"Very good." Alberni actually paid attention to Wang Tian silently for a while. Seeing that Wang Tian was already doing carving again, it seemed that he had completed a piece of work. Alberni came over and wanted to have more artistic exchanges with Wang Tian. Wang Tian saw the teacher and greeted him respectfully. "Wang Tian, ??that's good. Your understanding of Western sculpture far exceeds my imagination. I am proud to have you as a disciple. I believe that given time, you will become an outstanding international sculpture master." Wang Tian was not Al Teacher Beni's words went to his head and made him even more humble. "Teacher, although I learned the process of sculpture from Senior Sister Qilusa, I still lack a systematic understanding of Western sculpture. After all, there are cultural differences. I think I still have many shortcomings in learning Western sculpture well. "Wang Tian's statement does exist due to differences in cultural environments and living customs. Western sculptures have more humanistic feelings and are simpler in expression. Alberni has indeed been negligent, and now he should systematically talk to Wang Tian about sculpture. Because for sculpture, you must have systematic knowledge. Knowing only one but not knowing the other is the most taboo for a successful sculptor. Alberni said at this moment, "Okay, Wang Tian, ??your question is very good. Then I will tell you some knowledge about Western sculpture." "There are three basic forms of sculpture. I am going to tell you about it now. These three sculpture methods. " "The first form of sculpture is called round sculpture. It refers to a three-dimensional sculpture that is non-compressed and can be viewed from multiple directions and angles. It has various techniques and forms. There are both concrete and abstract, including indoor and outdoor sculptures, on-frame and large-scale city sculptures, colored and non-colored, etc. This is also the most commonly used sculpture in our West.¡± The sculpture contents and themes of round sculptures are even more diverse, they can be figures, animals, or even still lifes, which is more bold in content than Eastern sculptures, and the vision we choose is generally exaggerated or direct. , reflecting the nature of human beings. Reflecting social progress, reflecting the regression of the times, and the content of big themes. Or the content of small themes reflecting big issues. " "The materials are basically stone, wood, metal, clay sculpture, textile, paper, plant, and rubber. Etc. As one of the modeling techniques of sculpture, round sculpture is also the most common form of sculpture. Probably more than 60% of them are used in round sculpture. Next, I will explain to you the craftsmanship of the Statue of Victory in detail. You must listen carefully and ask if you have anything you don¡¯t understand. "It is true that Alberni wants to train Wang Tian to become an outstanding sculptor. , Alberni knows that Wang Tian is very good at carving, but there are still differences between Western sculpture techniques and Eastern sculptures. Only by teaching it personally can Wang Tian discover the difference. All-takenism. Alberni said it was made of the Goddess of Victory, but the clay sculpture that appeared in front of him was not the Goddess of Victory at all. It is a large piece of cube-shaped clay sculpture raw material that has not undergone any processing at all. Alberni said. "Wang Tian, ??this is a large piece of clay sculpture material. You see it has no aesthetic value at all now, but through the hands of the sculptor, it can turn decay into magic. This is the value of our existence." "Bring me a hammer "Come with the chisel." As soon as Alberni ordered, Wang Tian quickly prepared the tools. However, Alberni was so skilled that he did not use the point-shaped plaster to position the clay. He roughly measured it with his hands and faced Wang Tiandao. "For every work we want to complete, you must have a good idea, a ruler in your eyes, and a measure in your hands. This is probably when you know enough about the work you are about to create, remember it, and rely on your imagination to create it. Extend it and restore it to the material." As he spoke, Alberni's hammer and chisel kept flying on the plaster, and the debris kept jumping. With three strikes, five divided by two, within a few minutes, he knocked down some large clay blocks on the clay sculpture. If you think that Master Alberni knocks randomly, you are wrong. In fact, Wang Tian can see that every time Master Alberni swings the hammer and every knock, there is a rhythm point. . And the intensity of that rhythm point also has different frequencies. Where deep carving is required, the strength of the hammer becomes significantly greater, while where shallow lines and blocks are required, the strength