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Chapter 929: Cunning (Part 1)

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    You can search for "treasure-collecting career" in Baidu to find the latest chapter!

    In fact, what Liu Jiapeng said makes sense. The authenticity of antiques depends on eyesight and experience. Using destructive experiments to identify the authenticity of antiques is just a forbidden method. If the appraiser makes a mistake, then  Aren't you destroying treasures that have been handed down with great difficulty?

    And imitations are not without value. Nowadays, some high-quality imitations are getting more and more attention.

    What's more, the broken porcelain should be an excellent repaired porcelain, otherwise it would not be necessary to use such a violent method to identify the authenticity.  Nowadays, the value of repaired porcelain is getting higher and higher. If the value of the porcelain is high, the repair level is good, and the damage is not too large, the value is not low.

    Now, would Liu Jiapeng be happy with this young man named Si Hao who smashed everything and turned around and left?  Not even in the name of appraisal, and maybe Liu Jiapeng really didn't see it?

    Si Hao sneered and said: "Shopkeeper Liu, if you want me to take responsibility, you should first explain why you swore so solemnly just now."

    Liu Jiapeng said: "So what if I got it wrong? Is there anyone in the antique world who never gets it wrong in his whole life? Boy, if you don't give me an explanation today, don't even think about leaving!"

    "It seems that shopkeeper Liu is determined not to give up until he reaches the Yellow River!" Si Hao sneered and took out his mobile phone, opened it and started playing an audio file.

    The voice inside sounded like a conversation between Liu Jiapeng and another person. From the conversation, it was obvious that Liu Jiapeng knew that there was something wrong with the porcelain.

    "Xiao Liu, it seems that the longer you live, the more you go back." Fang Lao glanced at Liu Jiapeng with anger in his eyes, and then walked out without looking back.

    Liu Jiapeng¡¯s face turned blue and white, and he felt anxious and angry, because in the conversation just played, he and the person who spoke were the only ones present, and only the other person was recording.

    Thinking that he bought the porcelain from that person and made him money, only to be betrayed in the end, the aggrieved feeling made him very angry.  When he thought about how he was actually taught a lesson by a brat in his twenties and made a big fool of himself in front of Mr. Fang, it was even more unbearable for him, and his eyes turned red with anger.

    "What the hell, what kind of bad luck did I have?"

    Liu Jiapeng couldn't help but cursed, and then he said to Meng Zitao: "This place is closed!"

    Meng Zitao smiled slightly: "Shopkeeper Liu, I have something to ask you."

    "Who are you and what do you want from me?" Liu Jiapeng asked with a frown.

    Meng Zitao said: "You should know about Bian Xixuan, right?"

    Liu Jiapeng¡¯s expression changed and he said, ¡°Who are you?¡±

    Meng Zitao simply showed his work ID. When Liu Jiapeng saw the national emblem on the cover, his confidence immediately dropped a bit, and his voice also became quieter: "What do you want from me? Didn't you already understand it yesterday? I didn't know it yesterday?"  I told you that I went to Jinmen yesterday, and no one you are looking for should look for me!"

    Meng Zitao smiled and said, "Shopkeeper Liu, don't be nervous. After all, people are killed, so we have to be more careful here."

    "What else do you want to ask?" Liu Jiapeng asked.

    Meng Zitao said: "Can you find a quieter place? If it's not convenient, let's go to the police station now."

    "What the hell, isn't this threatening me?"

    Liu Jiapeng was dissatisfied, but he did not dare to express his dissatisfaction, so he said: "Then let's go to the back to talk. Just wait a moment and I will close the door."

    After a while, Liu Jiapeng simply cleaned the porcelain pieces and took Meng Zitao to the back.

    Liu Jiapeng's shop is not big to begin with, let alone the small room at the back. There is only a table and two chairs in the room, and some antiques are placed in other places, but they look much better than those displayed outside.  .

    Liu Jiapeng made tea for Meng Zitao, while Meng Zitao looked at a piece of porcelain on the table.

    This is a blue and white underglaze red flower and bird poem elephant ear statue. The blue and white color is rich and lustrous, with different shades and moods. It is full of interesting writing and elegant charm.  The colors of the flowers and birds are soft and elegant, the brushwork is relaxed and free, the birds are singing and the flowers are fragrant, and the movement and stillness are appropriate.  The blue and white inscription on the side of the abdomen shows the handsome character and fresh writing style.  It is the work of Jin Pinqing, one of the three masters of Qianjiang porcelain painting.

    Meng Zitao looked at it for a while, raised his head and asked: "Shopkeeper Liu, I wonder which master made this artifact?"

    Liu Jiapeng was obviously stunned for a moment and began to remain silent: "What do you mean?"

