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Chapter 502 High Imitation

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    You can search for "treasure-collecting career" in Baidu to find the latest chapter!

    However, after getting excited, everyone began to doubt the authenticity of this work, because everyone felt that if it was an authentic work, how could it be owned by Ma Huayu?

    Even if Ma Huayu gets it with great luck, will he take it out?  Or take it out when the security measures are not too high?

    Ma Huayu was very satisfied with the current situation. He chuckled and said: "Everyone, please be patient. Please listen to me explain the situation first. I am not sure about the authenticity of this work, but I am sure that there is something left on it."  The identification seal should be genuine"

    "Boss Ma, what do you mean by this? Is there a seal of identification on the fakes?"

    "If you are not literate, don't speak. The ability to spot antiques has been around since ancient times. Some works can be fake and authentic. What's the problem with some people not being discerning enough to leave authentic seals?"

    "Yes, but in this way, even if this painting is not an authentic painting, it is still a very high-level imitation."

    "Boss Qian is right." Ma Huayu said with a smile: "Although there is no guarantee whether this work is authentic, it can at least be certain that it has a history of hundreds of years and is quite valuable."

    At this time, a guest asked: "Listen to Boss Ma, don't you want to collect this work?"

    Ma Huayu smiled and said: "We will discuss this matter later. Let's communicate first."

    While Ma Huayu was talking, Meng Zitao had already squeezed in front of the calligraphy works and started studying them.

    To identify the authenticity of a work, one must know Xian Yushu's calligraphy style. Regarding the art of calligraphy, Xian Yushu strongly opposed Song calligraphy. On the one hand, this was due to his retro artistic views, and on the other hand, it also reflected his use of soothing materials.  Huang Tingjian, who writes in an indulgent style, doesn't appreciate it or doesn't understand it.

    Because of this, his cursive script has the momentum of Tang calligraphy to a certain extent, and was praised by Zhao Mengfu and others.  However, his calligraphy lacks artistic connotation and is not as good as Zhao Mengshun's calligraphy in his middle and later years. Although he devoted himself to Er Wang's calligraphy, it also has a graceful and elegant side.

    Therefore, although Xian Yushu once lived under the name of a book, there were only a few successors. The handed down calligraphy works are not as rich as those of Zhao Mengfu, and the authenticity is not as complicated as those of Zhao Mengfu.

    However, as one of the "two wonders", since the Yuan and Ming Dynasties, there are still many masters and masters who have learned from Xian Yushu's calligraphy, such as Bian Wu and Dong Fu in the Yuan Dynasty, Fengfang in the Ming Dynasty, and Pan Boying in modern times, etc., all left excellent works.

    Specifically, in terms of pen usage, Xian Yushu often uses the center point to return the wrist when writing. The pen and ink are pure and smooth, the momentum is majestic and ups and downs, and the writing style of drunken writing is full of strange phenomena.  His skills are very solid, he writes with his wrist hanging, and his writing power is strong.

    And this work can indeed reflect the characteristics of Xian Yushu's brushwork. Even if it is an imitation, it is enough to look authentic.

    Since Meng Zitao absorbed Zhang Zhi¡¯s calligraphy experience, his calligraphy level has skyrocketed. It is no exaggeration to say that although his level may still be slightly different from that of the calligraphy master, his vision is already on par.

    In addition, Zheng Anzhi has an authentic cursive calligraphy work rarely seen in Shu, and Meng Zitao has also carefully appreciated it, so now he can see at a glance that although this work is enough to be fake, it does not reach the height of the real thing in terms of momentum, and it must be an imitation.  No doubt.

    As for who the author is, the time given by Meng Zitao through his supernatural power determined that it should be Bian Wu in the Yuan Dynasty. This person specialized in cursive writing and studied Xian Yushu at a very high level. There are often works that look like authentic works by Neng and Xian Yushu, but he can  It is not easy to reach the height of this work.

