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Text 365. Learn to be a thief

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    Wang Tian is very good at observing. Before he could finish what he wanted to say, Zilusa interrupted him and said, "Wang Tian, ??Mr. Alberni said that you have talent. It seems true. At least you have the ability to comprehend and discover.  Very good. Indeed, the clay sculptures you see are the most commonly used materials for our sculptures. In addition to clay sculptures, stone, jade, wood, ivory, etc. are all available materials for our sculptures, and the role of those iron frames is in the early stages of sculpture.  It plays a vital role. To put it more clearly, when we make sculptures, we first need to make a frame" Having said this, Qilusa became serious.  "This is what I'm going to tell you about how to make a sculpture specifically. You have to listen carefully. The first is "making a shelf". We first need to use mud paste to make a shelf based on the posture and proportion of the statue. This  The frame fixes the shape of its internal skeleton; we tie a number of small crosses around the frame. Its function is to connect the mud into a whole and prevent it from collapsing, so that we can easily shape it. " "After the frame is completed, we  Just enlarge and shape it according to the pre-made mud composition. "Then how can this mud be converted into a sculpture? Isn't it too easy to damage?" Wang Tian is indeed very sensitive, Qilusa said with a smile.  "Wang Tian, ??you are right. Making the iron frame is only the first step to complete the sculpture. After the clay sculpture is shaped, because it is too easily affected by climate, easy to crack and deform, and difficult to preserve permanently, we have to  The clay sculptures are turned into plaster statues.¡± Most of the sculptures we often come into contact with are made of plaster.  Regarding turning plaster, we also have our own set of complex techniques. To put it simply, we need to find plaster of paris powder that is not affected by moisture.  After frying and brushing on the surface of the clay sculpture, this is the technique of turning plaster. After the plaster is made, it is often sprayed with various colors to make it have the texture of bronze, wood, stone, etc.  After that, we dry it and do some final adjustments. That¡¯s it.  Only then can the sculpture be said to be complete.  ¡± Qilusa briefly told Wang Tian about the method of making sculptures, and after listening to Wang Tian, ??he had a vivid understanding of Western sculptures. Indeed. Western sculpture art is different from Eastern sculpture materials. Chinese sculpture materials  Basically, they are wood, mud balls, broken hemp, sand, or straw, etc., while Western sculpture materials are more particular, from the selection of materials to the production process, which has also led to many Western sculptures.  Outstanding sculptures. This is unparalleled in China. Of course, Wang Tian can also understand that there is actually a big gap between Chinese sculpture and Western sculpture. At least, in China, sculpture.  The word "home" basically didn't exist in ancient times. At that time, most people in China were carpenters and bricklayers, and the status of carpenters and bricklayers in society was not valued at all by society. Not to mention the past, it still is.  That¡¯s right. It¡¯s not just about status. Carpenters and bricklayers make little money. In this regard, the West has paid special attention to humanities and arts since the Renaissance. Not only do they have high status, but the value of their artwork is also very high.  , artists don¡¯t have to worry about life at all and can create without worries. Generally speaking, Chinese carpenters and bricklayers cannot compare with Western sculptors, so China has always lagged behind in terms of sculpture skills and development.  Speaking of this, Wang Tian felt a little disappointed. Because even now, in China, sculptors are still part of the traditional division of labor, and their main responsibility is to carve statues for temples and buildings.  There is no free space for independent creation. On the other hand, in terms of the objects of expression and the space in which the works are located, their works lack the ability to intervene in social reality. In the West, in this country, they have status and are respected.  Even government leaders admire them. They can create freely in the studio, and they can use their sculptures to express their observations of society, and their works are no less powerful than those of their contemporaries.  Painters. And Western sculptures that accept orders from various parties and profit from them can enter various public spaces in modern society, such as squares, streets, and parks. Their works will naturally attract public attention and gain identity and status.  With recognition and money, the sculptors worked one after another, creating a virtuous circle. While learning about Western sculpture, Wang Tian felt that his burden was a little heavier, not only to learn Western sculpture techniques.Wang Tian feels that it is more important to bring back the spirit of Western sculpture and art, and bring back such a benign inheritance, because if any art is completely divorced from the market economy, it will not be able to exist for a long time.  ¡°Wang Tian has already started developing this kind of sculpture culture under the market economy.  In the next period of time, Wang Tian followed the instructions of Qilusa and David and started simple operations of making shelves. By building clay sculptures and connecting them through crosses, Wang Tian also enjoyed enjoying the charm of art.  After finishing the prototype of the clay sculpture, Wang Tian repeatedly experimented with the technique of turning plaster. Of course, since he had just started turning, Wang Tian would inevitably fail.  Even more dirty.  But Su Lele has been helping Wang Tian by the side. The two of them kept learning and discussing, asking if they didn¡¯t understand. They also slowly turned the clay sculpture into plaster and brought the sculpture into its basic state.  "Okay, Wang Tian. I didn't expect you to learn very quickly in more than an hour." Qilusa's guidance to Wang Tian made Wang Tian learn to turn the plaster in a short time.  At this moment, the sculpture of a young man carved by Wang Tian has basically taken shape.  "Sister Qilusa. Where is it? It took me a long time to do this." "Well, you can complete the previous ones. The next step is probably not difficult for you, that is, through carving tools, carving knives, and hammers  , chisel to carve his limbs and facial features. I think this is not much different from your Eastern sculptures. "After the model is done, the embryo is ready, and the rest of the sculpture is like Wang Tian."  "Cultivation of light" is a principle.  Wang Tian nodded, "I've tried stone, jade, and wood. I haven't felt anything about plaster, but I guess it's not a big problem." "Yes. You can give it a try." In the following time, Wang Tian was familiar with the road and followed the steps.  With the cooperation of his brain, eyes, and brain, Wang Tian was able to first emerge the shape and image of the sculpture. After it was vividly displayed on paper, Wang Tian copied it onto the sculpture skillfully. His mastery of knife skills made the next steps easier.  Extraordinarily simple.  And Qilusa, including David, who originally thought that Wang Tian would take a certain amount of time to face the next process, was also full of surprises.  Because it only took ten minutes from the time the boy made the model to the completion of the youth sculpture.  In ten minutes, a good sculpture can be completed. This is basically an impossible task for even Master Alberni.  (To be continued, please search Piaotian Literature, the novel will be better and updated faster!
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