and frequency of the hammer are deliberately suppressed. There is so much knowledge in just swinging a hammer, not to mention other things that need to be mastered.??? And as Wang Tian studied and studied bit by bit, the originally square stones suddenly became angular and angular, transforming into a basic image. "Wang Tian, ??look at this clay sculpture now. Do you think it has changed?" Wang Tian said that it is true that the plaster now has a layout, but there is obviously still a big gap in the outline and limbs of the goddess of victory. However, the entire clay sculpture just now had no divisions. After the teacher hammered and chiseled, several large divisions appeared, including the limbs and the head. Now Wang Tian could see the limbs and the head, and they had obvious boundaries. "I saw that the head and limbs were divided." "Indeed." Alberni said happily. "Take figures as an example for round sculptures. Generally, we first need to cut out blocks for the limbs other than the head volume, and then cut out blocks for the head, chest, and pelvis. Then we need to cut out shapes such as vertical, inclined, etc. After the basic shape of the human body is completed, the concave and convex shapes are carved out one by one according to the structure and proportion of the human body, such as between the cheeks and facial features, between the chest and neck, and between the breasts and chest. It has undulating shapes, and when dividing the unevenness, there should be room for the next two processes. "Alberni advances step by step, increasing the difficulty step by step. Wang Tian is quick to learn and understand, and he absorbs it as if he were in a deserted place. As Alberni spoke, he continued to tap and beat with the chisel in his hand. Lines appeared in the geometric clay sculpture in the next second, and the large proportions of the shape began to take shape. Wang Tian was deeply attracted. Although Wang Tian could achieve great results in sculptures by relying on his supernatural powers. "But compared to Mr. Alberni's real talent and learning, Wang Tian is a bit stretched without the help of supernatural powers. At this moment, Wang Tian really understood the philosophy of sculpture. Wang Tian felt that he understood the lines, human body structure, proportions, concavities and convexities, and the connection between various parts. However, Teacher Alberni does not think this is enough. Alberni¡¯s personal teaching through words and deeds was just to give Wang Tian a general understanding. To truly understand the method and charm of sculpture, Wang Tian must experience it himself before he can understand it. Wang Tian also has this desire to give it a try. Of course Alberni could see Wang Tian¡¯s expectations, but he was not thinking about asking Wang Tian to take charge at the moment. For a beginner in Western sculpture, Alberni always felt that Wang Tian would be bound by his Eastern sculpture techniques. He had not yet learned about Western culture and Western sculpture culture, so he had to be baptized first. Putting down the chisel and hammer in his hands, Alberni changed the tools. At this time, what he had in his hands was a smaller flat chisel and a round chisel. "Wang Tian, ??after the large shape is constructed, what we need to use is our own painting skills. However, what we draw is not on paper, but on the sculpture. We use oil pens or other water pens to draw rough outlines on the material. outline, and then remove the excess material other than the drawn outline with the help of an ax and carving tools, and then use the tools in my hand to carve out the character's body structure, facial features and expressions, and the virtual and actual relationship between clothing lines, especially in dealing with the characters' clothes. , pay attention to the expression methods of virtuality and reality, movement and stillness, wetness and dryness, bending and dispersion, hanging and hanging, etc. You must have a certain degree of painting talent and ability to complete it. In this regard, you have an advantage. " Alberni is already shaking. The chisel was out, and he wiped off the dirt from the clay sculpture. At this moment, the image of the goddess of victory seemed to appear in Wang Tian's eyes. Yes, Wang Tian saw that he was in a trance, as if he had entered a qigong state. After entering this state, Wang Tian was able to keep and extend the picture in his imagination. At this time, every inch of the goddess of victory was in Wang Tian's mind and eyes, and compared to From the image of the part carved by Alberni, Wang Tian could see the non-overlapping parts of the painting and the current work. ¡°Teacher, it seems that that part of your body is not shaved enough.¡± (To be continued, please search Piao Tian Literature, the novel will be better and updated faster!