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Volume 1 Chapter 274 My Philosophy

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    Jia Yuan's performance can be said to be aggressive, and he even has a certain tragic momentum. Of course, they naturally have enough reasons.  The bad experiences of this generation of directors are almost comparable to those of Shen Zhenghui¡¯s parents. After finally learning, they were shocked to find that the entire country¡¯s film system had completely changed. They couldn¡¯t find a job making movies. Even if they could make movies, they couldn¡¯t follow their own rules.  Idea to make a movie.  They are different from the fifth-generation directors who have relied on the power of the state to make films and become famous internationally. They must start from a new starting point on their own, struggling to attract investment, film, and distribute.  Struggling hard to find his own way through a crack.  This generation of directors almost all start from scratch with such difficulty, relying entirely on themselves to raise funds, find connections, make plans, make movies, and then have to deal with a series of distribution tasks after the movie is made.  Because many times films cannot be released in mainland China, the biggest difference between this generation and the fifth generation is that they do not internationalize with the support of the state, but on the contrary, they themselves have begun to follow the path of internationalization.  In other words, their movies were made for foreigners from the beginning. ???????????????????????????????????????????????????????????????????????????????????????????????????????? There must be audiences in this world who are interested and curious about the world of other countries. Their interest in stories from foreign countries far exceeds the daily life around them, so so-called artistic movies are not without a market.  The richer the material life, the higher the requirements for spiritual life. Therefore, the most commercial and mainstream things are sometimes resisted by people who pursue a higher spiritual life, and some non-mainstream things will be sought after by a fixed group of people.  .  The market is segmented to such an extent.  You can make money even if you do something niche.  Because the way of investment income for non-mainstream things is different from that of mainstream things.  With marketization, can the state manage non-mainstream niche interests and hobbies?  Strictly speaking, they can.  They can use various methods to prevent non-mainstream things from being released publicly.  But in actual operation, in the era of marketization and globalization, the management power of government departments can only be reflected in the aspects and levels granted by law.  Just like the progressive writers hiding in the concessions during the Republic of China, even the sixth generation directors were in a better situation.  They still have inextricable ties with the authorities and the mainstream film industry. Wasn¡¯t the ban lifted in 2003?  Relatively speaking, Chinese artists must rely on foreign countries to respect themselves.  After all, the Celestial Dynasty, a great power and leading in every aspect, no longer exists at all.  In such a frequent exchange.  In an era of ideological turmoil, those who follow the rules may not necessarily prosper.  But those who rebel will surely perish.  The film bureau is facing the reality that the domestic film industry is gradually shrinking, the production volume is not high, and the box office is not good, and domestic demand is not strong, after the WTO.  Under the external threat situation of foreign blockbusters, on the one hand, they eased relations with the sixth-generation directors and attracted talents; on the other hand, they pulled out Shen Zhenghui to use the banner as a tiger skin.  Today's meeting is actually very interesting. It's called a seminar on the development of Chinese films. The film bureau's main idea is to use Shen Zhenghui's box office miracle to suppress the morale of young domestic directors.  Don't think that the officials have given in to you under the pressure of the situation, and you can no longer obey discipline.  Look at this big shot. His box office is hundreds or thousands of times yours. What do people think?  Don't think that if you make a movie that can't be released, you think that our film bureau is too strict with you.  See what others are doing.  Don't be too serious with your too-s-na?ve thoughts.  Not to mention everyone present, at least a lot of people understood what the film bureau was thinking.  Directors Zhang, Feng and Chen, for example, didn¡¯t say a word when they were present.  They are the beneficiaries, and they feel that they do not need to stand up and quarrel with losers.  Although some of them and their colleagues of their generation also slander the film bureau, on the whole.  They are the beneficiaries of the system.  Even if it wasn't before, it is now.  