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- This is impossible!
In just the first few minutes, the atmosphere of the critics' screening changed. The faces of Rope, Byrne, Pugh, Dargis and others showed surprise and excitement. Every minute that passed, this Excitement is just that much more important.
The quality of this movie seems to behigher than expected!
It¡¯s too high in every aspect!
Bright and interesting, the situation of the Hoover family has been initially explained on the screen, and the actors have constructed their characters. Hanks is no longer Hanks but Richard, Roberts is no longer Roberts but Cheryl, and other actors have also It's like this, the more it's shown, the more amazing it becomes.
"Did Stan Grossman call?" Richard hurried into the kitchen, while Cheryl was preparing dinner. The two of them talked about their own things, suppressing a sense of anxiety. Cheryl called Devine to help out, and Richard checked the answering machine. Cindy's excited chirping sounded. He yelled in disappointment, turned it off in annoyance, and cursed under his breath: "Damn it."
Richard called Stan to inquire about the progress of publishing his rules of success, but he could not contact him personally. Cheryl came back and asked what happened? Richard said even more irritably and helplessly: "You can stop worrying about this, okay?" Cheryl was too lazy to ignore him and continued to make salad.
The performance of the two of them was great! The look in the eyes of film critics has changed, and the first on-screen partnership between Hanks and Roberts is surprisingly good!
Because they acted out their souls, but at this moment, they have already created the troubles and fatigue of their respective characters. Together, they are a cold couple who seem to be on the verge of breaking up. But the pressure of her concern for him, his concern for her, and their The care for family can be seen.
This effect can be achieved from many aspects: the script is well written, the director shoots well, and the actors perform well.
This surprised Luo Pei. Critics have always had a big doubt about LMS. Is it a star-studded movie? Can a young director like Ye Wei be able to point out those famous stars? Or should we just let them act in their true colors?
¡°Lope made a private bet with his show partner Roger Ebert. Ebert bet on it, but he didn¡¯t think it was possible
Now, at the beginning of the film, the answer appears.
¡°Oliver, Richard, Devine, Grandpa, Cheryl, and Frank, all six characters were vividly displayed in the scene where they appeared, and then continued to deepen, forming a strange family with surging crises.
Breslin, Hanks, Dano, Arkin, Roberts, Ross, no matter adults or children, under the direction of Ye Wei, they all performed at a peak level, which was nothing close to their true performance. They either seem to be exploding, or they give people a refreshing feeling, they are into the drama!
"I lost." Luo Peixin said, glancing at Albert next to him. Albert's old face was showing a playful smile. Luo Peixin said again: "Yes, I lost well."
In the LMS screening room of 3116 theaters, there would be chuckles from time to time. The audience was very happy to watch. Many of them were fans of Hanks and many of them were fans of Roberts. They were not disappointed at this time. They looked really happy. good! Fans of Ye Wei are not disappointed. So far, one word can be said, it¡¯s great!
At the Chinese Theater premiere, Emma laughed especially loudly, which diluted her depression. She knew that her aunt and Hanks would be called "NG" on the first line of their first scene. Look at my aunt's smile now, I told you, you are right to join this project! That guy is a genius!
At the same time, Hanks was also laughing and was very satisfied with his performance. Rita and others also said that it was a breakthrough after watching it. He glowed with new vitality that he had not seen for a long time in Wei Ge's movie.
Stage plays belong to actors, and movies belong to directors. In movies, there is never such a thing as "actors perform well just because they act well." The director plays the biggest role.
It¡¯s not just directing on the set, but the look and feel of the entire movie is in the hands of the director.
From the analysis of the script to all aspects of preparation and design, scene scheduling, and post-production, it can be said that Ye Wei was the only one who drew and created it, and everyone else was executing it and creating according to the blueprint he gave.
In Claudia Pugh¡¯s opinion, the look and feel of LMS is great, with a kind of freehand fineness and a kind of simple magnificence. Ye Wei is really unambiguous! Perhaps ordinary viewers may see it as just an ordinary frame, but in fact every frame is full of care.
This excites film critics, amazes insiders, and makes all audiences feel so comfortable watching it.
