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Text Chapter 111 "No Country for Old Men" Premiere (3)

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    In less than twenty minutes after the opening of "No Country for Old Men", the appearance of the perverted killer Anthony and the old cowboy Moss completely conquered the audience with a series of highly personalized words and actions.  The reason why Anthony attracts the audience is entirely based on his personal image, his neurotic performance, and his awesome high-pressure oxygen tank, which makes the audience want to stop.  ¡°As for the old cowboy Moss, he was placed in a very challenging and dangerous special environment as soon as he appeared on the scene. In such a fire scene with hidden murderous intentions, the old cowboy went back after succeeding, which made everyone's hearts pick up.  I have to say that Hitchcock is really a master of suspense. At this point in the movie, he immediately guessed that the old cow and the perverted killer would definitely fight to death. In terms of storytelling, Hitchcock and these people around him  It's obviously no longer on the same level.  On the screen, Moss returned to the scene of the merger.  He was discovered by a drug dealer who chased him, but Moss escaped and was injured.  A series of tense gunfight scenes left the cinema completely silent. Many people covered their mouths and even held their breath.  Then, the camera turned and the killer Anthony, played by Victor, appeared in a grocery store.  Opposite him is the owner of the grocery store.  "Me! It's me!" Ronald Reagan pointed at the screen and shouted.  This is an extremely brilliant play!  "This grocery store owner is in trouble!" "Oh my God, does he know he is facing a cold-blooded killer?" The audience began to worry about the poor boss.  But next they saw Anthony nervously discussing trivial matters with his boss.  The killer asked the boss what time it would close and when it would be time to go to bed.  What do you usually do, etc.  A conversation between two people.  If you are an ordinary person.  The audience has probably already started making bricks at this moment, but this is different!  ¡°One is a super killer, and the other is a grocery store owner who knows nothing. When Anthony¡¯s cold eyes and illogical questions are presented, the more normal the conversation is, the more tense the atmosphere becomes!  So worrying.  "Absolutely awesome!" Hitchcock looked up to the sky and sighed.  "Why are you so stupid?" Capra said with a smile.  As a top Hollywood director, everyone knows that this scene is very exciting.  Hitchcock said to Capra: "Do you know what suspense is?" "What is suspense?" Capra looked at Hitchcock seriously.  Among Hollywood directors.  Everyone can tell stories, and there are many masters, but now many directors understand that when it comes to telling suspense stories, no one can be Hitchcock's opponent. Therefore, Capra was very interested in Hitchcock's question.  Hitchcock said: "For example, two people are eating face to face. They discuss whether the weather is good or not and what they are eating. Do you think it is suspenseful whether the girl next door is beautiful or not?" "Of course not." Capra said.  Hitchcock laughed: "What if the camera moves down and the audience sees a time bomb tied under the dining table of these two people?" Capra's eyebrows obviously raised: "Great!" "Yes, this  It's suspense." Hitchcock sighed: "This is the highest level of suspense, planting bombs in daily life! I call it the bomb theory, and that's what Victor Ferro did in this scene, and  What he relies on is not something as blunt as bombs. He plays a more advanced role and achieves a suspense effect through character creation. No, it is a tense effect! This scene, he is indeed great!  "The raw melon egg is different." "It's very refreshing." Capra looked at Victor.  At this time, Victor closed his eyes, not knowing what he was thinking.  Next, the scene between the killer and the grocery store clerk becomes even more exciting.  Anthony took out a coin and asked the clerk to guess.  "Oh my god, he is finally going to kill this poor clerk!" "Yeah, it's over if you guess wrong." "The clerk doesn't know anything at all." The audience was worried to death.  On the screen, unexpectedly, the clerk won.  The audience saw Anthony reluctantly lose the coin to the clerk.  When the clerk put the coin into his pocket, Anthony shook his head and said sincerely: "No, sir, don't do this. This coin has a history of 25 years. Imagine how many places it has traveled.  How many people have you seen come here? It's different from any coin. If you do this, it will be mixed with ordinary coins!"nbsp;Through Anthony's insistence on a coin, the audience looked sideways and nodded.  "Isn't this killer also quite cute?" "Yes, to be able to think like this about a coin is like an artist!" "I like this guy! I love him so much!"  This scene, and the whole movie  There is no connection at all with the plot. Structurally, this is a completely out-of-the-box scene. But it is precisely this scene, this seemingly scattered scene, that portrays the killer's heart and character.  Full of flesh and blood.  It made the killer suddenly distinguishable from ordinary killers. It also conquered the audience and gave them a great sense of identification.  Next, Moss, who was in trouble, sent his wife away and started running for her life.  And Anthony came to the scene of the drug dealers' fight. He killed two unlucky men and began to track the money.  At this point, the two clues finally connected, and the two people began to be intertwined.  "Oh my god, Anthony is going to fight Moss!?" "A cold-blooded killer and a super cowboy, who will win between these two opponents!?" "Either one can kill the other! It's so exciting!" "Look  Look, take a good look! Stop making noise!" The cinema was already in chaos.  It's like the air is filled with gunpowder, and it can be ignited by just sliding a match!  At this time, no matter what scenes appear on the screen, it is impossible for the audience to escape!  The big screen has now become a huge sticker of eyes, firmly glueing the audience's eyes and hearts to it.  On the screen, the killer drove his car to the hotel.  The hotel where Moss lived.  The positioning instrument in his hand made a beeping sound. When he came to Moss's room and the beeping sound of the locator changed from intermittent to a tight continuous beeping sound, no one dared to look down.  .  "It's so nervous! It's so exciting!" Laimer simply lit a cigarette to relieve the tension, regardless of the glares from the people around him.  "Will he kill Moss?" "Probably not?" "Who will win?" "I don't know!" Clark Gable and Cary Grant are discussing who can win.  Hitchcock watched with rapt attention. He leaned forward and held his face in his hands. He had no idea where he was and muttered: "Wonderful! This movie is wonderful! The control of tension and the whole film are amazing."  The film's control, mood, scene planning, and characterization are great! " "Genius, simply genius." Adolf Chuk shook his head: "When can we at Paramount make such a movie?  Hahaha, I don¡¯t know about you Paramount, but we at Warner probably made a lot of money this time!" Sam Warner made a face at Adolf Chuuk.  "After watching the movie, I want to have a talk with this guy!" Chu Ke said bitterly.  (To be continued, please search Piaotian Literature. The novels will be better and updated faster!
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