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Text Chapter 558 There is no heaven there

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    ps. Here is the May Day update. Don¡¯t rush to play after reading it. Remember to vote monthly first.  Interesting Academy is now offering double monthly tickets for the 515 Fan Festival at Qidian.com, and there are red envelopes for other events, so you can check it out!

    There was a dead silence in the Kodak Theater, and the story on the screen made every audience member feel pain in their bones.

    Even if they are familiar with this story, even readers of the original work have no ability to resist and are overwhelmed by this sadness and indignation.  Those images are no more bloody or violent than an R-rated horror film, but they have the power of horror that any horror film covets. Every line and every scene makes the soul tremble.

    Like the end of the world, there is no way to escape or hide, there is only destruction.

    It seems that at this time, people suddenly remembered who the director was, and remembered Ye Wei¡¯s other name, Unique Kuler.  This person not only makes funny, sunny, inspirational, and heart-warming pictures, he also makes sad, dark, destructive, and heart-warming pictures.

    Watching his movies may leave an eternal shadow deep in your heart.

    From time to time, I think of it, burning and sore, and having heart palpitations.

    ? Human nature dictates.

    The film has been released so far, and the more viewers know about it, the more surprised they are. It can be said that the filming is almost perfect. No matter the adaptation, direction, performance, etc., it shows free movement and amazing explosive power, forming excellent construction and destruction, but  The most astonishing thing is that Ye Wei is so bold!

    Genius, if you wanted the audience to be heartbroken, you did it with your cold-blooded camera.  You damn bastard!  Then what?

    What will happen to Mr. Harvey?  After running away for many years and committing repeated crimes, he accidentally fell off a cliff and died?

    Where is the Salmon family?  Where is Lei?  Where's Susie!  ?

    What is the purpose of this movie, and why is it such a tragedy?  Just to torture people with conscience?

    Many media people and many sad and angry movie fans know that this is the "Lovely Bones Problem" and it is not a typical tragedy.  The original work can be filmed in a classical three-act linear structure, which is exactly how it looks on the screen. The first act is difficult to shoot, but it is not difficult for a top director. Ye Wei's director is impeccable. What happens next?

    If the screen does not heal the broken hearts of the audience, even if there is a little bit of discomfort, there will be only another result. The sadness and anger of the whole hall will turn into dissatisfaction: "What the hell? What's the point of this story? It's a joke.  us?"

    ¡°Then this director would be in big trouble, this movie would be in big trouble, and Ye Wei would be in big trouble!

    Peter Jackson and Fran Wells were a bit off-putting. If they were filming, they would not have handled the cave scene like this. They would have used parallel montage, but they had to use metaphors. While portraying how damn Mr. Harvey was, they also tried to convey Susie as gently as possible.  Killed this story information.  Ye Wei, no, he used the most cruel method that can be used at PG13 level. He is simply a son of a bitch. He even dared to use the last two lines. How can he be cured?  For a limited time?  At a pace that requires buffering?  Only 90 minutes left!

    Ye Wei disdains their idea of ??a montage of rock music paired with the clown grandma, and also disdains Susie¡¯s happy moments in heaven, so what¡¯s going to happen?  Is the darkness so uncontrollable?  He is digging a trap for himself!  How great the grief and anger is in the first act, and how difficult it is to calm down later.

    It¡¯s like playing a maze game. Ye Wei is now pushing himself into the most complicated maze, facing an endless series of difficult creative choices.  In order to achieve reasonable ordering, effective story coherence, unified and persuasive emotions, and echoing themes, he must take every path correctly and not make any mistakes.

    This is a perfect or a dead movie.

    Spielberg once wanted to shoot it, but in the end he didn't take it because he knew that the current situation between him and this story was not the most suitable match.  This story cannot be filmed using ordinary movie rules. There is no template for commercial or artistic positioning. It can only be created with matching talents.