They all know the purpose of this meeting.  If we talk about film development and commercialization, Director Zhang is also qualified to speak.  But Director Zhang told the leader from the beginning that he was here to observe.  In a sense, Director Zhang's "Hero" is a movie with successful style operation.  Its success is based on Director Zhang's accumulation of fame over the years. It can even be said that it is based on the unremitting official support for Director Zhang and Director Zhang's own international reputation.  Otherwise, who would have the guts to invest 30 million US dollars?  Big names like Jet Lee, Best Actress Zhang, Best Actor Liang, and Best Actor Chen, who can bring them together?  Directors who can imitate Director Zhang in the same way are all here - Director Feng, Director Chen, they are all doing it now.  So why do those young directors, who use talented young actors who are not famous at all, and pay tens of thousands of dollars as salary, follow the same path?  So in fact, the sixth-generation directors who also saw this had already held their breath before coming to the meeting. This meeting was simply a mockery of the rich against the poor.Not only that, the rich also hypocritically made gestures and said to the poor: "As long as you work hard, one day you will be like me. You have to change the concept of poverty." The fifth generation director and the sixth generation director are actually  They are of the same origin. Their concepts, thoughts and themes about movies, their views on movie performance, etc. are all the same, but they have different forms of expression.  Fundamentally speaking, they are not the generation that grew up under the influence of commercial movies.  People are genetically born to be art film directors. This is actually a limitation of the cultivation of Chinese film talents.  But this kind of talk is just a map cannon. Of course, what Shen Zhenghui wants to say is not to point directly to the core and say that you have failed in learning. If you want to make commercial films, you should reform your thinking!  He can only talk about the development of commercial films from the side and the precautions for commercial films from the front.  This became a typical clich¨¦ and did not excite the directors present at all.  So at the beginning, instead of waiting for Shen Zhenghui to follow the script, he read out his views on the Chinese film market and analyzed the market demand.  Director Jia Yuan stood up first and fired the first shot at the hatred in his heart.  Jia Yuan¡¯s question is very difficult to answer. If you don¡¯t pay attention, it will turn into a conclusion that you are in trouble.  Directors complain that the system restricts them, but in fact they are allowed to do whatever they want.  It does not mean that Chinese movies can compete with Hollywood blockbusters.  The film bureau asked Shen Zhenghui to teach, just to remind these guys - wake up from the dream of art!  We're not film professionals, but we've seen too many.  Shen Zhenghui pursed his lips and looked at Jia Yuan with a proud smile on his lips, "Director Shen," he said, "What do you think of the questions I asked?" It's not a big deal to watch the excitement.  Some people had already applauded, and the host shouted anxiously.  "Everyone pay attention to order." "The current contradiction in Chinese society, at least in the film industry, is the contradiction between the people's growing material and cultural needs and backward productivity. If I say this, do you object?" Shen Zhenghui said.  His words caused a burst of deep laughter.  But no one stood up to object.  Jia Yuan frowned, "Productivity is already low, and if we don't let people farm the land, isn't it like starving to death?" "This productivity is not a simple concept of extensive expansion of production," Shen Zhenghui said calmly, "Chinese movies  Everyone has seen the box office data over the years. In such a large market, a few movies have dominated the market. Of course, we will not analyze some specific reasons. I will talk about a few points that I think are more important. " "  Does this have anything to do with my problem?" Jia Yuan asked.  "Director Jia, listen to me." Shen Zhenghui said calmly.  "When talking about commercial films, we have to talk about Hollywood and Hong Kong films. Hollywood and Hong Kong films have a long accumulation process. After several years of accumulation in commercial films, art films and other types of films, they have reached  I wouldn't say it's a good balanced approach, at least it's a relatively stable industrial system. But our situation in China is very different from these two places, because the development of our films is not gradual.  , but develops in leaps and bounds. In many cases, the development of movies is closely related to all aspects of our country, so as the country as a whole changes, the theme of the film industry also changes. ¡±  After looking at the whispers of the people around him, Shen Zhenghui continued, "This can be clearly seen from the subject matter. I won't talk about many things. Everyone is in the industry and knows our country's film history.  