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Chapter 498 Fraudulent Compensation

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    He Wanyi said: "I remember that houses in rural areas can only be purchased by the villagers, and after buying, they have to go to the village to report. How can he buy three households at once?"

    The surrounding villagers all laughed and said nothing. Meng Zitao told her: "As long as the money is enough, there is usually no problem."

    He Wanyi felt a little stupid after hearing this and asked a somewhat idiotic question.

    After working for a long time, there was actually a fish that slipped through the net. Meng Zitao was quite depressed, and now Wei Dongliang was equivalent to death because of him. Wei Xiaofei must regard him as the enemy who killed his father, and must get rid of him quickly, so Wei Xiaofei must  Find it as soon as possible.

    We learned through the villagers that Wei Xiaofei should have escaped when there were many watching villagers around when he was putting out the fire.

    So Meng Zitao immediately notified him to hunt down Wei Xiaofei. After that, there was nothing he could do but wait.

    Next, the matters here were handed over to the people from the Quancheng branch. Meng Zitao and the others were about to go back, but at this time, a middle-aged villager came over angrily holding a blue and white porcelain.

    "Who is the person in charge here?" the middle-aged villager said angrily.

    "What's the matter with you?" Meng Zitao asked.

    "What's going on?" The middle-aged villager raised the porcelain in his hand: "Do you still need me to tell you what's going on? When the explosion just happened, all the vases I placed in front of the window were smashed."

    Zhong Jinxian sneered and said, "You are a bit funny. We didn't start the fire just now. What does it have to do with us?"

    The middle-aged villager snorted coldly: "The person who set the fire is dead, how can I still ask for compensation from the dead? Besides, I heard people say that it was you who shouted downstairs that would set the house on fire, not you."  Should I go underground to seek compensation from him?"

    Everyone laughed, and the villagers said angrily: "What's so funny? I'm telling you, if you don't pay for my vase, none of you can leave!"

    Meng Zitao smiled and said: "Brother, can you show me the things?"

    The villager looked wary and said, "What do you want to do?"

    Meng Zitao said: "If you want us to compensate, you have to let me see what kind of porcelain this is. The price difference between modern handicrafts and antiques is not even a little bit. You see so many people around, don't worry about what I will do."  ."

    The villager put the porcelain on the ground and said, "It goes without saying that this must be an antique. If it were just new, I wouldn't have rushed back from the city."

    This is a Longquan kiln vase, which is a typical Fengwei Zun. The Fengwei Zun evolved from the flower goblet of the Yuan Dynasty and is a variant of the flower goblet.  The overall shape of the Phoenix Tail Zun is a trumpet-shaped mouth, a straight neck, a round belly, and a flat bottom. It is named because the extension from the lower abdomen to the soles of the feet resembles a phoenix tail. This shape is common at the entrance of porcelain capital kilns, and in Longquan Kiln  It is relatively rare among cutters.

    The whole vessel is covered with celadon glaze, and the outer wall is decorated with carved patterns. The neck is decorated with a peony pattern of turning branches, and the bottom edge is a straight pattern.  The feet are exposed, unevenly trimmed, slightly thick, and without style.

    Through identification, Meng Zitao can be sure that it is an authentic Longquan kiln from the early Ming Dynasty. The entire vase is worth about 100,000 yuan, but there is a big hole on the edge of the vase, which looks like it was hit by something.  As a result, this undoubtedly greatly affected the value of the vase.

    Seeing this, Meng Zitao felt like laughing, because the explosion only shattered the glass of the window, but if the glass hit the vase, it would obviously not be like this.  As for the impact that knocked the vase over, it certainly couldn't have been just a hole.

    ¡°Brother, I don¡¯t know which household your family is from?¡± Meng Zitao asked.

    "It's in the back." The villager pointed to a household directly behind the burning house: "Our family has been affected the most. Except for this vase, the house is in a mess. You must be responsible."

    Meng Zitao nodded and said, "Brother, can we take a step to talk?"