    Looking at it now, his moist eyes told him that the boy was really good at taking pictures and he really lived up to the trust of others.  Keep it till the end and make it a classic.

    The sadness of the theater could not stop the screen image from continuing. After a moment of black, under the dark night sky, the red Mazda stopped on the street in front of a house in the community; Jack ran up to the porch of the house and pressed the button.  The doorbell rang, and the jingle rang in the audience's ears.

    When the camera shot back, Jack at the door came into view, and there was a sound of the door opening. He immediately said in a hurry: "Hello, Luana, are Susie and Ray together?" In the over-the-shoulder shot, the person who opened the door was an Yali.  A middle-aged Asian woman, she answered doubtfully: "Ray and his father went to the University of Pennsylvania to give a speech this afternoon and will come later."

    Jack looked disappointed when he heard this.

    Parallel montage?There is no ending, a flat panoramic shot, in the deserted cornfield, a strange fire lit up a field bank in the dark night, and there were sounds of wood breaking and the hole collapsing, which made the audience feel sad that the murder scene was buried.  .

    Side mid shot, Mr. Harvey is walking among the fields with a hemp bag on his back; close shot of the scenery, the bulging sack has no blood stains, but the plastic paper sticking out of the mouth of the bag shows what is inside the bag; front close shot, Mr. Harvey is looking directly at  Staring ahead is like breaking the fourth wall and looking directly at the audience.

    As he walked, he took a deep breath due to the effort, as if he smelled something. A smile appeared on the middle-aged face with a mustache. It was not sinister and ferocious. He looked gentle, enjoyed it, tasted it, and was innocent. He seemed proud that he could get away with it this time.  crime.

    Rather than Mr. Harvey, it is better to say that this movie is constantly challenging and violating the audience's bottom line.

    Beside the TV cabinet in the living room of the Salmon family, Abigail was making a call on a black dial phone. She said anxiously: "Her name is Susie Salmon, she is 14 years old, with brown-blond hair and gray-blue eyes."  A voice that was obviously from the police came over her head: "How long has she been missing?" Abigail said anxiously: "She hasn't come since class today." The policeman was silent for a moment, and then said: "Ma'am, do you have any information?"  Have you looked around?"

    Abigail spoke louder: "My husband is looking for me. Susie won't come home so late. Something must have happened." The policeman said unmoved: "Ma'am, we can't file a case. If you pass  If you still can't find her in 24 hours, please call again." Abigail was immediately shocked and anxious, "24 hours?" the police officer said, "Yes, this is our waiting time, good luck to you.  "Before Abigail said anything, the phone was hung up.

    She was angry, and the audience off-screen was also angry, bullshit, the 1970s!

    At that time, the United States did not have a mechanism to deal with missing children. Police stations in various places had a "waiting time" for handling missing reports. This did not change until the "Aittanz Incident" occurred on May 25, 1979.  The 6-year-old New York boy who disappeared on his way to school is still missing.

    The scene changed. Under the night sky, Jack was running anxiously on the streets of the small town looking for his daughter. He showed passers-by a photo of the three siblings in his wallet. Susie was holding Buckley, and Lindsey was leaning against her.  All three of them smiled naturally.

    "Hello! Have you seen this girl? Her name is Susie, my eldest daughter."

    Jack anxiously asked a group of four young people passing by, but they looked at it and shook their heads.  Jack ran away immediately before he could say thank you. He looked at the streets around him and shouted anxiously: "Susie!?"

    Suddenly, some of the dumb audience members who had not yet left the cave were finally broken into pieces and burst into tears uncontrollably.

    The image on the screen suddenly gave the audience a sense of self-deception, it was Susie!  She is not dead.

    On the cornfield, Susie gasped in fear and ran away, still wearing a royal blue hooded coat, yellow bell-bottom pants, and a colorful hat with bells on her head.  At this time, she ran to the school's football field. The deserted area was as quiet as a ghost. A scene that made people widen their eyes and tighten their hearts appeared. Susie ran past a street lamp. Not only was there no reflection, but she also began to look like a ghost.  Faint.

