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Text Chapter 578 We must learn from the mainland

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    The prosperity of Hong Kong's film industry is completely abnormal.  In fact, there are no real training institutions for any type of work, and they basically rely on wild methods.  Even the famous movie actors in Hong Kong are actually born as Yeluzi. They were either trained in TVB training classes or ATV. Even many famous actors are completely Yeluzi.  It doesn¡¯t matter if you don¡¯t have any plans. What¡¯s even more sad is that those famous actors don¡¯t necessarily have it easy.  You never know when you offend someone you shouldn't, and your star suddenly dims.  In this way, there are still so many spiritual actors in Hong Kong. In fact, Li Mingbao can't figure out why.  For such a big place, quite a few actors have achieved great results.  But in these industries, spirituality is not the only way to overcome all difficulties.  Otherwise, in the second half of the 1990s, when Hong Kong's industry declined, wouldn't those spiritual actors be totally helpless?  This is still the most successful actor industry in Hong Kong. As for other industries, let alone martial arts, there are some small teams training, but such training is not large-scale at all.  Other photography, such as lighting, relies entirely on experience, and these experiences cannot be taught casually.  To be honest, it is really weird that Hong Kong movies can reach such a peak.  Ye Luzi defeated the regular army. Perhaps only Hong Kong can have such a miracle.  But miracles can¡¯t happen all the time, and then they won¡¯t be called miracles anymore.  Now we are taking advantage of the good times in Hong Kong to get all the formal things out. Only in this way can Hong Kong's entertainment industry have room for sustainable development. If we continue to rest on our laurels, it won't be long before Hong Kong can only  It¡¯s just following the old path.  It was based on this idea that Li Mingbao told Zou Wenhuai and others about the things that were missing in Hong Kong.  If these things are not done well, the future of Hong Kong's film industry will never be clear. Making money for a while will be fun, but once the peak period is over, if you want to make money again, you basically won't have the ability to do so.  .  On this point, Hong Kong should actually learn from the mainland. Although the entertainment industry in the mainland is not really developed or even very backward compared to other countries.  But that's just the current status of the industry, and it doesn't mean that the entertainment foundation in mainland China is really weak.  To be honest, the entertainment foundation here in mainland China is not much comparable to that in mainland China, not to mention compared to Hong Kong.  Mainland China has universities specializing in the entertainment industry, which can train any kind of talent.  Even if it is not so conspicuous for a while due to the backwardness of teaching materials and personnel, if it really integrates with international standards, the level of entertainment on the mainland can be improved very quickly, because there are  Such a basis.  But if you want to put it in Hong Kong, it is simply impossible. There may be some top industry personnel, but the success of these personnel does not mean the success of the Hong Kong film industry. They can be said to be self-taught.  Individual characters may rise to the top, but the vast majority of people will still sink to the bottom.  It is simply impossible to achieve overall development.  This is the real difference. If there is not even the most basic professional screenwriter, how can movies in this industry be able to thrive for a long time?  Li Mingbao¡¯s complaints made Zou Wenhuai a little embarrassed. The treatment of screenwriters and other people in Hong Kong is really very different.  It is not that there are no top screenwriters in Hong Kong. The scripts produced by these screenwriters are definitely quite outstanding, but unfortunately, the scripts written by these people cannot be produced casually.  Instead, they will digest it internally, so it is difficult for outsiders to get suitable scripts from their hands.  And the quality of the scripts they were able to get is really hard to compliment. Maybe this script was brilliant and made everyone a lot of money.  As a result, the next script was written as a four-part script, and there was no way to even shoot it.  It is because of this situation that they, the bosses, often let people in their own companies who can write scripts write the scripts instead of training professional screenwriters.  This directly creates polarization. The masters make money and die, and the masters can't even make a living if they really do this business. Even the masters may not be able to live a good life. Therefore, no matter which industry you are in,  The company didn't really take it seriously.  This includes Li Mingbao. Although his agency has also signed contracts with many famous Hong Kong screenwriters, Li Mingbao is unable to help those unknown screenwriters.  It¡¯s not that Li Mingbao doesn¡¯t know the importance of these screenwriters, but if he wants to train screenwriters, he has a huge inherent disadvantage.  Because he doesn't have a film company that can digest those scripts, and he doesn't have professionals who can provide professional training to those low-level screenwriters.  Under such circumstances, Li Mingbao could only?Let Zou Wenhuai and the others do it instead of doing it himself.  