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- Chapter 659: Seeing Through
Su Bancheng was also very confused and wanted to argue. Although he didn't care much about Hong Kong movies, for the reputation of Hong Kong movies, he should actually argue, but after thinking for a long time, he couldn't. Thinking of how to argue this matter in such a clear situation, or that he himself had no place to refute Wang Haidong's words.
Therefore, at this time, Su Bancheng sighed and said: "In fact, under such a situation, what you said above is not wrong. Hong Kong movies have indeed declined. In recent years, there has indeed been no What is considered a classic movie has a lot to do with the loss of talent, and also with some other changes. At this time, it seems that Hong Kong filmmakers have said that there is no such thing as that time. Passionate.
This can be seen from the intensity of their creations. At this time, if the filmmakers' creations do not have any kind of passion, then the whole thing above this point may have a certain degree of passion. changing. When they think about such a thing, there is a certain difference between their own ideas and the current environment.
Even if those who have gone to Hollywood come back now, it is hard to say whether they will be able to shoot as many classic movies as before. It is hard to say whether their sense of social responsibility is still there.
Therefore, as everyone is slowly using a tool like film to achieve their own goals, as a filmmaker, he is actually beginning to slowly change. And when it comes to a problem like this, in fact, the problem we think of is not something that can be changed in a day or two. After all, everyone thinks like this, and the impact of such a change It cannot be digested in a day or two.
Moreover, under such a situation, Hong Kong filmmakers are actually at a point where they are no longer working. The older generation of directors and actors are still supporting the current situation of Hong Kong films. This is very important for the film market. If so, that is not a good thing, and speaking of this point, in fact, at this time, the question they thought of was such a simple truth. With the development of the economy, more and more people will join the ranks of movies.
Since that¡¯s the case, then the filmmakers shouldn¡¯t have said that there would be any problems. There are so many people who want to join the ranks of filmmakers. It is not an exaggeration to say that they are joining the ranks of filmmakers.
But what is it actually like? In fact, their own ideas on such a matter should be different from those of previous filmmakers.
In the past, these filmmakers were really creating for the sake of movies, and they just wanted to make a movie that the audience would like to watch, so their artistic achievements were so high.
But under such a situation, it is very clear what exactly do young people like today want to do when they join a circle like the film industry. If you are in a circle like film, it is actually to use film as a tool.
No matter what it is like, in fact, if this purpose comes to the film circle, how much attention will they put on film shooting? Therefore, at this time, there will be such a lack of acceptance in the Hong Kong film circle.
When it comes to such a problem, in fact, at this point, they themselves will realize that there is actually a very big gap in such a thing. In fact, such a gap is not just about this At that time, what they lacked compared to their predecessors was acting skills. More importantly, in this situation, in fact, the problem they thought of was such a simple matter. They did not Focus on things with your heart, but don¡¯t make movies with your heart.
From their point of view, in such a situation, their own purpose is actually not very simple. Since they say this, then they themselves are using the wrong place in such a matter. .
"If they put this kind of thought into filming a movie instead of using it for intrigue, then they can actually make it look like this."A big achievement.
But today's young people actually can't think of such a problem at this time. At this point, they must think about what to do in order to truly achieve success. They just think that they can directly give movies to If it is treated as a tool, it will be easier for them to succeed in this situation.
But in fact, they themselves are very depressed when things like this happen to them. It doesn¡¯t mean that all people can become famous in one fell swoop by chance and encounter a very good movie through luck. In fact, most filmmakers Only by working diligently and slowly can we find opportunities to make good movies. But today's young people are actually not doing very well at such a thing.
What they are thinking about is such a simple thing. At this time, the question they think of is how can I become famous through movies, not how can I become famous through movies? The idea of ??how to make a good movie is actually wrong.
Therefore, some young people today just want to take shortcuts, but shortcuts do not mean that everyone can take them.
Therefore, the current shortage of films in Hong Kong is actually a very big phenomenon. Nowadays, some celebrities in their forties and fifties still occupy the absolute mainstream position in Hong Kong. This is not a good thing in the first place. Phenomenal.
In fact, a mature film market not only has the support of the older generation of stars, but also the support of young and middle-aged stars, and it also has the support of young stars. In this regard, Hollywood has done quite well, and they will all do it again. There is no shortage of these. But in the Hong Kong film market, things like this are not very successful.
??At least in such a situation, in fact, the reason they think of is so simple. The lack of production is also an important reason for the current poor prosperity of Hong Kong movies.
It¡¯s still the same actors and directors over and over again. What kind of classics can be produced in a market like this? It¡¯s not that we can¡¯t do something like a classic, but that in such a situation, even if we want to do it, then look at the atmosphere of the Hong Kong film market now, and then take a look The thoughts of Hong Kong filmmakers on movies now can be seen from this point as an important reason why our current Hong Kong movies are declining.
Nowadays, everyone is not thinking about making a good movie, but in such a situation, what they are thinking about is how to use a tool like movies to achieve their own goals, and success and fame will , this point is not wrong. Wanting to become famous through movies is also a driving force for the development of movies.
Wanting such a result is what a filmmaker should do, or in other words, when this is the case, the filmmaker should have such ambitions.
