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Chapter 504 Comparing Calligraphy (2)

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    As Zhou Ziju and Yu Sihai¡¯s creation came to an end, He Wanyi asked in a low voice: ¡°Zitao, what do you think are the characteristics of their calligraphy?¡±

    "Generally speaking, cursive scripts are considered to be high-spirited and elegant, while cursive scripts are considered to be inferior. Mi Fu of the Song Dynasty once said that cursive scripts did not fit into the personality of the Jin Dynasty and often became inferior. Specifically, cursive scripts are a typical line art, regardless of the center.  , side strokes, square pens, and round pens all must contain emotion within and have form and quality on the outside.¡±

    Meng Zitao nodded and commented in a low voice: "Let's talk about Zhou Ziju first. His cursive script is neat and well-proportioned, with clear changes in density between lines. In addition, he uses both square and round strokes, and the ink is thick and thick.  The use of wet and dry ink creates a highly exaggerated artistic effect. This artistic feature should be learned from Wang Duo, a calligrapher in the late Ming and early Qing dynasties, who already possesses at least 80% of Wang Duo's skills."

    "Next, let's talk about Yu Sihai. His calligraphy and strokes are like lightning bolts, appearing out of nowhere. His composition is eclectic and coherent. In an "Epic Ode to the Yellow River" written by Hu Zeng in the Tang Dynasty, his words are like the words of the Yellow River.  The water rushes down unstoppably, which not only shows the indomitability of standing as the mainstay of the Yellow River, but also reveals the passion in his heart."

    After listening to Meng Zitao¡¯s comments, He Wanyi asked: ¡°According to you, is Zhou Ziju¡¯s calligraphy any worse than Yu Sihai¡¯s?¡±

    Meng Zitao said: "The benevolent sees benevolence and the wise see wisdom. Some people may like Zhou Ziju's cursive script, but in comparison, I still prefer Yu Sihai's cursive script."

    In fact, Meng Zitao felt that Zhou Ziju's cursive writing was indeed inferior to Yu Sihai's. He said this mainly because there were many guests around. As the old saying goes, walls have ears, and he didn't want others to hear it and cause unnecessary misunderstandings.

    However, Niu Laosan was standing not far away from Meng Zitao. Although he didn't hear what Meng Zitao said, he knew a little lip reading and even guessed, so he understood the meaning of Meng Zitao's words and felt in his heart  There was a sudden burst of excitement.

    ¡°Boy, I¡¯ve got you caught. You dare to say that I, Mr. Zhou, am inferior to the rest of the world. Let me prevent you from making a fool of yourself!¡±

    Niu Laosan had evil intentions and whispered something to the young man next to him.

    This young man is Zhou Ziju¡¯s grandson Zhou Duo. After listening to Niu Laosan¡¯s words, he frowned slightly: ¡°Niu Laosan, you won¡¯t lie to me, right? What would he say?¡±

    Niu Laosan said solemnly: "Do you think I can lie to you about this kind of thing? This is related to Mr. Zhou's reputation. If there is no such thing, will I say nonsense? This kid just said that Mr. Zhou is not as good as him.  Yu Sihai, what are you talking about? Yu Sihai is not worthy of carrying Mr. Zhou's shoes, why should he say that Mr. Zhou is not as good as him? Isn't this just looking for trouble?"

    "But don't be impatient. I'll wait for Mr. Zhou to finish his creation and see what everyone says. Then I'll see how he says such unconscionable things."

    Zhou Duo nodded expressionlessly, without any other expression, and he didn¡¯t know what he was thinking.

    However, Niu Laosan, who was familiar with Zhou Duo's character, felt happy because he knew that this was a sign that Zhou Duo was already dissatisfied.

    Niu Laosan looked at Meng Zitao with gloating: "Boy, let me make you pay some price first!"

    Meng Zitao sensed Niu Laosan¡¯s malice towards him, turned around and glanced at Niu Laosan, and gave him a contemptuous smile. This made Niu Laosan¡¯s initially improved mood immediately turn into a terrible one.

    After a while, the two of them put down their brushes one after another and looked at the fresh calligraphy works. The guests around them cheered loudly.

    Zhou Ziju looked at Yu Sihai's works and said: "Yu Sihai, you are almost turning grass into crazy. It is getting more and more powerful."

    Yu Sihai said calmly: "After all these years, you are still the same. If you don't take advantage of your words, you will feel very unhappy in your heart. I think it would be more suitable for you to change your career to give a speech. As for whether my calligraphy is good or not, that is up to Lao Wang  They come to evaluate.¡±

    "Speaking of Cao Cao, Cao Cao arrived, and saw two old men with pale hair and scholarly temperament coming hand in hand.