Let me cite a few specific particles. When "Shaolin Temple" was first screened, the crowds were empty. But now if we continue to make martial arts movies according to the standards of "Shaolin Temple" at that time, it will be a hit. But look at Jet Lee as the leading actor.  Development, the evolution of commercial films reflected in him can be seen as an example of film development. People like Xiao Ma Zhou, Jack Cheng, and Zhou Xingxing arrange the films they shot in chronological order to look for film development.  It can be seen that not only the development of technology, but also the development of themes, themes, etc. is the driving force for the evolution of commercial films." Looking at some people who were already thinking, Shen Zhenghui paused and continued,  "I don't know much about art films, but from the examples of commercial films, I feel that even art films should be a reflection and reflection of social consciousness, which is reflected in the film, that is, the theme and story of the film, and then the art film's  Themes and stories need to be scrutinized and tested by social consciousness, so in the final analysis, art films must have a market, or at least they need to be recognized. Otherwise, unless the artist himself has been recognized, he himself is a part of social consciousness.  " "What's your theory?" Jia Yuan asked.  ? ???I think it is Marxist theory.  Shen Zhenghui spread his hands and said, "Of course, this is my personal opinion. Please tell me if I am inappropriate."  " "Then what does it have to do with my problem?  "Jia Yuan asked. "I heard that the Film Bureau had talked with everyone last year and had lifted the ban on the director qualifications and works of many people.  "Shen Zhenghui looked at the Director of the Film Bureau who was attending the meeting. The other party nodded, "Yes.  " "This is a good foundation," Shen Zhenghui continued, "Since the actual situation has improved a lot, everyone should take this opportunity to prove themselves.  " Jia Yuan sneered, "You didn't answer my question at all.  " Lou Hua pulled Raja Yuan. "Okay.  "It means that Jia Yuan should give up as soon as he sees fit. Jia Yuan pushed Lou Hua's hand away and said, "I'm not asking these questions for myself," he said very frankly. "I've been through these years, and I can't.  Now that I am somewhat famous, I can make some "so-called art" movies by raising some money and investing.  He looked at Shen Zhenghui and said the word "so-called art" with a bit of irony, "But I can't let my contemporaries and my back continue to suffer like me."  " "Uh, Lao Jia.  That's a bit much.  "Wang Shuai on the side said, "Suffering is also a kind of training.  " Jia Yuan was about to burst into tears. He sat down all of a sudden, "It's so fucking challenging.  " Brother, your journey is going smoothly. Shen Zhenghui coughed and responded under the awkward gazes of the film bureau leaders and seniors, "I can't comment on art films.  Because it's very possible, no, not very likely, because it's bias based on who I am.  He spread his hands, "But from another perspective, it is wrong for our system to train all directors to be art film directors. For example, it is a big problem that our major cannot cultivate talents like Director Feng."  loss.  "Director Feng lowered his head in embarrassment, but when he raised his head, his face was still expressionless. "So it's difficult for me to answer what Director Jia just said, personally speaking.  Let¡¯s leave the topic of art film directors aside for now. I think China currently needs to cultivate a group of technical directors and supporting industries. This is the most urgent task.  Because this trend can be seen directly from Hollywood movies.  As far as commercial films are concerned, the most attractive things are ultimately the scenes and special effects. Therefore, this is the most urgent, both from the perspective of the development of our films and from the perspective of protecting the film market from being impacted.  " Shen Zhenghui glanced at Jia Yuan. He was still lowering his head. He seemed to be very excited and kept shaking his head. He seemed to be very dissatisfied with Shen Zhenghui for evading his own problem. "I'm sorry, because today's topic is Chinese movies.  Regarding future development, given my personal identity, the topics I talk about are also biased toward commercial films.  Shen Zhenghui explained, "You can think that I am biased against 'artistic' films, because that is not my field of expertise at all, so I can only talk about my personal biased views. This is not intended to target anyone, or  When it comes to what types of movies I look down on, the director of the film bureau told me before I came here that this was an open exchange meeting, so I tried to be as honest as possible. Although I didn¡¯t know much about art films and wasn¡¯t familiar with them, I still had to  Say something.  