    "What do you want to do?" The villagers looked very wary.

    Meng Zitao smiled and said: "Haha, if you want to make the price known to everyone, it doesn't matter if we tell it here."

    Seeing that everyone around them was looking at them, the middle-aged villagers said that it would not be good for others in the village to keep their wealth secret, so they nodded in agreement.

    The two of them walked aside, and Meng Zitao asked, "What's your surname, eldest brother?"

    "My surname is Yang, Yang Shoufa."

    "How much do you want this vase?"

    Yang ?, she was angry and worried, and she scolded Yang Shoufa in a low voice for not having enough brains to think of such a bad idea just for money.

    While the couple were muttering next to each other, Meng Zitao was attracted by the two potted plants placed at the door.

    What caught Meng Zitao¡¯s attention was not the potted plants themselves but the two flowerpots in which they were planted.

    The decorations of these two flower pots are similar. The six sides of the pot are painted with broken peonies and broken lotus patterns, which symbolizes integrity.  The bottom of the basin is fitted with a crabapple-shaped base, and small branch flowers are painted on it as auxiliary decoration.

    The flowerpot has a thick porcelain body and a white glaze. The blue and white flowers are elegant and beautiful. The patterns are full of life and the calligraphy is exquisite. The most unique feature is the blue and white single-column regular script written across the lower edge of the mouth: "The year of Tianqi is made of rice and stone."  The inscription indicates the time and ownership of the artifact, which is very important.

    The Mi Shiyin mentioned here is the famous calligrapher Mi Wanzhong in the late Ming Dynasty mentioned above. He was a Jinshi in the 23rd year of Wanli, and his official rank was Taipu Shaoqing.

    Mi Wanzhong is good at poetry and prose, and has 12 volumes of "Chengdantang Collected Works" and 12 volumes of "Collected Poems" in existence.  He is good at calligraphy and painting, and does not waste time in studying when he is busy with books. All his paintings and calligraphy are copied from famous artists in Jin and Song Dynasties. He distinguishes them carefully and is good at collecting famous works. His cursive calligraphy is based on the Mi family method.

    Together with Xing Dong, Dong Qichang, and Zhang Ruitu, he is known as one of the "Four Masters of the Late Ming Dynasty", and together with Dong Qichang, he is also known as "South, Dong, and North Rice".  He has been famous for forty years, and his writings are all over the world.  The landscape is like Ni Zan's method, and the flowers are like Chen Chun.  He is also good at painting rocks, and he also splashes ink to imitate the rice technique to create huge paintings. The momentum is vast and the smoke is dense, which is breathtaking.

    As mentioned before, Mi Wanzhong specially ordered a batch of porcelain for Shaoyuan. If this pair of flower pots are authentic, they should be specially customized flower pots for him to decorate a study or room somewhere and spread the fragrance on them.  Increase the spring and autumn mood in the hall.

    After the Apocalypse, porcelain officially became a personal pursuit of literati. It was used to decorate home furnishings or play in the study. The orderer could provide a sample of the porcelain painting or pass on his favorite pictures and texts, and entrust the porcelain dealer to make it.

    Mi is the earliest literati who has been confirmed to sign his name on porcelain in the late Ming Dynasty. His custom-made move became a landmark event in the arrival of this aesthetic revolution, thus leaving a strong mark in the history of Chinese ceramics.

    As soon as this example started, it became a trend, leading the development trend of high-end porcelain industry in the late Ming and early Qing Dynasties. Later, the masters of Shendu Zebeinuma in the 11th year of Chongzhen, Xichou Academy in the 11th year of Shunzhi, etc. all entered the porcelain capital to order.  Follow in his footsteps.

    Therefore, Mi's customized porcelain plays an important role in the history of porcelain. What's more, judging from the current public information, there are only four pieces of customized porcelain with Mi's signature, two of which are in China and one in Jiangxiang.  One in the United States.  This shows how precious this kind of porcelain is (remember this website address: www.hlnovel.com
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