The movie theater was dark. On the screen, there was an unusually vicissitudes of voice at the beginning, that was John Ford's. "When I was 25 years old, I was the sheriff of this place. My grandfather was, and so was my father. I think he must be very proud of this." In the vicissitudes of voice, what follows is a set of empty shots. The empty western United States, a wilderness, the sun rises, then sets, coldly and chillingly. Next, the dull monologue completely pushed the chilling empty shot at the beginning of the film to the climax - "A while ago, I sent a boy to the electric chair. I arrested him and provided a testimony. He killed A 14-year-old girl, the newspaper said that he committed the crime because of impulsiveness, but the boy told me that he was not impulsive at all when he committed the murder. He said that he had wanted to kill someone since he could remember, and if he was released, he would do it again. I'll do it again." "Interesting, I like the beginning." Next to Victor, Lubitsch nodded. This old director, who had become famous in the 1920s, turned to look at Victor: "Victor, how innovative is this beginning!" "Not bad! The lines are very good." Frank Capra laughed. If the opening of "No Country for Old Men" instantly condensed the atmosphere at the screening, then the appearance of the perverted killer next made everyone's nerves tense. On the screen, a police car stopped. The police arrested the perverted killer and put him in the car with a high-pressure oxygen tank. Next, inside the police station, the young policeman was talking on the phone, and the killer came silently from behind and strangled the policeman neatly. When the perverted killer played by Victor appeared on the screen. Everyone's eyes widened. ? ? ? ? ? Victor was originally very handsome. But the one on screen has shoulder-length hair. When this neurotic character with a pale face and weird eyes was revealed, the audience all sat up straight. ¡°This character has an amazing image.¡± Director Raoul Walsh, who is famous for his character design, couldn¡¯t help but say. "But what is that dog-skin jar in that guy's hand for!?" Many people in the audience were intrigued by the high-pressure oxygen tube carried by the killer. Within five minutes of its opening, the movie has completely captured everyone¡¯s attention. very good! very good! Victor thought to himself. Soon, everyone in the cinema covered their mouths in front of the screen. There was a huge exclamation - On the screen, the escaped killer Anthony stopped a car and got the driver out of it. The driver stared at the oxygen tank in Anthony¡¯s hand: What is this? Anthony: Let me ask you to get out of the car, sir. Driver: What¡¯s wrong? Then, the audience saw Anthony aim the nozzle of the oxygen tube at the driver's forehead. All the audience stared at the picture and did not know what would happen the next second. Even Hitchcock, a master of suspense, was completely fascinated now. He said: "What the hell is this" Before he finished speaking, on the screen, the killer Anthony pressed lightly, and the high-pressure oxygen tank pushed the driver A blood hole spurted out from his forehead. Blood splattered everywhere! "Oh, my God!" "Oh my god! It turns out he is a murderer!" "It turns out you can kill people like this!" "It's so scary!" There were screams in the cinema. Everyone covered their mouths. "This is so so creative!" Adolf Chuuk simply applauded: "Son of a bitch! I have watched so many movies, and all the killers are either guns or knives. No killer has ever been able to do something so creative. Come on!" "Okay! That's great!" Laimer nodded: "What a talent! Victor, this is such a great idea" Even Hitchcock had to nod. Within ten minutes of the opening of "No Country for Old Men", the perverted killer played by Victor conquered all the audience, including many of them, with his cold, strange, neurotic words and deeds, and his extremely creative murderous oxygen tank. Hollywood filmmaker! "This movie is going to be successful!" Sam Warner was so happy that he couldn't help but smile: "Victor, can you imagine the expressions of the audience in thousands of cinemas at this moment?" "I don't care. , I just hope they feel that their money is not in vain." Victor Le. When all the viewers were trembling in fear to see what this perverted killer would do next, what was on the screen wasThe scene turned and the old cowboy Moss, played by Jerry Cooper, appeared. In the hunting scenes, the old cowboy shoots the prey in the open Gobi. The prey escapes, and the old cowboy carries the gun to track the prey In a series of shots, Jerry Cooper vividly interprets the experienced, tough and wise western cowboy. ! "Jali, not bad! He has great potential. I have always had a hunch that this guy will be a big star sooner or later. He will be the second John Wayne." Sam Warner nodded repeatedly. The ordinary viewers in the back were confused. "I want to see the killer! Where is the killer!?" "Yes! How come there is a cowboy! What's so good about hunting! Where is the killer!?" "What is the relationship between this man and the killer!?" "There should be a story, right? , stop arguing, damn, look down! " "Two-line structure." Hitchcock looked at Victor. "Double-line structure? Can this kid play with such a complicated structure? Does he have the ability?" Chaplin was very doubtful. "What's so complicated about the double-line structure? I think it's probably more than that. Looking at this movie now, both the structure and the characterization are wonderful!" Director John Huston was very appreciative of the movie at this moment. . On the screen, the highlight of the old cowboy Moss soon came out - he discovered the scene of a fight between drug dealers, with corpses in a mess, bloody and bloody, and people killed in the car accident. "Holy shit, so many people died." "The old cowboy is in trouble." There was a lot of discussion in the audience. On the screen, the old cowboy Moss calmly inspected the scene. He abandoned the Mexican who was not dead in the car and judged that there must be another person who ran away. He followed the blood stains and found the person under a tree. The old cowboy did not step forward. He sat under the scorching sun and waited. After a few hours, he walked over and walked under the tree. "This cowboy is too smart." "Calm down. Kill decisively. This is the man of our west." The audience who just complained about the appearance of the old cowboy began to like this man now. The cowboy found the escaped drug dealer and found a box of money. "Hey, so much money!" "Haha, I'm rich." Then, the audience saw the old cowboy carrying the money home, and then the woman played by Bergman appeared. The couple's poor life, and the two The relationship between individuals makes the audience very satisfied. "This is how I usually treat my women." "It's very real. It's enjoyable." Then, the old cowboy filled a bucket of water and returned to the crime scene. ¡°Oh my god, this man has water in his head, why do you want to go back!?¡± ¡°I¡¯m afraid he¡¯s going to be in trouble!¡± ¡ Seeing the cowboy return to the scene of the drug dealer¡¯s robbery, the audience¡¯s hearts were lifted. "Don't let anything happen to you." Lubitsch's nervous face even made Victor feel funny. It seems that everyone has been brought in. "This guy will meet that perverted killer! These two people are fighting to death. It's very beautiful. Absolutely." The picky Hitchcock finally said a word of appreciation. The movie is here, very good! Victor clutched his chest, finally feeling relieved. 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