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- Nominees for the 7th Teen Choice Awards in 2005:
(The winners are voted by young viewers aged 13-19. This awards ceremony will be held on Sunday, August 14th at the Gibson Theater at Universal Studios in Los Angeles. The organizer, FOX Broadcasting Network, will broadcast it live)
Best Comedy Movie: Are We There Yet? ", "Black and White Matches for Boys and Girls", "Rivals", "The Wedding Is Coming", "Napoleon", "The Longest Yard", "Meet the Father-in-law 2", "Daddy"
Best Actor in a Comedy Movie:
Will Smith, "The Rivals"
Will Ferrell, "Anchorman"
Jimmy Fallon, "Fantasy"
Ashton Kutcher, "Boys and Girls", "We Met Too Soon"
Adam Sandler, "The Longest Yard"
Ye Wei, "The Wedding is Coming"
Ben Stiller, "Meet the Father-in-law 2"
Jon Hyde, "Napoleon the Great"
?Best Breakthrough Movie Actor:
Bob Sapp, "The Longest Yard"
Zach Braff, "New Jersey"
Ryan Gosling, "The Notebook"
Emile Hirsch, "Lords of Dogtown"
?Victor Rosek, "Lords of Dogtown"
Ye Wei, "The Wedding is Coming"
Jon Hyde, "Napoleon the Great"
Michael Radey, "Summer of Jeans"
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In addition, "Wedding Day is Coming" was also nominated for Best Movie Dance Scene (Ye Wei), Best Movie Anger Scene (Ye Wei), and Best Movie Jerk (Ye Wei), a total of 6 nominations, all of which were the same as those of old enemy "Big Shot" Napoleon" (13 nominations) is in competition.
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The Directors Guild of America stipulates that before the production company and producers intervene, the director must be given at least 10 weeks after the basic shooting to complete the first edit of the film, which is the purest director's cut. Then the producer steps in and makes changes, and the director and editor work together, or only the editor works, to cut out the release version.
The movie is shot on the set and finished in the editing room.
The same materials can be cut into different versions. Not only can the rhythm and style be different, but the stories can also be different.
If you are an actor and you have been around for a long time before you get a chance to perform in a scene, it means a lot to you. You are overjoyed when you get the opportunity, you act with great care, and you look forward to it after the performance, waiting to see yourself appear on the screen and become famous but in the end you find that there is no movie. Congratulations, you're trash on the cutting room floor.
Because some scenes were not used at any time, they were cut out by the director or editor.
"Little Miss Sunshine" is nominally an independent film. Ye Wei is the first producer and director. He seems to have supreme power and can edit whatever he wants.
Not to mention "The Exorcism Video", just like "The Wedding Day" although there were two editors, he and Suzanne Hines, she was actually the one who did it. The structure, rhythm and style of the film were all his. Come and take action. He likes that, all directors like that, and now that he has enough time to complete LMS post-production, he really wants to edit alone.
A good editor can bring about chemical reactions, but he is so focused on the film that he doesn¡¯t want others to get involved.
I can only think about it. Playtone and DreamWorks are watching, especially DreamWorks, who attaches great importance to LMS now, more than ever before. It's like the last resort of a red-eyed gambler. This directly brought many new impacts to the entire post-production process.
Originally, Ye Wei planned to continue to cooperate with Suzanne Hines, why not, continue the "Wedding Day" model, and it was already negotiated, but he was informed by Goetzman that it would not be possible. Because her qualifications and talents are not recognized by big shots, for the current LMS, an Oscar-level editor is a basic requirement.
There is no need for him to worry about how to invite. With their personal connections, this is not a problem.
But Ye Wei tried to convince them to let him hire Hines. Firstly, he wanted to continue using his old friend. Secondly, a big-name editor means authority and restriction.
"Hines is no longer suitable for this project." Goetzman's words were serious and ruthless. "No one will be happy if she becomes an editor. Weige, everyone has great expectations."
If the film failed, or was only moderately successful, people would ask why not find a big-name editor in the first place?
Even if you are very successful, you will still have this idea. If you are looking for a big-name editor, will you??More successful?
Ye found that he couldn't do anything. There was still one camp supporting him in the disagreement between digital and film. This time, there was no one. All the big and small people wanted big-name editors, and he couldn't compete. I felt very uncomfortable, but I could only tell Hines: "The plan has changed. The boss wants to assign a big-name editor to me. I can't change it. I'm sorry. Susan, we will work together next time."
It can't be said that Hines was not disappointed, but she was also tolerant, "It's okay, this industry is like this, I can find other jobs, and we will work together next time." She also encouraged him to edit well, as it would be beneficial to work with a big-name editor There are drawbacks, but you can learn a lot, but be careful to stick to your own ideas.
¡°The movie is always the director¡¯s,¡± she said.
Ye Wei nodded heavily, not wanting LMS to become the work of a certain editor, no matter big or small.
The editor still has to decide again. Michael Kahn? Spielberg's favorite editor has 3 Oscars and 3 nominations. No, he belongs to "Munich Massacre". This film will be released on December 23 at the end of the year, but the filming has just started, so it is more nervous than LMS.
Ye Wei still has a shadow of Kahn. He still remembers how Kahn and Spielberg used traditional linear editing to edit "The Terminal", and he even broke a KEM
Looking at the list of optional contact editors recommended by Goetzman, he was reluctantly surprised. There were so many top names, including Pietro Scalia (2 Oscars and 2 nominations), Joe Harsin (2 Oscars and 2 nominations)even Dede Allen!