It's not that Li Mingbao is reluctant to part with the money. In fact, if he recruits screenwriters on a large scale, it will make Uncle Six and the others too sensitive. Originally, it is to do good things, and it will be Uncle Six and the others who enjoy it. If it is because of these things, instead  To make Uncle Liu and the others worry, they would have to do good deeds to the point of bursting into tears.  This question raised by Li Mingbao is very sharp.  But Zou Wenhuai also understood that Li Mingbao said this for their own good.  But it doesn¡¯t mean that they can do these things if they want to. Don¡¯t Zou Wenhuai and the others understand the importance of screenwriting?  Of course he understands. Zou Wenhuai has been in Hollywood for a while. How could he not know Hollywood's attitude towards screenwriters?  ¡°But the screenwriting industry is more about talent than actors.  A good screenwriter, like Li Mingbao, can sell any script for a big price.  And for a bad screenwriter, even if you only feed him rice porridge every month, he won't be able to come up with anything good.  So this thing cannot be rushed. The key is to rely on inspiration.  In Hong Kong, no one really makes a fortune from the screenwriting industry.  Even those who made a fortune by writing books are actually not many. Ni Jiang counts one and Jin Yong counts half.  Apart from these people, others really can¡¯t get on the stage.  "Li Sheng, we also know the importance of a complete industry. But the problem is that Hong Kong has insufficient congenital conditions. It is actually quite difficult to achieve the current scale. According to what you said, Li Sheng, it is necessary to  If we improve all industries, our expenses will be huge. If we can see actual benefits from such expenses, we have no objection. The key is that many industries cannot be cultivated through cultivation.  Do you think we have never trained screenwriters before? In the 1960s and 1970s, Uncle Liu did it. But if you look at the current situation of the Hong Kong industry, you will understand that Uncle Liu¡¯s efforts did not produce any results.  Even if there are some results, he has got them inside Wireless. In this way, the people in Uncle Six's hands are not enough. Uncle Six has spent so much energy but has not achieved any results, let alone us.  These are weak people. If we bring ourselves down in order to train these people, it will be really difficult for the Hong Kong film industry." Zou Wenhuai answered with a wry smile.  "Actually, I think Hong Kong can learn from the mainland in this regard. Boss Zou, don't look at the underdeveloped entertainment industry in the mainland. It seems that there is nothing to learn from. But the mainland's ability in basic education is quite good.  Excellent. The people here, especially those who come from professional schools, can become good talents with a little training. I think you, Boss Zou, should be able to cooperate with the mainland.  If Hong Kong can't cultivate professional talents, why can't the mainland also cultivate top talents? We don't need the mainland to cultivate top talents. As long as they are just right, they can bring about earth-shaking changes to our Hong Kong film industry.  Effect. No matter what kind of talent there is, there will be no shortage of professional training content on the mainland. Although their content is a bit outdated, this does not mean that the mainland cannot absorb better experience. It is just because the mainland is here.  The environment on the mainland is relatively closed. But such a closed environment has little impact on us. Can we still use the things on the mainland that we don¡¯t have on the mainland?  Teachers to cultivate our own talents in Hong Kong will not only save the cost of building schools, but also save considerable costs on the mainland. This kind of cooperation will not only save us but also the mainland.  Generally speaking, it is a good thing. The mainland needs top external information, and what we need is basic training. Even if the cooperation deepens in the future, we can also invite top actors from the mainland to film in Hong Kong. As long as we have  With the support from the mainland, are you still afraid, Mr. Zou, that we won¡¯t be able to create a complete industrial chain? We can even use equipment and advanced technology to conduct industry exchanges with the mainland. There will be more exchanges with the mainland.  The level of entertainment can also be improved a lot. Maybe the mainland will open more markets to us for this reason? I think Hong Kong should really consider this.  You can also take advantage of the opportunity to go to the mainland and negotiate directly with the leaders above. As long as they are not allowed to pay, they will definitely be happy to cooperate with us and let the industry on the mainland become our talent training base in Hong Kong. What do you think about Hong Kong movies?  Can the strength of the industry not be improved? " "Is it possible to let the mainland help us cultivate talents? The strength of the industry here is not very strong.Is it enough to teach our people well?  "Zou Wenhuai was quite skeptical about Li Mingbao's words. In his mind, the mainland's current entertainment industry is still stuck in the era of model dramas and black-and-white movies. Can such a place train Hong Kong people well? This is a complete joke, okay?  ? If the mainland really has such ability, then what the hell are they Hong Kong people doing?
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