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Chapter 389 Experience Party (6)

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    "The experiential school, as the name suggests, emphasizes the profound experience of the actor's inner emotions, integrating the actor's heart with the character. The famous Stanislavsky's "The Actor's Self-Cultivation" is this. The method school is the actor's physical and emotional  Expressions are used to express the character's heart, requiring consistency with the character's performance both on and off the stage. Famous representatives include Marlon Brando. Expressionism means clearly distinguishing oneself from the character. You must be close to the character, and you must understand that the character is a character, and you are the character.  Self. Emphasize the expression of body movements and focus on the outside."

    Every time you study theoretical knowledge, it is the easiest thing to doze off.  But Bo Yan didn't do it to drop the book bag, he just wanted to ask her: "What kind of situation are you in?"

    After Xia Siyu answers, she can use different methods from various schools to teach her, getting twice the result with half the effort.

    Xia Siyu hesitated: "The first type."

    That is the experientialist, integrating one¡¯s own experiences into the characters, and using one¡¯s own life experiences to understand the feelings of the characters.

    No wonder she acted in chick flicks, but because of her self-introduction, the character also has a soul.  Although the landlady in "The Tempest" is a little more charming and voluptuous, she also has a personality that dares to love, hate, and speak her mind, which is compounded by her personality.

    Bo Yan said: "There is nothing wrong with the experience school. The problem is that if you want to create different characters, some very full characters, you have no life experience and no experience. You cannot get close to the hearts of these characters by relying on your own imagination.  World, that¡¯s your flaw.¡±

    The role she is going to play in "Spring Light" is a capitalist daughter of a special era, a female college student in a big city, an intellectual woman whose family has been persecuted, and is sent to the northwest mountainous area.  It is not difficult to play the daughter of a capitalist, and a female college student also has to act as a proud and bookish person. As for going to the northwest mountains to experience the hard life, she can also do it.  But that was a special era, with conflicting thoughts, confusion and perseverance, and a sense of pride hidden within.

    There is also the feeling towards the male protagonist.

    The male protagonist and the female protagonist did not know each other before - it would be wrong to say that they did not know each other. The male protagonist was instigated and did something that many impulsive young people did in that era, and took someone to criticize the professor.  And this professor happens to be the mother of the heroine.  But before the smash, the male protagonist repented and did not continue to attack, but his other partners followed and injured the female protagonist's mother.

    This is the trigger of the matter.

    Later, classes at the university were suspended, and the male protagonist followed him back home, where he met the female protagonist who had been transferred to another university.

    The two have hatred, but they are the only people in the area who can talk to each other.  After the male protagonist gained knowledge, he was regarded as a five-category bad guy when he returned to the local area and was punished together with the female protagonist.  The same situation brought the two people closer.  After driving away the gangster who bullied the female protagonist, the male protagonist couldn't help but become a gangster again and forced her.

    The heroine loves and hates him. She is unanimous in facing the villagers' crusade. In private, except for spending the night together, they have no emotional communication with each other.

    In the end, the heroine returned to the city and left the child to the hero to deal with.  The male protagonist guards the child and the small house where they lived together, waiting day and night for the female protagonist to return.  But whether the heroine will come back, only God knows.

    In fact, after reading the script, Bo Yan felt that this was their portrayal.  (Remember the website address: www.hlnovel.com
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