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2197 Disengage repeater

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    The internal spatial structure of the London Repeater began a new round of changes. There was an obvious sense of movement in the corridor where Omi and Dorothy were, as if they were rapidly rotating around the center of a circle. The huge centrifugal force was making the corridor unfixed.  Things tumbled against the wall, and then the corridor broke at both ends.

    The broken part fell below, and the collapsed wall also decomposed and fell. The field of vision became wider, but no more things could be seen up, down, left, and right. The part outside the corridor was nothingness with no end in sight.  In just a few seconds, only the fragments at the feet of Omi, Marceau, Dorothy and Father Sisson were left, still suspended in mid-air.

    The huge flow that makes up the outline of the figure in front of Father Sisen is still seeping in from the void. The entire void seems to be driven by this huge flow, and it also shows a corresponding flow trend.  However, no one paid attention to this change, because even if Father Sisen's formless whole flowed into the repeater, it would not be able to expand its influence to the extent of affecting the entire repeater.  Its form and properties are indeed full of mystery. However, if this level of mystery is compared to "mercury", then the mystery of the entire repeater is as mysterious as the "ocean".

    The "quantity" that makes up Father Sisen as a whole is too small. Even if Father Edward adds the black water of Tiantianyuan Kayako in his nine-nine disguises, which is far more than any individual mysterious expert known so far, he still cannot achieve the same level.  Quality is comparable to repeaters.

    ??When mercury flows into the sea, even if it can exist for a moment, it will sooner or later be crushed by the natural movement of the ocean currents.  Even if Omi did nothing, Father Sisson in his current form would not be able to stay inside the London Repeater for too long.  While Omi is gradually covering the repeater's authority, Father Sisen's original authority is also being compromised.  Omi is trying to find a channel for Father Senmori to interact with the repeater. This will not take long. Once completed, she can seal the repeater again at any time.

    Father Xisen has also realized that in the short few seconds of the confrontation between the two sides, he has already interacted with the probe left inside the repeater by Omi hundreds of thousands of times.  From having the upper hand in the first few moments to now being firmly at a disadvantage, the situation changed faster than he expected.  When he successfully penetrated into the London repeater at first, he thought he could persist for a longer time. However, Omi's coverage and integration of the repeater's authority was faster than he expected. The other party's processing speed  , it is simply not something that humans can do. However, in his observation, Omi's individual existence factors still remain within the "human" range in common sense.

    How could such a thing happen?  Father Sisson felt the huge contradiction and something terrible hidden behind the contradiction.  If possible, of course he would like to take this opportunity to move into the London Repeater. However, the current situation requires an immediate decision, and temporary evacuation may be the best choice.

    The human form of Father Sisson, shaped by flowing tiny matter, emitted a large amount of smoke in the eyes of both parties.  The smoke particles began to vibrate violently, making a low sound at first, then getting sharper and sharper, and the next moment, it turned into a clearly audible pronunciation.  This is not a human voice, but closer to a mechanical voice.

    "TaoDorothymust leave" After saying this, the vibration became more intense, and the sound was like it was about to penetrate the eardrum.

    In Dorothy¡¯s wonderful vision full of ¡°lines¡±, this vibration is even clearer.  The "threads" that made up the existence of "Father Sisen" were all vibrating, and were broken by the excessive vibration.  The outline of "Father Sisson" in this field of view is disintegrating. After the "line" depicting his image is broken, it is like a school of fish passing through the gaps between the peripheral lines and spreading out in all directions.

    When she returned to her normal field of vision, Dorothy could only see that the cloud-like human silhouette of Father Sisson beside her was dissipating, as if a huge suction force was coming from around him, sucking away all the clouds and fog that made up its outline.  sucked away.  Of course, rather than thinking that "Father Sisson is under attack", Dorothy felt that this was Father Sisson's preparation before leaving the repeater.

    Because, in the world of "threads", she saw that although the "thread" that outlined Father Sisson was dispersing, the process of dispersing was mobilizing more "threads".  A "channel" that cannot be described in words gradually emerges from the feeling during this process.

    It cannot be directly observed, but it can be felt.

    However, before Dorothy cut off the "line" connecting herself to the repeater, Omi had already jumped back.

    After the corridor disintegrated, the foothold of both parties was no more than one square meter. With Omi's jump, he jumped directly out of the boundary and fell towards the seemingly endless void.  Dorothy didn't move because "Marso" was staring at her.  direct??Omi completely disappeared from sight, and the outline of "Marso" gradually faded and completely melted into the void.

    Dorothy quickly confirmed that the "lines" that formed Omi and Marceau had changed, and even from this wonderful view, they could no longer be found.

    "They left?" Dorothy looked at Father Sisson beside her and confirmed again.

    Father Sisson¡¯s remaining human silhouette nodded and also disappeared from her sight, and the fragments of the corridor that provided the three people with a foothold were completely disintegrated.  Now, Dorothy was the only one left in the entire void.  She could clearly feel that the fragment of the corridor under her feet could not hold on for long, probably only a tenth of a second.

    In one hundredth of a second, Dorothy has completely entered the field of vision of "threads" and sorted out the "threads" that constitute herself and the other "threads" wrapped around these "threads".  This is not something ordinary people can do. There are too many "lines" that need to be observed and operated.  Even so, Dorothy also possesses the mysterious power of instinct in this perspective that is like her own instinct. The process of "straightening out the threads" was completed as soon as she had the idea.