If I am offended, I hope that for the sake of my youth, you will not blame me.  " Shen Zhenghui took the initiative to mention his age, which made everyone present pay attention to this awkward point again. He was born in 1975, graduated in 1997, and officially entered the film industry in 1998, filming "The Cruel History of Bad High School",  At this time, he was just twenty-three years old. Director Jia Yuan was five years older than Shen Zhenghui. He also started in the film industry five years earlier than Shen Zhenghui. As early as 1993, he had already started filming his first film "The Mountain Goes Home".  ", speaking of which, he is actually the one with the smoothest path among this generation of directors. He has just turned 34 this year and is already the chairman of the Turin International Film Festival Jury. From both a commercial and artistic perspective.  Frankly speaking, apart from the seniors like Director Zhang, he was the one who was qualified to talk to Shen Zhenghui. He did his best to speak up first, but Shen Zhenghui gave him a Tai Chi punch and forced him to avoid the topic.  To dwell on this topic would appear to be narrow-minded, so Director Jia sat up straight and looked at Shen Zhenghui coldly, preparing to listen carefully to what he was going to say. ¡°In my personal opinion, the director may be in two positions.  At the two extremes, one is that the director takes over everything and the entire film is filled with his thoughts and shadows; the other is that the director is completely reduced to an executor. As far as China is concerned, the system in which the producer takes charge of everything is not quite there yet.  Mature, we don¡¯t even have enough directors, let alone knowledgeable producers.  However, there are examples of this in Hong Kong, such as Tsui Hark, and Wang Jing."Shen Zhenghui glanced at the audience, everyone was not impatient, and they all listened a little bit, seemingly waiting for what he said behind." Chinese director is still the first one, the director's power and responsibility are great,  He must be responsible for the entire film, but with the development of the film industry, one person's power sometimes cannot control increasingly huge film investment projects.  Therefore, although it is not said that auteur films with personal style will become extinct, it can only be said that there will be fewer and fewer in the mainstream market, which makes directors with distinctive styles more and more valuable.  " Shen Zhenghui swallowed a sip of saliva. He finally continued speaking according to his own train of thought, "But today's society is changing too fast. Directors who want to fully control the process of the film will find that the times are changing so fast that they can't keep up.  , they must change their style and focus their limited energy on more important things.  " "Can you give me an example?  Director Lou asked in a sinister tone, "I don't feel this trend."  " "In fact, the example is very obvious, and everyone is not aware of it.  "Shen Zhenghui said, "For example, when Director Zhang was filming "Hero".  He himself will not design the details of martial arts movements. He will only tell the action director what kind of effects I need and let the action director design the actions.  The grandness of the scene, more stunt shooting and stunt production.  It is not something that the director can handle alone. He must play such a role and coordinate the cooperation between various departments.  " Director Lou showed a disdainful expression on his lips, "What you are talking about is the division of labor within the crew, and it has nothing to do with the director's control.  " "But you have to admit that the increasingly detailed division of labor within the crew is a trend in the development, growth and professionalization of the entire film industry.  "Shen Zhenghui said, "In that case, let me give a few more examples, "Harry Potter", "Shanghai Fortress", and "The Legend of Wukong".  " "What do they have in common?  "Someone asked. "These works are all commercially successful works.  Notice that they have already gained enough influence in other forms before the movie is shot, and then when the movie is actually shot successfully, the audience who pay attention to the movie because of other art forms becomes the most direct consumers of the movie.  " "Isn't it normal for popular novels and animations to be adapted into movies?  "Director Lou started to argue instead of Director Jia. "Don't popular Japanese cartoons have movie versions every year?  This is just one aspect of the movie¡¯s theme.  " "I think this is a very important aspect of the movie theme," Shen Zhenghui replied, "It involves a question I mentioned earlier. The driving force for the development of movies is sometimes driven by social consciousness, and the development of movies itself is influenced by  Socially influenced, social and cultural trends are the source of movie themes.  