    Meng Zitao laughed. It was not difficult for him to identify repaired porcelain. After all, ancient porcelain was passed down from generation to generation.?, stood up and handed Liu Jiapeng his business card: "Shopkeeper Liu, I'm sorry to trouble you. I hope you can contact me in time if you think of any clues again."

    "sure!"

    Liu Jiapeng looked at Meng Zitao¡¯s business card and was suddenly startled: ¡°Are you Teacher Meng, the Grass Saint?¡±

    Meng Zitao smiled: "That's all the compliments of the seniors, it's nothing like that."

    Liu Jiapeng didn¡¯t expect that the celebrity in front of him was really the celebrity he often talked about some time ago, but he immediately became confused. Wasn¡¯t it said that Meng Zitao was Zheng Anzhi¡¯s apprentice and had a huge property to his name?  What happened to the ID he just took out?

    Meng Zitao saw Liu Jiapeng's doubts and said with a smile: "Don't worry, the certificate I took out is authentic. If you don't believe it, you can call to have it authenticated."

    "How can it be possible?" Although Liu Jiapeng had doubts in his heart, he still had some eyesight and could see that the previous documents should be fine.

    "Shopkeeper Liu, I have something else to do, so I'll take my leave now," Meng Zitao said.

    "Teacher Meng, wait a moment, I wonder if you are interested in jade articles from the Western Zhou Dynasty."

    Speaking of this, Liu Jiapeng quickly added: "This is a heirloom, not a trap."

    "Please take it out and show it to me." Meng Zitao smiled. In fact, even if Liu Jiapeng didn't explain, he knew that the other party couldn't cheat him with one thing, otherwise he would have lost his mind.

    After a while, Liu Jiapeng brought over a piece of jade, but it was a jade-handled piece.

    There is no strict distinction between jade in ancient times. They are mostly used for sacrificial rituals and instruments for swearing divine power. They are often solemn and inviolable, mysterious and cannot be explained in advance.  There are many artifacts of unknown purpose in archeology, which are difficult to examine and impossible to understand. Only through solemn and solemn understanding can the mysteries be solved.

    When archaeologists encounter unknown relics from ancestors, they often name them according to their shapes, such as "bow-shaped vessels", "chopstick-shaped vessels", "handle-shaped vessels", etc.  This neutral naming method without functional judgment is accepted by everyone because of its rigor.

    This jade handle-shaped vessel is extremely finely cut and has an irregular outline, all cut and hollowed out due to decorative patterns. The surface of the vessel is grooved with shallow lines, as thin as a fly's foot, and the layout is dense.  A sacred bird stands proudly in the center, with its head held high and wings fluttering, its feet erect, and under its feet a candle dragon is circling and curling.

    On the crown and feathers of the divine bird, several dragons soar in the sky, linked head to tail, and are unpredictable. Their imagination that spans the world and the undoubted kingly spirit they display make people feel that the spirit will last forever.  Overall, it conforms to the carving characteristics of the Western Zhou Dynasty.

    In addition, there is black Qin on the surface of this vessel. However, after Meng Zitao observed it, he discovered that the Qin color on it was actually "Lao Ti Oil".  The so-called "old oil extraction" is an ancient method of making the jade look old. It uses artificial technology to make black spots on the jade, which looks like a clear color.

    In other words, this is not actually a work from the Western Zhou Dynasty, and it has never been buried, but the whole thing still shows a mature state.

    The so-called "old maturity" actually means that after playing with an old jade plate for a long time, the jade quality will usually become transparent and the surface will have a warm and moist texture. This is what people in the industry often call "old maturity", and it feels like jelly or rice cakes.

    This is because during the process of playing with old jade, human body sweat, acid, alkali, plant wax, etc. penetrate into the jade, causing the jade to transmit a translucent oily feeling from the surface to the inside, thus revealing the unique charm of ancient jade.  Calm, gentle and precious, it's like the surface of jade is coated with a layer of oil-like luster. This is what the industry calls precious light.

    "Shopkeeper Liu, this jade is indeed good, but I have some questions about its age." Meng Zitao said.

    "You said it won't last?" Liu Jiapeng was a little anxious.

    Meng Zitao said: "Jade, like humans, has pores that are invisible to the naked eye. Experts call them "earth gates", which are the channels for excreting impurities inside the jade. If the earth gates are clear, you can judge that they have been buried in the earth, and the color will penetrate deep into the jade.  It cannot be artificially roasted or oiled. But this jade of yours has obviously not been buried in the ground. As for the clear color on it, it is just old oil. I think it should be a work from the Ming Dynasty."

    In order to convince Liu Jiapeng, Meng Zitao also mentioned some other characteristics.

    ¡°I don¡¯t want to get punched again!¡± Liu Jiapeng smiled bitterly.  (Remember the website address: www.hlnovel.com
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