Although the 79-year-old Dede Allen has only been nominated for three Oscars but has not won, she is the most famous and the originator of the avant-garde editor. She is the one who produced "Bonnie and Clyde", one of the originators of road movies. In recent years, after retiring to work on her career, she also edited "Miracle Boy" (Oscar nominee). She finished editing "Immediately Coming" in 2001 and is here now.
Deidi Allen is interested in joining LMS, and it must be said that it is really a favor, but Ye Wei does not want this favor. She was very brilliant in the early and middle years of New Hollywood, but she is already old in the 21st century and cannot inject much into the movie. vitality.
Yes, he admires her very much, but people will grow old eventually, and LMS is not an old-fashioned road movie, it is a dynamic, absurd, and crazy story. Not suitable for the elderly.
After that, in the end, the person who settled down was William Goldenberg, who is almost 46 years old and has been nominated for 2 Oscars, in 1999 for "The Insider" and 2003 for "The Age of Fate". He is a versatile actor, capable of both fast-paced and slow-paced films. He is best at thrillers and action films, as well as comedies and dramas. In terms of dramas, "The Age of Era" is enough to demonstrate his strength, and the commercial film "National Treasure" at the end of last year also performed well.
Andamong these people, he is considered the least powerful. Just imagine if Didi Allen is invited, Ye Wei feels that he is no longer a puppet. There will definitely be differences in the editing, which are often irreconcilable. What will he do then? What can he do to fight with that old woman?
Although he has some achievements now and has become a two-sided genius, this does not mean that he has the final say. That thing is like Monroe's skirt. You think you are about to see it, but in fact it is still being held down. He had to prepare for possible conflicts and didn't want to end up signing Allen Smithey's words.
After returning from Toronto, Ye Weidu took the lead in editing films at the "Cutter" film and television post-production studio in his old place of Santa Monica in mid-June. However, it was not as urgent as the time of "Wedding Day is Coming", so he went to and from get off work. Weekends off.
But he doesn¡¯t have that much time. LMS will be released in November. Before that, he still has to submit the film for review and rating, make copies, hold film critics¡¯ screenings, premieres, register for film festivals, etc. All must be completed by early October at the latest. The plan is to cut the first version in late July, and then release the version, soundtrack, mixing, etc by mid-September, which will take 2-3 months.
Whether it¡¯s two months, three months, or faster, or slower, it depends on how long it takes from the director¡¯s cut to the release version.
The default film length of LMS is 100-120 minutes. Goetzman warned that it is best not to cut the full 120 minutes. 110 minutes is a lot, and 100 minutes is the most suitable. The fewer problems there are in the director's cut, the smoother the rest of the work will be.
Ye Wei certainly hopes that everything goes well so that he can participate in the school's football training camp in August.
In the past half month, the rough cut has been completed, and the first version is not far away. Ye Wei had been brewing for a long time, and the materials were organized and edited very quickly. However, materials cannot be wasted. Only by trying more will you know which one works better. This all takes time.
The collaboration between him and William Goldenberg is very good, mainly because what is being cut now is the director's cut, and Goldenberg is more helpful, and there are few differences. The two have also reached a tacit understanding of the division of labor. Ye Wei is more focused on comedy and drama scenes, while Goldenberg is more important in driving and tense scenes.
In July, the weather becomes even hotter, and the summer sea breeze is steaming.
After work on Friday the 1st, it was the weekend again. In the dusk, Ye Wei drove home. This week was not a date week with Nina. They got together in Chicago last weekend. See you next weekend. He could be alone. It would also be quite fun to arrange to go to the beach with your friends to bask in the sun and look at beautiful women.
As soon as he got home and parked the car and got out of the car, Duoduo appeared out of nowhere, surrounding him with a smile, showing off her hands and waving them around. All her ten fingernails were painted. A layer of red nail polish, with a proud face.
"Wow!" Ye Wei's heart skipped a beat and he asked in surprise, "Nina is here!?" As he walked towards the house, he looked around.
"It's not Nina, it's Ah¡ª¡ªNa!" Duoduo jumped next to her, still waving her hands, "Ana is here! Brother, look at my fingers, hehe!"
Ana? Ye Wei said something, feeling happy in his heart, but how could he agree with it.
"Bella, Toto, GO!" A shout of laughter came from the backyard of the house, and two puppies were running towards me. It was obvious that they had been pulled by someone just now. Behind them, a little blond girl was also running. Come on, who is it but Anna Sophia? She has grown up in body and face, with a bright smile, "Yi!!! It's me, your lucky charm, are you surprised?"
"Of course." Ye Wei smiled and looked her over a few times, "Ana, we haven't seen each other for a while, it's great to see you." We haven't seen each other much this year, but we often have phone calls.
AnnaSophia wrinkled her nose: "It's been a long time since we last met! You didn't even look for me, so I came to find you." She raised her fisted right hand and cheered: "We are going on a date tonight, I want to watch " "Exorcism Video", the movie of 'Yonique Kuhler'!"
"I want to go too, I want to go too!" Duoduo shouted quickly, although she didn't know what it was, "I want to go too!"
"Now "The Exorcism Video" is rated R. Only adults can take us in to watch it. I can't even watch it." Ye Wei couldn't help but laugh, "The rules are the rules."
"What are the rules (Rule)? I only know rude (Rude)!" Anna Sophia yelled, suddenly stretched out her hand to cover Duoduo's mouth, and whispered: "We just sneak in." Duoduo nodded repeatedly, and Anna immediately He led her sneaking towards the house, like a secret agent.
Ye Wei couldn't stop laughing when he saw it, and Toto and Bella followed him up to make trouble. - Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report
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