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2196 hidden means

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    How many ticks can a minute be divided into?  How many ticks can one second be divided into?  Time jumped on every minute scale, and Dorothy felt that she was adapting to situations that had originally felt very uncomfortable.  The environment around her is constantly changing, and her inner self is also constantly changing. The factors causing the changes are so complex and changeable. However, no matter how she changes, her feelings are becoming more and more consistent. Those seemingly certain things are becoming more and more constant.  Countless combinations of changes are being delimited by an invisible range. No matter how they change, fewer and fewer people can escape this range.

    What seemed infinite is becoming finite on an indescribably huge scale.  Dorothy felt that she was adapting to this limitation, even though she could not observe and describe what this range looked like.

    Those uncertain factors that have been oppressing me have become certain, from variables without warning to variables that can be predicted, and even the values ??of variables finally have margins and feel their limited range.

    The infinite becomes finite, the finite becomes determinable, the determined has been adapted, and the adapted can no longer embarrass Dorothy. She doesn¡¯t know how she did it, maybe she has the identity of Super Dorothy.  Supporting this adaptability from behind, but when she feels like she can do it, she feels like she can do it.

    The real-time detection data of Dorothy by the super system is becoming stable. In Dorothy's field of vision, this "corridor" that originally seemed to be isolated in the internal space of the repeater is changing into another wonderful shape.  .  The so-called "corridor" is an outline that conforms to common sense. After its deformation, this outline stretches like dough and expands like fermentation. It no longer appears in a physical way, and Dorothy also  Gradually, I no longer feel that I am standing in a physical corridor.

    Dorothy began to feel that she was floating, the ground she was stepping on did not exist, the wall she was relying on did not exist, and all the substances that were exerting stress on her did not exist, so that  Even the force I felt before was false.

    ?? What kind of position are you and the corridor, yourself and other people, corridor and repeater, other people and repeater?  It is also completely different from the "actual situation" seen with the naked eye.  The idea of ??distinguishing the positions of each other as "up, down, left, front, and back" seems to be wrong from this point on.

    Whether it¡¯s Omi, Marceau, Father Sisson, or the things in the entire corridor, the concept of ¡°quality¡± seems to have disappeared.

    Dorothy only felt that she was standing in a world made up of countless intertwined "lines", but these "lines" were by no means the lines of the outline of things that could be seen with the naked eye.  The original contours of things are only part of these "lines". Some "lines" even pass through the outlines of two or three things at the same time, but before their shapes are completely outlined, they have already turned to other things.

    The world composed of these complex "lines" is full of gaps, which made Dorothy feel that she might be able to pass directly through these gaps. However, because of the complexity of the "lines", the structure of these gaps has also become very complicated, and it is basically impossible to pass through these gaps.  It is impossible to form a straight path.  Moreover, those gaps that seem to be passable, if you look closely, are actually filled with dense "threads" that are filling the existing gaps.

    I don¡¯t know how many ¡°lines¡± there are, I don¡¯t know where the end of each ¡°line¡± is connected, and I don¡¯t know what the specific meaning of these ¡°lines¡± is.

    Dorothy originally only observed through her senses, but in a very sudden moment, she felt that she was really watching with her "eyes". She saw the dynamics of these "lines". Countless "lines" constituted a complex structure that could be expressed in words.  Indescribably complex dynamics.  Whenever you carefully observe the movement of these "lines", you will feel a sense of stagnation as "your brain is filled up."

    Different from the feeling that her thoughts were constantly expanding before, the more Dorothy observed these "lines", the more difficult it became for her to take her attention away from these "lines". Instead, her thoughts seemed to be shrinking and tightening.  Stay firmly rooted in these "threads" and have no energy left to think about other things.

    My thoughts seem to be firmly tied by these "threads".  Then, a feeling of being bound was stronger than before, making her feel that her body was difficult to move in these worlds full of "threads".

    Dorothy took a look at her own image and saw that there was also no "girly" outline, only a large number of "lines".

    She can clearly feel which "lines" are part of her own outline, and these "lines" are without exception connected and entangled by the complicated "lines" around her.

    Dorothy has a further feeling: she must cut off her own "thread" and otherThe connection between his "lines" was able to break away from the London repeater.  Moreover, not only herself, but also the so-called invisible Father Sisson, who had just invaded the London repeater, was also partially outlined by these "lines", interspersed between other "lines", and  At the same time, it is entangled by other "threads".

    Does this mean that if the connections between these "lines" are not cut off, even Father Sisson's inexplicable state at this time cannot truly escape from the London repeater?

    Dorothy did not think that these "threads" were only entangled with Father Sisson after he entered the London repeater. Instead, they were entangled with Father Sisson early on, and no matter how his shape and nature changed, they never really  Been separated.

    Dorothy did not feel the passage of time or the change of space in this observation state. At the same time, she did not feel any sense of consumption. It was as if seeing such a scene was something she could do in the past.  I couldn't see it, just because this ability was not "used".

    Dorothy herself didn't know exactly what abilities this body, which was a replica of the ultimate weapon, possessed, but judging from the extraordinary sense of adaptability and the world of "threads" she observed before her eyes, this body marked by  The image bears the mark of the "Ultimate Weapon" and has a mystery corresponding to its title.

    Super Dorothy and the final weapon Dorothy are essentially the same. However, the final weapon Dorothy was not made by Super Dorothy, and the birth of the final weapon Dorothy was never related to Super Dorothy.  and under the script control of the color center.  To describe it simply: "Final Weapon Dorothy" is a character that already exists, and Super Dorothy automatically acquired this role after she "descended" from the hospital reality to the doomsday fantasy.

