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- In fact, at this time Wang Haidong thought for a while and took up the topic and continued: "Some of the movie phenomena in the mainland are indeed not very good, and the movies produced in recent years are also not very good. I can also feel this. Yes, today¡¯s filmmakers are actually in such a state, they just change. There is a process of change, and this process is also very normal. Everyone is a market economy. If it is It¡¯s hard to say that you want filmmakers to do things the same way they used to make movies.
¡°And many of the movies at that time were funded by the state. Everyone regarded such a thing as their own thing. It is undeniable that people at that time were very simple-minded. .
And just like directors, videographers, and even actors, they all received salaries from the state. No matter how it was, this was the reason why filmmakers at that time really worked for movies.
¡°But the thing that is like this now is not like this. Striving for fame and profit, this kind of thing also exists in the mainland film market. In Hong Kong and Taiwan, it is not to say that it does not exist, but it is too direct to express it, and it is directly discussed in public. .
Based on such an understanding, if such a situation can have such a change, then this matter is actually not a very simple matter.
Although the film market in the Mainland is said to be striving for fame and profit, under such a situation, in fact, at this time, everyone has really brought this kind of struggle to the stage.
It can be said. There is also struggle among Hong Kong filmmakers, and this kind of struggle is superficial. And in the middle of such a process, in fact, at such a time, at such a point, they thought of such a problem, which is such a simple thing. One of the problems they thought about in such an incident was the poor unity situation displayed in this way.
But it is rare to see something like this in the mainland. Even if mainland filmmakers are trying to undermine each other, they will usually keep such things out of the stage. Anyway, there are rarely open fights. This is a characteristic of mainland filmmakers. Even if everyone As for enemies, if they meet at a banquet or award ceremony, at most they will feel unhappy, but they will usually be greeted with a smile.
This also has a great impact on the style of the entire film market. among these mainland filmmakers. It is precisely because of their face-saving style that generally speaking, some of the movies they shoot are actually relatively conservative under such circumstances. There is nothing wrong with this. , and in the middle of such a process. In fact, at this time, the task they thought of was such a simple thing.
When it comes to such a thing, in fact, during such a process, their performance is so simple, expressing their inner feelings.
Mainland movies basically have such a conservative style, which is different from Hong Kong movies. Most Hong Kong movies show a flamboyant style. Movies of this style often have their own characteristics, and it is easy for classic movies to appear in this style. This is also an important reason why there are more classic films left in Hong Kong than in the mainland.
But in fact, the current Hong Kong film market is not very optimistic. What can be said is that basically speaking, the dividing line started in 1997.
Before 1997, Hong Kong movies showed a very flamboyant style, and many classic movies appeared. A police story about the true nature of a hero, Journey to the West. A Chinese Ghost Story and many other classic movies are very classic, with 10% discount every Tuesday. Jet Li, John Woo, Tsui Hark and other filmmakers are absolute pillars. They have shot many movies that we can hardly forget to this day.
And it is said that in the middle of such a process, things actually had a very prosperous period. This was the basis for Hong Kong movies to become Eastern Hollywood, but later this matter appeared in a relatively unsatisfactory situation. That is to say, after 1997, whether you want to admit it or not, there will no longer be such a classic in Hong Kong movies.
The better one is Infernal Affairs. For the rest, if you look at our film market over the years, it goes without saying that those in the mainland regard movies as a tool for their own fame and fortune.It's hard to say that it's anything big. Even if there are a very small number of directors who are thinking about doing something for the movie, they are still high-minded. This phenomenon is actually quite unacceptable.
In fact, Hong Kong movies have also undergone a clear change. Regarding such a matter, everyone is actually very clear about some things, but few people explain such things to the public. To put it bluntly, Hong Kong cinema has indeed declined.
This is a fact that cannot be denied no matter what. In such a situation, more people actually like to hide such a thing in their hearts, but no matter how they hide it, The decline of Hong Kong movies is indeed a fact, and you should admit it. "Hong Kong movies used to be a banner. No matter how you say this, it set off a wave of waves in the world.
And there were indeed a lot of good movies during that period, which is obvious to all. But later, as Jackie Chan, Chow Yun-fat, Jet Li, John Woo and other filmmakers entered Hollywood, something like this actually started to happen. It's a very obvious change, and it means that such a change has become very unclear fundamentally.
In fact, everyone knows very well what level Hong Kong movies are at now. It goes without saying that everyone knows it, this is a fact.
On this point, Su Bancheng actually couldn't deny this matter, because he himself had experienced it from that era.
therefore. In fact, he has a clearer understanding of such a thing than Wang Haidong. The things I have personally experienced are of course very profound. In fact, such a thing is very simple. A large number of filmmakers in Hollywood and Hong Kong are going to Hollywood. This is also a result of the decline of Hong Kong movies. of.
In a situation like this, everyone is actually responsible. But no matter what it is, if they want to revive Hong Kong movies at this time, then in such a situation, in fact, one of the things they think of is that in this situation, During this time, one of them got to know each other. This is very difficult. The prosperity of a film market cannot be established in one or two years, and the cultural atmosphere of a film market cannot be matured in one or two years.
But in a situation like this, if you want to destroy a movie market, it would be relatively easy to do something like this.
No matter what the situation is, it is actually the same. In a situation like this. If they want to re-establish the prosperity of Hong Kong movies, then in such a situation, in fact, at such a time, one of the problems they think of is that they themselves of clear understanding. At this point, they themselves are also very helpless.