    Seeing the two elders coming, everyone greeted them one after another. Meng Zitao and the others also learned that one of the two elders was named Wang and the other was Qin. Both of them were famous calligraphers in Lu Province.  Moreover, Meng Zitao had also heard about the names of the two elders before.

    After everyone exchanged some pleasantries, Mr. Wang looked at Zhou Ziju and Yu Sihai and said, "You two, can't you just be calm and have to compete?"

    "Okay." Mr. Qin waved his hand, his temper was a little hot: "After so many years, if they were willing to listen to you, how could they have been fighting until now? Just let them go. As the old saying goes, competition can still be  It makes people progress, doesn¡¯t it?¡±

    When Mr. Qin said this, Zhou Ziju and Yu ?Eight times, the level of calligraphy can be judged through this 'character'.  "

    "In that case, why did you still sound so weird just now?"

    "Haha, isn't this because I didn't expect it?"

    "Indeed, I didn't expect this young man to actually dare to compare the word 'Yong'. He seems to be very energetic!"

    Hearing the discussion around him, Zhou Duo cursed: "Humph, we haven't even competed yet, why are you bragging?"

    No matter what Zhou Duo thinks, because of this episode, the interest of the guests at the scene has greatly increased. Everyone wants to know what level Meng Zitao will be when he proposes the word "bi".  Of course, now that people think that Meng Zitao will win, except for Meng Zitao's friends, there is basically no one else. Even Ma Huayu is worried about Meng Zitao.

    "Together?"

    "Together!"

    Ma Huayu asked people to prepare pens, inks, paper and inkstones, and the old and the young began to write the word "Yong".

    People often say that there is a method to calligraphy, but what is the method of calligraphy?  Calligraphy enthusiasts all know the techniques of Zangfeng, pause, brush movement, lifting, pressing, and frustration in calligraphy. In terms of writing force, it includes the use of arm strength, wrist strength, palm strength, and finger strength.

    There are several ways to hold the pen in calligraphy. Meng Zitao used the twisting method.  The so-called twisting tube, also known as tube twisting and turning, is a technique for writing calligraphy. In layman's terms, when writing calligraphy, the tube of the brush is twisted or rotated clockwise or counterclockwise according to actual needs.

    The first function of the twisting tube technique is to keep the pen tip smooth and ensure smooth writing; the second function is to use the twisting tube to adjust the pen tip to run in the center of the stroke at any time. This is what we often call center stroke.  The center's strokes can ultimately achieve the artistic effect of penetrating through the back of the paper.

    To put it bluntly, only by twisting the tube can we make the strokes of regular script steady, make the strokes of running and cursive script like flowing water and elegant clouds, and make the calligraphy of regular script and Wei style calligraphy achieve a vigorous and powerful artistic effect.

    ????????????????????????????????? A layman can see the excitement, and an expert can see the door. When Meng Zitao was holding a pen, Mr. Wang and others next to him had a very strong feeling that Meng Zitao¡¯s calligraphy was very powerful.

    At this time, all Meng Zitao could see was his pen and the paper in front of him, which fell neatly.

    "Point" means "side", the side edge is sharp and falls, the strokes are spread out, and the momentum is sufficient to close the front;

    "Horizontal" means "Le", which means falling against the front, going slowly and returning quickly, and cannot pass along the front;

    "Straight (or vertical)" means "strength". It should not be too straight. If it is too straight, it will become stiff and weak. It must be straight but curved;

    "Hook" is "Îó" (ti), holding the pen at the front and focusing the force on the tip of the pen;

    "Yangheng (or lifting)" is "strategy", the beginning of the stroke is the same as the straight stroke, and the effectiveness lies at the end of the stroke;

    "Long skimming" means "plundering", the starting stroke is the same as straight stroke, the front is slightly fatter, and the force must be sent;

    "Short stroke" means "peck", and the stroke comes out from the left, which is fast and sharp;

    "Þà" is written as "®X", the reverse edge falls gently, the folded edge is spread out slowly, and the closing edge is important to be subtle.

    Speaking of which, although the Eight Methods of Yongzi have been widely spread in the calligraphy world for a long time, few people can truly show the essence of the Eight Methods of Yongzi. When Meng Zitao wrote the first stroke, Mr. Wang and the others suddenly opened their eyes  (Remember the website address: www.hlnovel.com
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