    Therefore, this calligraphy work is also quite valuable. In addition, Bian Wu¡¯s authentic works are quite rare. Judging from the current market situation, this work can fetch millions of dollars at auction.

    Since the place was quite crowded, Meng Zitao really couldn't bear it, so he just looked at it for a while and then left.

    "How about it? Do you like the sandwich biscuits?" Zhong Jinxian said with a smile.

    Meng Zitao smiled and said: "I am strong, it was just a trivial matter."

    He Wanyi patted Meng Zitao's clothes: "You are strong, but your clothes are not as strong as you. Look at how wrinkled they are. Besides, things can't run away, so why are you in such a hurry? You must eat the hot tofu."  So happy."

    Zhong Jinxian said with a smile: "My brother and sister are right."

    Meng Zitao also nodded in agreement: "I'm just impatient. I won't be impatient next time if I can."

    Niu Laosan walked over and said a little bit strangely: "Oh, what a coincidence, we met again. What did you think of the "Song of Stone Drums" you just saw?"

    Meng Zitao chuckled and said, "Whether I think it is right or wrong has nothing to do with you. It's really baffling!"

    After saying that, he turned around and led everyone to the table next to himThe originally empty table was walked over.

    Niu Laosan didn¡¯t expect Meng Zitao to despise him so much. He was so angry that his expression turned ferocious. If it weren¡¯t for the current situation, he would have had to go up and fight with Meng Zitao.

    "Okay, okay, let's wait and see!"

    Zhong Jinxian turned back and glanced at Niu Laosan: "Look at this guy, his face is red with anger. He probably won't let it go. Do you want to find someone to teach him a lesson?"

    Meng Zitao smiled and said: "This guy is just a clown, I will handle it myself."

    After hearing this, Zhong Jinxian didn't say much, mainly because Meng Zitao and Niu Laosan were from two cities, and it would be difficult for them to have any intersection in the future.

    "You should try to ignore these people in the future, okay?" He Wanyi said with some worry.

    "Don't worry, I know it well." Meng Zitao gave He Wanyi a reassuring look.

    ¡°When he returned to the city yesterday, because He Wanyi was still frightened by the scene where Wei Dongliang set fire, Meng Zitao also made some explanations and guarantees. In the process, he also mentioned the incident of crashing the car last time.

    Not surprisingly, everyone initially didn¡¯t believe it and thought Meng Zitao was bragging. It wasn¡¯t until Dajun confirmed it, and Meng Zitao made a firm promise and did some related experiments that everyone believed it in surprise.

    Because of this, although He Wanyi is still worried about Meng Zitao's safety, at least it is not that serious anymore.

    Everyone came to the table that was originally empty. At this time, there were some things on the table. These were collections brought by the guests themselves. Some of them were for sales, some to verify the authenticity, and some.  It's just for communication, but this type of person is the least.

    As soon as everyone walked over, Ji Wenzhou invited him over: "Mr. Zhong, these two items are from my collection."

    Ji Wenzhou¡¯s two collections are a portrait of a Qing Dynasty official and a Taibai statue.

    Zhong Jinxian looked at these two things, turned around and asked, "What do you mean by these two things?"

    Ji Wenzhou said with a smile: "Actually, I know very little about antiques. I bought these two items after listening to my friend's advice. Nowadays, investing in antiques has greatly appreciated in value. I regretted them after buying them. I came here today mainly because I wanted to get rid of them."  "

    Zhong Jinxian spread his hands: "I don't know these two things. It's useless for you to tell me this."

    Seeing that Ji Wenzhou was a little embarrassed, Meng Zitao smiled and said, "Let me take a look first."

    Ji Wenzhou was indeed embarrassed that he had flattered the horse's feet. Seeing Meng Zitao's rescue, he quickly praised him.

    Meng Zitao looked at the portrait first. It was a standing portrait of a Qing Dynasty official painted on silk. He wore a flower feather on his head, an unfinished regimental pattern on his blue official uniform, horseshoe sleeves, and black high boots. The color of his official uniform was  Navy blue.