??The more knowledgeable people are, the more pleasing they are to the eyes. They can¡¯t bear to miss a single frame. It¡¯s so cool!
Steven Soderbergh, who was watching the preview DVD, was shocked; George Lucas, who was also watching the preview DVD, was a little dumbfounded.
This e!
If you know Soderbergh from "Ocean's Eleven", you probably don't think that he has anything to do with literature and art, but after watching "Never Compromise" and "Drug Network", you will never think so again. If you know Lucas from the "Star Wars" series, you may think that he knows nothing except science fiction, but you will never feel that way after watching "American Graffiti".
"A teenage director can have such control, overall view, aesthetics and scheduling" Soderbergh was really convinced. How old was he when he filmed "Sex, Lies, and Videotape"? 25 years old? It has never been photographed so well.
Look at the props setting, art design, costume makeup and other techniques! Every scene is amazing, like the video Oliver watched praising the ladies for their exaggerated performance, the cobwebs and wall stickers in the bathroom, the Polaroid photo on the refrigerator in the kitchen
For example, the warm colors are slightly rough, and Oliver's clothes are in a variety of colors, showing the liveliness of children. Frank and Devine are almost all white, showing their dullness and morbidity. Grandpa is old but dark. He has a rebellious hippie style, Richard pretends to be an upper-class and successful person, and Cheryl has no time to pretend to be haggard
???????????????????????????????????????????????????????????????????? but if there is no director to act as the overall commander, explain, make requests, and make decisions, they can't do this.
This is not scattered, it is unified. Performance, art, modeling, photography, soundtrackpieces of the puzzle form the look and feel.
Ye Weiwei didn¡¯t work as a director? Anyone who has watched the movie and understands it knows that there is no need to say more. All of these are proof that he has achieved the ultimate. It's really like a giant Christmas tree hung with gifts. One gift after another is being opened, but there are still some!
Soderbergh was very emotional. Every time he got one, he got excited. This movie is so good.
Ye Wei¡¯s aesthetics and artistic feelings are really good.
"Why don't you speak? You can speak, but you just choose not to speak?"
There was another chuckle at the Chinese Theater. On the big screen, DeWine stood at the door of his room and gestured to Frank to go to dinner. Frank, who was sitting beside the bed in the room, asked expressionlessly. Devine still looked cold and arrogant, pointing with his eyes to the Nietzsche's head painted on the bedsheet hanging on the wall over there.
Frank turned around and looked, "Is that Nietzsche? Are you silent because of Nietzsche?" Devine nodded, turned and left. Frank mused, "Radical enough."
"Haha!" The audience in the screening room laughed even louder, because the portrait of Nietzsche was so ugly and crooked that it made people want to laugh at the sight of it.
The ugly painting was Ye Wei's request, and the prop settings were details of the script, as well as "Thus Spoke Zarathustra" that Devine had watched before.
Like Ye Wei who said he couldn't express his feelings, Michael Arndt was also the same. After revising and revising his own script, it finally appeared on the screen! The mood was indescribable, and he suddenly wanted to cry.
¡°Here Nietzsche mainly represents the philosophy of Superman. Devine¡¯s silence is actually his contempt for other people and his pursuit of self-evolution. Superman is aloof and the most tolerant of pain and suffering, and of course he doesn't talk to these mortals.
Many ordinary viewers understand what Nietzsche means, at least the most superficial madness.
In fact, many obvious messages are actively received by ordinary viewers, because the superficial meaning is easy to understand. For example, DeWine's room only looks like airplanes and Nietzsche, and there are even a few bedside cartoons of Nietzsche flying airplanes, which shows that His love for airplanes.
Sure enough, in the dining room, Devine and Frank sat waiting for others to take their seats and started "chatting". Devine wrote "I hate everyone", highlighting his rebellious heart. Cheryl and Richard took their seats, and during the conversation she revealed her son, "He plans to apply to the Air Force Academy to become a pilot. He has sworn not to speak until he achieves his goal."
Oliver took his seat, chatted for a few words, and then Grandpa.
"What is that? Chicken!? Chickens again! These damn chickens every day!? Holy lord."
