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Chapter 23 1. The voice that never fades

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    ?

    (pain without tears

    is the skill of this life

    Where alone

    All water fades me

    I am fully focused

    resurrected again

    Return to the country residence

    Some voices that never fade

    wading from the water

    curled petals

    The face of the sun is getting hotter and hotter

    What will this season say again¡ª¡ª

    Xi Li's "A Rose": "What Will I Say")

    Eighty-four

    Su Guangming from the Art Department of Haida University called the hospital and asked Luo Zi to accept an interview with one of his students.

    Su Guangming's student has graduated for many years, and now he is a reporter for an art newspaper in Beijing. His name is A Kou.

    It was an early morning in April.

    As soon as Luo Zi woke up, the sunlight in the room made him enter a hallucination.

    He felt a sense of happiness and freshness, because he once again found the long-stored warmth and longing in his life.

    In an instant, the sensations and feelings that came one after another made people dizzy.

    He thought of his dream last night: countless strangers gathered on the streets of the city.  They seem to be waiting, and at the same time have a non-negotiable expression.  These people kept looking back and forth, and they became more and more numerous, getting closer together.

    He thought that in our lifetime, we have seen countless images and met thousands of people in real and unreal situations.  Whether it is reality or non-reality, there will be many images (bodies) incorporated into our aesthetics, arousing our interest and even touching our desires.  But there is only one you really love.  If she (he) is exchanged, love is profaned and disillusionment occurs.

    Therefore, in this sense, the uniqueness of love is more difficult than the uniqueness of art.

    Like art, love needs to be discovered, and love is real, and it is related to life.  If life decays, love can be immortalized through art

    Love can also be the source of beauty, the source of art.

    He has always trusted himself so much, he has always been a spectator of his own creative ability.

    Roz wanted to write a letter to Joan.

    He wants to love every minute and every second of time, love every moment of her appearance, love every phantom in front of his eyes¡ªher hair, the shyness and confusion in her fleeting eyes, the touch of her fingers.  The coldness and the soft creases on the shoes They evoke his infinite love, and they are varied and untraceable.

    During this period, Joan visited him several times, but as soon as the doctor appeared, she hurriedly left.

    He saw Joan's embarrassment.  Besides, he felt that she had become melancholy.  It would be really melancholy if a person turned into a cat and lost the ability to talk to people forever.

    Joan seemed to want to lose this ability on purpose and was unwilling to open her heart.

    Maybe she has a melancholic personality.  But at least in the past, she was bright and happy when she was with him every minute.

    He reminisces over the years of their love.  Some love, with the passage of time, old, broken, faded, weathered.  Some love, however, settles down like the blue sea in summer, enters a person's dream at night, and unfolds in the sky above his head during the day¡ªthis is Luo Zi's love for Joan.

    During those times when they were in love, they were all flammable materials. As long as they met, they would ignite each other and ignite a raging fire.  He and she, like a phoenix and a phoenix, embrace in the fire and dance in the burning.

    Maybe, just like no matter how splendid life is, it will be more real only after it returns to calm and becomes mediocre.  The same is true for love, after it turns into a kind of family affection and warmth, and turns into boundless longing, it becomes more credible and touchable.

    He was going to write to her every moment he couldn't see her.  Love in spirit, in fantasy, like men of centuries ago, love perfectly, love sublimely.  Only when love is sublimated to the realm of spirit and gods, can it be possible to make love higher than life and become a possibility of faith.

    He wrote the first letter, but there was no envelope or stamp.

    He asked the nurse who took care of him, and the nurse said that "these things" are only available at the post office.

    "these things"!  In the tone of the nurse, these are all ancient and strange things.

    Yes, people nowadays don¡¯t know how to write letters to each other. The Internet has already wiped out people living in different cities and countries, and all the people on the planet.

    Luo Zi thought for a while, carefully put away the letter, and took out his mobile phone to send a message to Joan.

    "Translation??Contribute to the pursuit of spiritual value.

    Akau¡ª¡ª

    So, are you coming back to mainstream art?

    Rhodes¡ª¡ª

    I want to say that we must first have an attitude that does not involve the political system, and an attitude that does not become kitsch for money, and then we can discuss art issues more objectively and sincerely.

    The mainstream art that everyone thinks is not a single one.  Due to the long time and wide area of ??China's realist art, its types and quantities are astonishingly large.  In many respects, it overlaps and is related to popular literature, popular art, and commercial art.  In addition, in terms of the production mechanism of artworks, the conformity behavior in art makes the creation of realistic art mostly lack originality, and many works bear the traces of popular literature and art from the beginning.

    Therefore, some elite artists will stick to their own aesthetic standards, and reject the boring and superficial negativity of popular literature and popular art, so as to avoid its damage to pure art.

    In addition to these problems, we have to admit that Chinese realistic art has a greater amount of information.  Undoubtedly, for our big oriental country with a long history, it can carry more historical burdens and has the driving force to promote the development of our art history.

    Akau¡ª¡ª

    In your creations, have you always deliberately avoided "realism"?

    Rhodes¡ª¡ª

    To be honest, I really don't want to talk about "realism".  Whether it's "realism" or "realist," the terms have long caused confusion.  Due to the misuse of "realism", the word has lost its charm and due credibility, and often becomes popular and vulgar.

    I think we need to bring the word back to its original meaning as much as possible.

    "Realism" is a creative method and an aesthetic principle, not any other label.  First of all, it is an accurate and detailed description of contemporary life and problems, and at the same time, in the creative principles of artists, it reflects their spiritual pursuit of "modernity".

    And me, I'm certainly not realistic, but I don't try to avoid it either.  My approach to language is synthetic because no language, either traditional or innovative, fits my inner presentation anymore.  But my cultural background is Chinese.  I am confident that it is the pursuit of "modernity", which has aroused the attention and interest of artists from other countries and nationalities in my works.

    In addition, like the efforts of many colleagues, I combine my sensitivity to the environment, love of life, yearning for true feelings, and yearning for freedom, and convey them in my works.  A calling that conveys the voice of a dedicated artist.  I believe that many people have heard my voice, because it has been breaking through and shining, and it will definitely spread far away (Remember the website address: www.hlnovel.com
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