    Of course, this is by no means a coincidence, but the factors that caused this necessity are so complicated that even Super Dorothy cannot find out all the factors.

    ¡°What Dorothy can do, when she really does it, it will become natural.  These mysterious powers are not skills, consumables, or abilities that require a price to be exerted. There is no time to display abilities, and they don't even require a thought.

    Just like raising her hands and feet, Dorothy's field of vision has returned to the original scene in the corridor, and in the super system's timer, not even a second has passed.

    Faster than blinking, faster than thinking, faster than any conscious act of cognition.  At this moment, Dorothy had undergone tremendous changes.  The observation data of the super system is being refreshed rapidly, and two-thirds of the newly generated data are already garbled codes with no meaning.

    "What's going on?" Omi, who was also observing Dorothy in real time, couldn't help but frown. There were also a lot of garbled codes in the data she obtained.  The new data being generated is almost indistinguishable from all the data saved in the past.  It was as if Dorothy, who was standing in front of him without any change in form, had transformed into a completely different existence at this moment.

    Omi is no longer sure whether, as one of the makers of the ultimate weapon Dorothy, his past understanding of her and the backdoor left in her body are still present in this Dorothy who seems to have become brand new from head to toe.  Can work.  Now Dorothy's changes have exceeded her original estimate and are completely inconsistent with her theory.

    Although the situation turned out to be somewhat different from what she expected, Omi has gained a huge advantage in the fight for dominance of the London repeater.  Many of the super system's permissions have been breached, but its status as one of the three pillars prevents Omi from completely banning the permissions it should have originally had.

    In a few minutes, Omi will be able to fully control all the permissions of the London Repeater, while the Super System can only barely maintain the permissions it originally has.  The Super System's adjustments to the London repeater cannot be canceled, but the gap in authority between the two sides is large enough for Omi to restore the adjusted parts as soon as possible.

    She has already begun making a copy of the current status of the London repeater.  Where Dorothy cannot see it, the most powerful masterpiece so far, the "time machine" she has made by herself, has also been connected to the prayer room where Madoka Magica is.  Huo Zhi, who fell into suspended animation, was transported to the location of the last of the three pillars, where his consciousness would be restored.

    The last of the three pillars of the London Repeater, when he was still a human being, his teacher was once a "wheelchair man" who was regarded as "the strongest conscious walker".  Monsters that reach deep into humanity¡¯s collective subconscious.  After this reliable old man died because he was too close to the "monster in the collective subconscious of mankind", this one of the "Three Pillars" took over the mantle of "the strongest consciousness walker".

      Precisely because he was almost the "strongest consciousness walker" to begin with, when he became the "Three Pillars", he had already surpassed his teacher and became the veritable "strongest consciousness walker".  Just like his teacher "Wheelchair Man", he has done many things that are unbelievable in the eyes of others. The mystery he possesses is something that Dorothy, who has long since turned away from him, has no way of knowing.

    One of the key reasons why Omi was able to avoid Dorothy's eyes and ears and arrange various back-ups without anyone knowing was because she had this person's help.

    Omi has never doubted that the fire will be revived and even sublimated in his hands.

    Dorothy should still not be able to remember the existence of one of the three pillars, right?  She actually knew it, but this knowledge was forcibly eliminated by the other party.  If Dorothy is still the Dorothy shown in the original data, then as long as that person does not take the initiative to revoke the ability, then even if someone tells Dorothy again that one of the three pillars is such a person, she herself will  Forgetting, basically, there is no possibility of automatically retrieving this knowledge.

    However, at this sudden moment, something happened to Dorothy that made her completely different from the past.  Omi had to consider that now she had re-recognized the existence of one of the three pillars, the "Philosophical Ghost".  Once she is reminded of it, many arrangements in the past are likely to fail.

    "The time when the "philosophical ghost" is the most threatening, and the prerequisite for it to be able to play a role in front of the ultimate enemy, is when "no one knows its existence."  It is like an assassin, only launching a blow at the most critical moment. This blow may not be fatal, but it should be a turning point in turning the situation around.

    It is precisely because Dorothy in the past also knew this, so she took the initiative to accept cognitive elimination, and was manipulated by Omi.

    However, Dorothy now does not know this, but will continue to pursue this clue to find out the truth.  When she had no possibility of figuring this out, she could not care at all, but when this possibility emerged from her again.  Omi felt that it was necessary to reduce this possibility from other directions.

    ??Moreover, preventing her from recognizing the existence of the "Philosophical Ghost" is even more important than keeping her inside the London Repeater.

    The final weapon Dorothy¡¯s benefit to the London Repeater is visible. In Omi¡¯s plan, she will also play a huge role as part of the London Repeater.  She doesn't care who Dorothy thinks the enemy is, but starting from Dorothy's thoughts and analyzing her behavior, she will come to a not so good conclusion.  Therefore, before things became like that, Omi took the initiative to interrupt her plan and graft his own plan onto hers.

    Omi is very aware of the potential of Dorothy, the final weapon, and has analyzed its behavior mechanism.  She knew that once Dorothy was allowed to leave the London Repeater, it would be impossible to get her back.  Losing Dorothy would undoubtedly be a major loss for Omi's plans.

    However, under the current situation, it seems that we can only discard part of it and save part of it.
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