    The camera is in the parking lot of the school. Ruth is leaving alone. She is wearing a black coat and holding a brown cross-body bag. There are still some lights on the school building in the background.  This weird student seems to have been detained in class by his teacher today.  Ruth suddenly looked to the left in confusion, as if she saw something.

    Panic gasps came from far away, and a figure ran from the far end of the parking lot in the depths of the scene. Ruth murmured in surprise: "Susie?"

    Whether they know the background of the story or not, the audience naturally understands that Ruth is a psychic and she saw Susie's ghost.

    Susie ran past in a hurry, and Ruth shouted again: "Susie!" Susie on the right stopped, looked over at her friend, wanted to say something, but could only choke out: "Ruth"

    This sound made the already broken audience¡¯s hearts fall further into the abyss. Susie was not asking for help, she wanted to cry, but what should she say?  She knew, she knew what had happened to her, that she could never be "Susan" again.

    Medium side shot of two people, Ruth on the left and Susie on the right.  In this shot, shot from the same angle as the previous mid-profile side shot of the two people on the stage in the school auditorium, their positions have been reversed, and their lives are different. One is about to start anew, and the other is over.

    The two girls looked at each other. Ruth's expression was questioning but concerned. What's wrong?  But Susie's expression was extremely complicated, painful, confused, panicked, and scared. She seemed to have ten thousand words to say, but she couldn't say one.  At this time, Susie slowly raised her hand to touch Ruth's cheek.

    Frontal close-up shot, Susie¡¯s expression is amazingHis views are changing, from a state of silence like stagnant water, his eyebrows are slightly frowning, and his eyes are filled with tears.  Every audience can see her attachment. She doesn't want to leave this world, doesn't want this to happen, doesn't want to be herself.

    She opened her mouth as if she was about to cry and spoke, but no sound came out, and her face began to disappear with the wind.

    A close-up of Ruth¡¯s front, her left cheek is resting on Susie¡¯s right hand, her face is no longer confused, as if she understands the situation at hand, or is it a dream?  She also frowned slightly, her eyes were lost, and she was a little anxious and apologetic. She wanted to say something, but she didn't know what to say.

    She couldn't stop what she wanted to stop, couldn't keep what she wanted to keep, she could only watch, like now, watching Susie disappear.

    For just three or four seconds, the audience watched as the delicate hand on Ruth's face completely disappeared.

    In the side mid shot, Ruth is the only one staring blankly to the left, with nothing on the right.  The lens is rising, rising towards the dark night sky.

    More viewers had tears in their eyes. Everything on the screen was like a giant barbed hammer, hitting their hearts one after another. Maybe the first blow didn't break their hearts, but the second, third, and fourth blows  There is no relaxation, no room for respite, no optimism, just constant beating!

    In this way, all their good intentions were brutally destroyed until they were in despair.

    On the screen, Jack walked into the house confused and dejected, and Abigail stood in front of him at a loss.  In another girl's bedroom, Linxi was lying on the bed covered with a quilt, looking up at the ceiling with her eyes open and expressionless.  In the children's bedroom, Buckley slept soundly, taking a nap beside his crib during Holiday.

    In the piano lament that sounded like the sound of raindrops on the eaves after a heavy rain, a white light that filled the screen dissipated in the transition, followed by the opening scene, where Susie was in a small circular patch of snow surrounded by a dark forest.  In front of the broken house, heavy snow was falling and crows were flying. She reached out to catch the snowflakes and looked around the claustrophobic space in confusion.

    The audience¡¯s hearts are broken. Good people go to heaven after they die, but is this Susie¡¯s heaven?

    There is no heaven there.

    Thank you all for your continued support. I hope you can support this Qidian 515 Fan Festival¡¯s Writers of Glory Hall and the General Election of Works.  In addition, there are some red envelope gift packs during the Fan Festival, get one and continue your subscription!

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