Even if you are talking about someone like Su Bancheng who doesn¡¯t care much about film history. It is also possible to clearly feel such a change in things.
¡°And what¡¯s more, when this happens, the problem they have in mind is not something that just one or two people can change. This is something that requires everyone to be a slave for a long time before real change is possible.
And that¡¯s in a situation like this. In fact, the thing they think of is such a simple situation. Based on this understanding, the clear situation they think of is such a simple thing. . A cyclical change in the Hong Kong film market has begun.
To be honest, these movies shot in Hong Kong now are just barely able to survive when things are like this.
On this point, it is actually a matter that those filmmakers are very helpless about. In fact, they themselves are not very comfortable with such a thing. As a filmmaker, in such a situation, Of course, I hope that the film market will be very prosperous. I imagine that Hong Kong films were once a banner of world cinema, but now they have not fallen to this level. No matter what kind of person you are, that is the case. Very uncomfortable.
And that is to say, when it comes to such a problem, no matter what it is, in fact, when it comes to such a thing, what they think of such a problem is that they can contribute to Hong Kong movies. Do something, but as a result, they still haven¡¯t really thought that they can contribute to Hong Kong.The movie does something. Therefore, to say that it is a Hong Kong movie now is just to say that it can barely maintain the situation under such a situation. In fact, such a thing is also very regrettable. If we are talking about filmmakers who have not experienced that prosperous era, then it is not a big deal at this time, but the key point is that most of the current Hong Kong filmmakers have experienced that prosperous era. In that prosperous era, in fact, under the circumstances, I also hoped that I could do something to revive the prestige of the Hong Kong film market.
But in such a situation, if you can actually think like this, then such a mood is understandable, but there is no one who can really do such a thing, at least until now.
Because such a change cannot be changed by one or two people. The development of Hong Kong movies from prosperity to the present cannot be changed by one or two people. It¡¯s not that one or two people left to compete in Hollywood. Later, the Hong Kong film market became what it is now.
In fact, at a time like this, the change is also very fast, which is very unprepared. But such a responsibility cannot just be said to be blamed on those who left.
"In the middle of such a thing, in fact, one of the questions they think about when it comes to such a problem is that if they go to Hollywood, they also have their own purpose.
When their filmmakers left, it was actually a very huge manifestation of the prosperity of the Hong Kong film market. Moreover, under such a situation, they also gained confidence in the prosperous Hong Kong film. In this way His confidence is actually his confidence to compete in Hollywood.
This is because they think about what kind of things they can really discover from such a thing. In the middle of such a process. In fact, at times like this, things are basically very simple. At times like this, more people actually have such a simple attitude when it comes to this kind of issue.
Since we are saying that we can make movies so well in Hong Kong. At this time, if we come to Hollywood and reach the highest stage of world cinema, we should be able to make it. This is their own simple wish.
But in fact, everyone is very clear about what the actual result of such a thing is. The film industry is not as simple as everyone thinks. It does not mean that you can do whatever you want. When it comes to such a thing, in fact, at this time, one of the problems they thought of is that It's such a simple thing.
When this happens, one of the questions that comes to their mind is their acting skills. My own filmmaking methods have reached a very high level in Hong Kong.
This can actually be seen from the prosperity of Hong Kong films, if not the contributions of this group of filmmakers. At this time, Hong Kong movies may not be able to prosper like this. In the most prosperous era of Hong Kong movies, these filmmakers began to go to Hollywood. In fact, this is also a confidence in myself.
But having confidence is one thing. If we can truly regard such confidence as a relatively powerful tool, in fact such a thing is another matter. This is something that filmmakers have really ignored. One thing, and this thing is actually a very critical thing.
In the Hong Kong film market, these filmmakers are indeed top-notch at such times, and in such a situation, in fact, in such a matter, this matter is actually It is very easy for people to have certain illusions. This illusion actually means that they can be like a fish in water in the Hong Kong film market.
But it doesn¡¯t mean that if these Hong Kong filmmakers go to Hollywood, they will still be able to achieve something. This matter is actually very obvious. In the middle of a process like this, things are actually quite troublesome at this time. The way Hong Kong movies are used, if it comes to Hollywood, in fact, such a thing may not necessarily be a real success.
No matter what kind of thing it is, it is actually such a simple thing.
But those filmmakers themselves may not necessarily be able to truly understand some of these gaps. There is definitely a gap, it's not like it's huge??It's as big as you imagine. We are all filmmakers, and the filming techniques are actually the same. But in this case, the gap is not as small as everyone thinks.
This kind of thing can actually be seen from the results of Hong Kong filmmakers going to Hollywood. During the most prosperous period of Hong Kong movies.
Under such a situation, there are actually very few filmmakers who can truly establish a foothold in Hollywood on such a thing. This time in Hollywood, it cannot be regarded as a failure. Rather, it is a relatively successful attempt. After all, it is a very good thing that someone can gain a foothold in Hollywood. Under such circumstances, it is actually a relatively good gain. , but more such things as going out to Hollywood are actually considered failures at this time.
Whether you are willing to admit it or not, under such circumstances, when Hong Kong filmmakers go to Hollywood, only a very small number of them succeed.
In fact, most people should be considered failures. No matter what it is, it can be seen from the work that such a thing is more likely to fail, and regardless of whether such a battle is a success or a failure, but at such a time, it caused Hong Kong There is nothing wrong with the decline of cinema. (To be continued)
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