The strange silence of the crowd and Richard's helpless shouting could not stop the grandfather standing at the dining table from shouting dissatisfied: "Can we, even once, have something else for dinner? Instead of chicken? Has the chicken offended us? In the world There are lots of other delicious animals out there, for God¡¯s sake.¡±
The audience¡¯s laughter rang out again in the theater, Grandpa¡¯s amazing first paragraph!
Claudia Puig couldn¡¯t help but admire that if there was a floating scoreboard, right now, LMS would be scoring 100 points.
As a film critic, when facing the public, the bigger consideration than technical aspects is how the story is and how well it is told. What is on the screen now is simply perfect, such an interesting and charming literary story! From the public's point of view, there is no deepness or dullness at all, it is completelyIt's a comedy; from a film critic's perspective, it doesn't have the vulgarity of commercial films and is completely independent.
Peter Heller has long admired Ye Wei. If you only read the script, it is not difficult to understand why Focus did not dare to shoot it in the first place. Scene No. 18 alone can be called lengthy. If it is not shot well, it will be unbearable. But viy took the photo amazingly!
"If this continues, what will be the limit of this kid?" George Lucas was amazed. Ye Wei showed great progress in every movie.
From the youthful, talented, wild horse-like energy of "The Wedding Is Coming" to the calmness, ease, and fierce singing of scary poems in "The Exorcism Video", to the "Little Miss Sunshine", Ye Wei magically At the same time, he has the sophistication and calmness of a veteran, the sharp edge of a newcomer, and not to mention the lack of passion.
Ye Wei is seizing every opportunity to express himself. He is not telling stories in a polite, careful and plain manner, but he is still the wild horse full of talents that urgently needs to be unleashed. From the opening, there are so many shots that work their magic, giving people a feeling of "he actually shot it like this".
He took those ordinary scenes, such as the kitchen, bedroom, dining room, etc., and used scene scheduling and editing to make them extraordinary and turn them into a big stage.
It¡¯s not like there are no other directors who can do this. Just like using door frames to suppress and using one side of two people leaning against the door to express isolation and distance, this is both basic and top-notch.
The difference lies in how to use it, whether it is just right or redundant. Ye Wei is expressing himself, but not in a haphazard manner. He is neither timid or lacking in directing skills, nor eager to use them. Everything is just right! Unless you pay special attention, you won¡¯t feel that there is any special directorial feeling, it¡¯s very natural, it¡¯s right there!
Any director knows that it is difficult to handle such a static group scene on the screen now. The longer the scene, the more difficult it is. This is true for both newcomers and veterans. It is very easy to make a stagnant film with only the characters reading the script.
Ye Wei was very good at filming. From scenes with two people, to four people, five people, and six people, he kept the scene energetic and interesting. Not only was it not boring, but the passage of time was not noticeable at all.
Another subtle technique, I don¡¯t know if it¡¯s the script or the director¡¯s credit, it¡¯s just a fly.
"Haha." Lucas smiled with great interest. "Wonderful," Soderbergh praised. "Wei did the best job." Hanks, who also knows the director and knows the inside story, praised.
The eyes of the unbiased directors all lit up, just because of that ugly fly! Just when the scene starts to feel a little monotonous, this little fly appears and injects new dynamic energy into the scene and allows the characters' personalities and ideas to emerge once again.
On the screen, Richard almost slapped it to death, but Oliver stopped it. Her smile in the close-up shot melted people's hearts, "I think it's just hungry." Cheryl laughed a little, and DeWine continued to be cold and arrogant. Frank nodded as if it made sense.
"In our war years, flies also ate." Grandpa said nonsense in an understatement.
In this way, the fly survived and became the relay of the scene, flying away after a few shots.
To the ordinary audience members who were laughing and laughing, they didn¡¯t think too much. They just felt that the shouting of the family was very interesting. These people acted really well! The little girl is sweet, the old man is funny, the teenage geekall six of them are awesome.
The smiling faces of the film critics obviously agreed with this. The amazing performances of the leading actors all broke out for the first time in the group scene during dinner!
So is Ye Wei's performance. Who said he didn't star? Every minute and every second, the entire movie is his genius performance! - Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report
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