    The complex line structure was sorted out into a subjectively more regular appearance, and then most of it was cut off by Dorothy.  After that, the line representing "Dorothy" finally passed through the gaps between the lines like a swimming fish, and followed the passage left by Father Sisson that could only be identified by feeling, toward the unknown person.  Quick shuttle in the direction of where to go.

    When Dorothy left the "line" perspective again, she had left the void space where the corridor was, but she was still in a room inside the London Repeater.  It was impossible to tell whose room this was because everything that could be observed in the room had been refreshed, and its surface and internal structure were completely different from the style of the room when Dorothy was in charge of the repeater.  Moreover, the whole room gave Dorothy a very unstable feeling, as if it would be refreshed again at any time.

    This way.

    A voice entered Dorothy's mind through some means, and she could tell that it was Father Sisson's voice.  Although its shape could not be observed, Dorothy still galloped along the direction guided by the voice.  From the perspective of "line", her way of existence is also changing, and the obstacles of material form and properties from ordinary observation angles are almost all ineffective.  Like a ghost, Dorothy penetrates directly through walls, structures, and unknown substances. Her speed is so fast that even if the place she passes is being refreshed, it cannot affect her progress.

    The guidance that emerges from the conscious level is always faster than Dorothy.  Finally, Dorothy jumped forward. Although she didn't touch anything, she felt that her whole body was being kneaded and stretched like dough, and she slipped out of a long and narrow pipe.

    This time, when her vision returned to normal again, the London repeater, which looked like a lotus in its physical form, was already a hundred meters away.  She was finally out of the repeater's interior.

    However, the environment outside is certainly not that good.  The huge distortion makes all the places that can be seen, those things that were originally dead objects, all squirm like life. The scenery in the entire visible area has deviated from the usual style of the Ruling Bureau site and no longer looks like it.  It is a "ruin", but more like the cavity of some kind of creature.  The power of distortion always exists, continues to amplify, and continues to spread. After breaking away from the repeater, you must rely on your own strength to resist the influence of this distortion.

    However, even in the face of these indescribable abnormal scenery, Dorothy can still enter the perspective of "line".  In this wonderful perspective, "line" is still the only tangible existence that outlines these twisted and abnormal things.  The distortions seen from a normal perspective, from this "line" perspective, also show a certain pattern that is too complicated to understand.

    However, it was the complex regularity presented by these "lines" that made Dorothy feel that the core subject that caused these distorted scenes was still in an extremely distant place that could not be directly observed.  That is not a remote place that can be described by normal concepts of space and time. However, through some kind of movement, the nature of this "remoteness" will change, and the process of directly allowing the core subject to reach this area cannot be described by "movement" in common sense.  Descriptive, if I have to describe it, it is better to think of this core subject as "always present here", but "not having more contact".

    There are many situations that Dorothy cannot describe. In her thinking, the cognition from the human perspective and the cognition from the perspective of Super Dorothy are all full of limitations.  Obviously it is something that I can observe, but I can't find a correct and suitable word to describe it.

    ?The more you say it, the more wrong it becomes, and the more you think about it, the more deviations occur. You can only understand it but not express it in words.  No

    Even the perceived parts are full of omissions and errors. Perhaps when you use your own limited cognition to feel and understand, deviations have already occurred.

    This core subject, whose true form is hard to imagine, should be the source of the "deviation" that Torchlight believes in, and is also what the deviation ritual is summoning, right?  It was definitely not a "monster in the collective subconscious of mankind", because Dorothy could feel that it was not located in human consciousness.  What it itself shows more is that there are many physical properties that are not in common sense, and they exist from a material perspective.

    Dorothy wants to further explore the way of existence. Her consciousness is based on the "lines" that she can observe, and moves towards the unobservable distance.  However, even with the speed of consciousness, it is still unable to shorten the distance between oneself and the core subject. This distance seems to be unable to be conveyed by "consciousness" under the current situation.

    The next moment, Dorothy felt an unusual sense of fear.  Precisely because this sense of fear was too heavy, before Dorothy was completely engulfed by this sense of fear, she had already passively broken away from the "line" perspective.  Afterwards, she felt that her body was completely stiff. Although she wanted to do something, it was very difficult to even "think of something".

    After breaking away from the "line" perspective, she no longer felt terror. However, this feeling of "no terror" was of no use to her getting rid of the current situation.

    Whenever Dorothy tries to "think", a huge resistance directly interrupts the operation of this "thinking".

    Unable to think, unable to move, able to feel, but unable to recognize, Dorothy is completely unable to judge anything, nor can she observe herself.  Gradually, when she began to have a feeling, it was "fear".

    The feeling of fear comes faster than any feeling and is clearer than any feeling.  Nothing but "fear".  Dorothy was no longer able to operate on her own. She was like a stone sculpture, standing quietly a hundred meters away from the London Repeater.  The twisted things around her were like tentacles, like tongues, like some kind of mucus, rushing towards her.  No one knows whether Dorothy is aware of the danger coming from around her, and her body shape is also undergoing some kind of alienation.

    Before this distortion and alienation of the body showed more characteristics, the shape of the London Repeater had already begun to directly observe changes. The originally lotus-shaped appearance was showing a spiral twist.  Just like a towel that has been tightened, many things inside it flow out from below like water that has been squeezed out.

    No one can tell what these flowing things are just from their physical appearance.  When these things come into contact with distorted things in the outside world, it is like sulfuric acid being sprinkled on the skin, causing a violent reaction.
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