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Chapter 639 Garden-style Villa

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    In the evening, Dajun called Meng Zitao and said that he would stay in the capital for a few days before going back. So the next morning, Meng Zitao drove to Jinling with He Wanyi.

    The car stopped in front of the villa that Meng Zitao bought in Jinling. After He Wanyi got out of the car, a look of surprise appeared on her face, her eyes widened: "Is this the villa you bought before?"

    He Wanyi had already heard about the size of the villa from Meng Zitao, but she didn't expect it to be so beautiful after being renovated, and it looked like a garden from the outside.

    Meng Zitao smiled and didn't say much. He took He Wanyi's hand and said, "Let's go in and take a look first."

    Sioux City Garden is a representative of the architecture in southern my country. The garden is lush with greenery, and the scenery changes as you move. It is so beautiful. He Wanyi has always dreamed of living in such a place one day. If this dream can be realized, she feels that she will wake up from her dream with a smile.

    It should be said that Meng Zitao's villa in Ling City is almost able to realize her dream. However, due to the smaller area and the limited skills of the decoration workers, it always feels that the taste is lacking, which makes her somewhat regretful.  , of course, this is not harmful to her. After all, it is a blessing to be able to live in such an environment with the person she loves.

    But what He Wanyi didn't expect was that her dream would actually come true. After the renovation, the villa became a typical Soviet-style garden villa, with traditional gray-black roofs, white walls, chestnut-colored beams and columns.  The decoration, gray-white platform, etc. make the whole building look pure, harmonious, elegant and beautiful, and it is clearly a Jiangnan Villa with pink walls and black tiles.

    Coupled with the carefully designed artificial lake and the lakeside gardens composed of buildings, pavilions, pavilions and corridors, it fully interprets the connotation of exquisite architecture, exquisite culture and exquisite life. It can be described as a truly gilded land with "the beginning and the end".

    Looking at the beautiful and picturesque scenery in front of her, He Wanyi seemed to be in a dream, and it took a long time before she came back to her senses.

    Meng Zitao smiled and said, "How's it going? Do you like it?"

    He Wanyi nodded excitedly: "I like it so much, but how did you do it?"

    Meng Zitao smiled and said, "It all depends on Aze and the help of the skilled craftsmen from the Xiangshan Gang."

    The style of the renovated villa is different from that of the entire villa area. Without a certain relationship, it would be impossible for the property management company to allow such renovation. Fortunately, Shu Ze helped, otherwise it would not be easy to achieve what he wanted with Meng Zitao alone.

    He Wanyi asked curiously: "What do you mean by the Xiangshan Gang?"

    Meng Zitao explained: "They are a collection of skilled craftsmen"

    The so-called Xiangshan Gang craftsmen are actually a construction group that integrates woodworking, waterwork, brick carving, wood carving, stone carving and other types of work.

    In ancient times, at first, wood carving was done by carpenters and brick carving was done by plasterers.  After the Qianlong and Jiaqing dynasties of the Qing Dynasty, architectural carving styles tended to be delicate and complicated, and business demand increased, prompting the professional development of wood carvings and brick carvings.

    They cleverly combined Han traditional construction techniques with architectural art, creating an important school in the history of Chinese architecture.  Later, the houses built in the Xiangshan Gang style were called Supai architecture.  The construction technique is called the traditional architectural construction technique of Xiangshan Gang.  There is a saying in history that "all the skilled carpenters in the south of the Yangtze River come from Xiangshan".

    Over the past six hundred years since the Ming Dynasty, the works of Xiangshan Gang craftsmen have ranged from folk mansions, urban gardens, Taoist and Buddhist temples to the emperor's palace.  It has also developed from domestic to foreign countries, and has built antique engineering projects abroad, such as Yiyuan in Vancouver, Canada, Mingxuan at the Metropolitan Museum of Art in the United States, and Chaotian Palace in Melbourne, Australia.

    Since ancient times, Xiangshan Gang craftsmen have not only had a large number of practitioners, it is said that there have been more than 5,000 people at one time, but also have an endless stream of skilled craftsmen, occupying an important position in the history of Chinese architecture.  However, in recent years (until 2009), due to the low income and hard work of craftsmen, coupled with the penetration of Western architectural culture, the Xiangshan Gang has also faced the embarrassing situation of lack of successors and the loss of skills.

    After listening to Meng Zitao¡¯s introduction, He Wanyi said, ¡°It shouldn¡¯t be easy to ask them to take action.¡±

    Meng Zitao said: "This is not necessarily true. The main reason is that it is difficult to find old masters. Of course, we all ask old masters to make the work here, but I didn't put much thought into it. Aze helped to hire the people."

    He Wanyi laughed and said, "You can be the hands-off shopkeeper with peace of mind."

    Meng Zitao chuckled and said: "As the old saying goes, those who can work hard, and we are also being used as guinea pigs. A Ze told me two days ago that if it were not too troublesome, he really wanted to give him  The villa was renovated in this style.¡±

    ? ? ? ? ? ? ? ? ?The pendant is in the shape of a plaque, made of white jade. The jade quality is delicate and smooth, well polished, and shiny. The jade plaque is rectangular in shape, with a relief moire pattern on the upper part. The main side is a traditional theme of "bangs playing with a golden toad", with a painting of an immortal with bangs bending over his head.  Looking at the three-legged toad in the form of a dragon girl, this picture has the auspicious meaning of the God of Fortune bringing wealth.  On the other side of the jade plaque, there are four characters "Liu Hai Xi Toad" written in seal script on a bird holding an opposite head, which is neatly carved.

    From the carving and other aspects, this should be made by the palace building office during the Qianlong period, and it is a rare and beautiful tool.

    The other jade tablet should be a well-made pottery, which has been around for some years. The white jade surface has a slightly yellowish tint, and is flat and square in shape. The front is engraved with a dragon pattern passing through the lake stone, and the back is plain and unmarked.  The dragon is lying on the lake rocks, with a high-spirited and fierce look. There is a flame bead next to it, there are wave patterns under the stone, and it is decorated with Ganoderma lucidum on the front and back.

    Judging from the shape and carving characteristics of the dragon, it is in line with the characteristics of Yuan Dynasty jade. However, under the observation of the magnifying glass in Meng Zitao's hand, some problems can still be seen

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