from all kinds of cursive script in the past. It carries Meng Zitao¡¯s personal style and imprint, which is extraordinary!
When Meng Zitao put down the last stroke, the room was completely silent. Everyone was amazed by Meng Zitao's calligraphy. Fortunately, Miyamoto Shaojin asked the translator to record the video, otherwise the video would definitely not have been filmed.
After a long time, Mr. Zou breathed a long sigh of relief and praised: "The whole painting is completed in one go. The ink is bright and solid, the strokes are as clear as washing and as powerful as whittling; spring earthworms linger in front, autumn snakes twine behind; farsightedness The momentum is like flying, even if it is close, I don't know how to use the pen."
"Moreover, the whole work has a smooth and graceful character in the strong and straight brushwork, making it appear majestic and elegant. To be honest, I no longer know how to use the word 'admiration' except for the word 'admiration'." What words can describe my mood at this moment?"
Like Mr. Zou, at this moment, Miyamoto Shaojin only had deep admiration for Meng Zitao in his heart, and he couldn't be angry at all. My master's calligraphy skills are indeed superb, but compared to Meng Zitao's, it may seem small, but in fact there is a difference between a human and an immortal.
In addition, Miyamoto Shaojin¡¯s admiration for Meng Zitao also originated from Wang Xizhi.
Those who have studied the history of calligraphy should know that Wang Xizhi's calligraphy established an unshakable position in the Tang Dynasty. At that time, envoys to the Tang Dynasty and monks studying abroad from Japan must have searched extensively for the calligraphy of Wang Xizhi and famous writers of the Wang style.
After Wang Xizhi's calligraphy was introduced to Japan, the Japanese royal family and scholars regarded it as the authentic calligraphy. From the Nara period to the early Heian period (that is, from the beginning of the eighth century to the end of the ninth century AD), Japanese calligraphy fully accepted the influence of Tang-style calligraphy centered on Wang Xizhi's calligraphy. During this period of great prosperity of Japanese calligraphy, Wang Xizhi's calligraphy had a prominent orthodox status and created a new era of Japanese calligraphy.
It can be said that the development of Japanese calligraphy is inseparable from Wang Xizhi.
Now, compared with Wang Xizhi, Meng Zitao's achievements in cursive script are not much different. You must know that Meng Zitao is only in his twenties now. He still has at least fifty years to reach the peak of calligraphy. It is possible to sprint and surpass Wang Xizhi by then.
Based on this alone, Miyamoto Shaojin could not express any "disdain" towards Meng Zitao.
Miyamoto Shaojin bowed deeply to Meng Zitao: "Master Meng, thank you for letting me appreciate such a wonderful work. I have no regrets in this life!"
"Mr. Miyamoto has given me the award. There is no end to calligraphy. Maybe someone will be able to surpass me after a while."
It should be said that although Miyamoto Shaojin has a Japanese character that Meng Zitao doesn't like, at least he hasn't seen anything that makes him dislike it, so Meng Zitao is more polite when he speaks. Besides, as the old saying goes, Okay, don¡¯t hit the smiling person with your hand.
Miyamoto Shaojin smiled. It was one thing for Meng Zitao to be modest, but it was certainly unrealistic for him to believe that there would be a calligrapher who could surpass Meng Zitao in his lifetime.
"Master Meng, I didn't know about your work"
Looking at Miyamoto Shaojin¡¯s hopeful eyes, Meng Zitao interrupted him directly and said: "Mr. Miyamoto, I'm sorry, I have no idea of ????exhibiting my work in your country for the time being."
Miyamoto Shaojin sighed slightly in his heart. He felt very sorry and at the same time a little relieved, because he was suddenly worried that if Meng Zitao's calligraphy appeared in Japan, it would undermine the confidence of his comrades. (Remember the website address: www.hlnovel.com