    The depiction of the officials in the painting is quite exquisite, with fine and smooth brushstrokes, clear facial features, even the bags under the eyes, and clear beards.

    Judging the authenticity of silk paintings is the same as calligraphy and painting on other carriers. The most important evidence is the signature, seal, and printing color.  The difference is that silk paintings use silk as a carrier, and the age, maturity, and thickness of the silk have become one of the important evidences for identifying the authenticity and the era.

    How to judge the age of silk? Some people take it for granted that the color of silk is an important indicator.  According to ordinary people's thinking, the farther the age, the darker it becomes. This makes sense to a certain extent, but it is not necessarily true, because the key is how well it is preserved.

    The silk paintings from the late Qing Dynasty are not that far back now, but some of them are already very dark and tattered.  However, although the silk color is black, the black color is obviously floating and does not penetrate deep into the silk muscle, so it is not difficult to identify.

    The preservation of this silk painting is not very good. The silk is relatively dark, and there are also some damages caused by poor preservation, such as moth infestations, mildew spots, etc.

    Apart from the reasons for preservation, this portrait is a good painting. The silk is a type that can only be used by the court. The style of the portrait is also very similar to Castiglione's handwriting. However, this is an unfinished painting and has no taste.  and other evidence that can be used for identification.

    Meng Zitao was a little curious, why was this portrait unfinished?  He guessed a lot of possibilities, but in the end the guesses were just guesses and could not come to a conclusion.

    Although this portrait can be considered a good painting, it has no taste and is not well preserved. Meng Zitao is not very interested in it.

    Then, Meng Zitao observed Taibai Zun next to him. Taibai Zun is also known as Taibai Tan and Jisha Zun.  One of the typical utensils from the official kilns of the Kangxi Emperor of the Qing Dynasty, it is named after the wine jar made by the poet and wine master Li Taibai.  It is also known as the "Chicken Cover Zun" because it resembles the cover used to pen chickens.

    The shape of Taibai Zun is a small mouth, short neck, sloping shoulders, a gradually broadening belly into a hemispherical shape, and a shallow circle of feet that are narrow and neatly cut.  There are many shallow engraved tuanchi patterns on the abdomen.  Compared with the original ones, the shapes and specifications of later imitations are either larger or smaller, and the decorations are too stiff.

    Taibai Zun has cowpea red glaze and white glaze varieties, among which the cowpea red glaze variety that appeared in the late Kangxi period is the most famous.

    This piece is the Taibai Zun with cowpea red glaze, and the outer wall is covered with cowpea red glaze. However, Meng Zitao believes that although the glaze color is red, it is not rich and pure enough, and the shape of the vessel is not square enough. Meng Zitao believes that it is not authentic from the Kangxi period, but  It's not a modern imitation, it's a high imitation from the late Qing Dynasty and the Republic of China, so it's still of some value.

    Just now Ji Wenzhou said that he bought these two antiques after listening to the opinions of his friends. Meng Zitao didn't know whether it was true or not. If it were true, at least Taibai Zun must have had an eye for it.  (Remember the website address: www.hlnovel.com)??.  Compared with the original ones, the shapes and specifications of later imitations are either larger or smaller, and the decorations are too stiff.

    Taibai Zun has cowpea red glaze and white glaze varieties, among which the cowpea red glaze variety that appeared in the late Kangxi period is the most famous.

    This piece is the Taibai Zun with cowpea red glaze, and the outer wall is covered with cowpea red glaze. However, Meng Zitao believes that although the glaze color is red, it is not rich and pure enough, and the shape of the vessel is not square enough. Meng Zitao believes that it is not authentic from the Kangxi period, but  It's not a modern imitation, it's a high imitation from the late Qing Dynasty and the Republic of China, so it's still of some value.

    Just now Ji Wenzhou said that he bought these two antiques after listening to the opinions of his friends. Meng Zitao didn't know whether it was true or not. If it were true, at least Taibai Zun must have had an eye for it.  (Remember the website address: www.hlnovel.com
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