But there is nothing wrong with having such an ambition, and it is actually good to have ambition in times like this. But if you have such an ambition at a time like this, as a filmmaker, it should be said that you should work hard to make a good movie, so that you can make a good movie. This is the one who achieves success and fame. A good idea.
But in such a situation, in fact, what they think about when it comes to such a matter is not how to make a good movie first, but how to succeed through other means. In itself, it is not a good phenomenon for young filmmakers.
Therefore, if they want to be successful at this time, it is not about how they shoot good movies. From the perspective of young filmmakers like them, the movie itself is actually a successful tool for them. That¡¯s all.
Since this is the case, then naturally they are not thinking about how to make a good movie at such a time, but how to use the movie to achieve their own goals under such a situation, especially This is especially true for some young female stars. If young people are more beautiful, this is capital in itself, and it is also very good to use it well. However, these female stars may not necessarily use their appearance to shoot. A good movie is just a means to achieve its own goals through hype. This kind of thing is actually not a very good phenomenon.
And it¡¯s their own thoughts on such a matter.A question that is to say is such a simple thing. At this time, the question they thought of was such a simple matter. At this point, these female celebrities are doing something wrong.
It is impossible to succeed by relying on hype. As a filmmaker, you still have to rely on your works to speak for yourself at times like this. As long as you have good works, then at times like this, in this You can only gain a foothold in the industry. Even if you get older in the future, people will still ask you to shoot movies. Even if you no longer have the youthful appearance, you will still have acting skills and works. This is what makes a movie. of human capital. It's not about those tidbits of news that can be used to hype things up.
Relying on this method may have a temporary effect, but if you want to really gain a foothold in the film market, in such a situation, it is not just about relying on hype to succeed, or in this case One situation is that there is a company that allows these female celebrities to hype up, but it also requires them to cooperate on their own. This is what can truly achieve this.
????????? When it comes to this, it¡¯s a bit putting the cart before the horse. Therefore, at a time like this, there is nothing wrong with saying that the Hong Kong film market is a bit stagnant.
In a situation like this, since everyone is focusing on how to make profitable movies and how to make a lot of money using a tool like movies, at a time like this There aren't many people who think about how to make a good movie.
In the golden age of Hong Kong movies, even if you talk about Hollywood, you have to ask Hong Kong filmmakers to help. No matter what it is, it can be said to be a pride of Hong Kong movies.
But that pride belongs to the older generation of Hong Kong filmmakers. They rely on their own abilities and efforts to produce good works and let their results speak for themselves. Only then can Hollywood take them seriously. But now Young people are not like this anymore.
They don¡¯t even have a foothold in Hong Kong, but they are thinking about how to break into the international film market like Hollywood. This fact is indeed a bad phenomenon.
From your own point of view, there is nothing wrong with wanting to do this, but think about it, you don¡¯t have a foothold in Hong Kong. You don¡¯t have any good works, so why does Hollywood Please come over.
??The older generation of Hong Kong movies are popular with you. Who doesn¡¯t have classic movies as a backing? If someone is invited to go there, it¡¯s because they have really achieved results.
The same is true for filmmakers. In fact, even if we talk about Hollywood, it is the same. In this case, you have to rely on your results. No matter what it is, as long as you can produce good results, If you can make a good movie, then people can pay you real money to help.
If you want people to invite you over with real money, you must have the ability to convince them. In this regard, the older generation of Hong Kong filmmakers have done a very good job. They can be tough even in Hollywood. They have the capital to speak forcefully and forcefully. But what kind of capital do today's young filmmakers have to break into Hollywood?
Even those who are really capable of the older generation of filmmakers may not say that everyone will be successful, let alone those who say they don¡¯t have any better works.
If you don¡¯t have any better works, then why can others look up to you at a time like this? In a situation like this, would anyone invite you over?
??, Could it be that people in Hollywood are all idiots and would pay for a vase to help? That is impossible. Therefore, under such a situation, it actually shows something, that is, under such a situation, the current young generation of filmmakers in Hong Kong are too impetuous. Now, they don¡¯t have that much precipitation.
Therefore, it is impossible to do such a thing. Not only does it mean that in such a situation, they want to use movies as a tool, which is actually wrong in itself, but also that in such a situation, their own mood is actually very Impetuous.
When they are like this, they shouldn¡¯t be thinking about being in Hollywood. Not everyone who goes to Hollywood can be successful. But in such a situation, in fact, what they really think about such a problem is what they are saying.It is their basic view that needs to be changed when they are like this. It means that in such a situation, in fact, at this point, they themselves should be doing things down-to-earth.
What they should do now is to be down-to-earth and do what they should do in a place like Hong Kong, under such circumstances.
¡°As long as they can do what they should do well and shoot some good movies in Hong Kong, then they will have the capital to enter Hollywood.
If it is impossible to succeed in their own territory, then under such circumstances they still want to become Hollywood movie stars. Such a thing is actually impossible.
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The current sluggishness of the Hong Kong film market may not be due to this reason, but in such a situation, it is really unclear what kind of situation they want to be able to truly wake up to. It's easy to say. I hope they can wake up soon. If this is the case, then the Hong Kong film market will actually have real hope of re-emerging at this time.
It is impossible to say that the older generation of filmmakers have always supported Hong Kong movies in this way. In fact, the future of Hong Kong movies still does not belong to people of this age. If they succeed earlier, then only then can Hong Kong movies have hope of recovery. of. "
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