In fact, this is very easy to understand. It is as if the recording of society by everyone's films is one aspect of the huge transformation of Chinese society.  The subject matter of the movie is a reaction of society itself. This change comes too fast and violently. Sometimes you capture something keenly.  " He looked at the leaders sitting at the conference table. They all showed official smiles and said, "The mainstream direction of movie themes in the future will definitely be entertainment-oriented. This is related to everyone's spiritual needs after the improvement of living standards.  Of course, with the improvement of living standards, at some levels, art films have a segmented market. Therefore, in the future, the development of the film market will allow all types of films to survive, but as for the mainstream  Judging from this, there is no doubt that the market for commercial films is the largest. Whether commercial films can satisfy the interests of the public in a developing society is the key to the success or failure of commercial films.  I think in terms of film investment, investment in commercial films will obviously become larger and larger in the future.  This can be easily guessed, just look at the cost of "Hero". With the development of society, unless there is a financial crisis, the value of movie stars will not rise or fall. The cost will become higher and higher, and the risks will also increase.  It¡¯s getting bigger and bigger, so film investment is increasingly leaning towards safe content and types.  ¡± ¡°Do you prefer adaptations of popular novels and comics?  "Someone asked. "It's not limited to," Shen Zhenghui said. He looked at the group of sixth-generation directors who were all bitter and resentful. "In fact, this shows the meaning of art films. From a certain point of view,  From a certain perspective, art films can be regarded as the forerunners of commercial films, playing a role in paving the way for commercial films.  Therefore, the establishment of major film awards encourages innovation, encourages newcomers, and cultivates acting skills. This is all for the better development of the entire industry.  " Someone blinked and showed a thoughtful expression. "The problem is how to grasp this connection. In fact, art films and commercial films complement each other. Without either party, the development of the entire film industry will not be healthy.  What worries people now is that the opposition between art films and commercial films is too strong, which actually affects whoNeither is a good thing.  Art films are becoming increasingly highbrow.  Commercial films indulge in the repetition of routines, and in the end they all go astray.  " "So you have to look at things comprehensively," a deputy director nodded seriously. "Director Shen's views are very profound!  " Shen Zhenghui suppressed his shame and continued, "I also hope that directors who make art films can make commercial films, and I also hope that directors who make commercial films can try art films. The key is not to limit yourself.  Broaden your horizons and break the barriers of genre films.  This will be of great significance to future directors.  To complete such a conversion, just like what I said before.  The director must grasp the key points and be able to find good assistants to divide the work and collaborate.  We also need our film industry to be thick enough, big enough, and have enough manpower, so that the collision of ideas between people and exchanges can produce chemical reactions.  If only a few people cling to their own achievements and remain complacent, they will definitely be eliminated in this era of rapid development.  Shen Zhenghui said happily, "For example, in Hollywood, their market is large enough and their personnel are highly mobile.  New companies continue to rise because of a good film, and there are also old companies that fail because of the failure of a blockbuster film. The key lies in vitality and innovation.  " Some officials have already taken the lead in applauding. Shen Zhenghui quickly waved his hands. "But to achieve this, we still need the support of the government.  " " Only when there is a direction, the government will know how to support it.  "This is what a film company boss said, "In the final analysis, we still need to give more opportunities to young directors.  " When the topic changed like this, some guys who originally wanted to find fault couldn't help but look at each other in confusion. "Director Shen!  "In the end, Jia Yuan stood up, "I think you can talk while standing without back pain.  His tone became much softer by then, "You started as a director in Japan, right?"  "    "Yes.  "Shen Zhenghui nodded. "How much is the investment for the first movie?  " "If you are asking about my director's liar.  The first one is "Furin High School" with a budget of 500 million yen.  "As soon as this sentence was said, everyone present took a breath. Five hundred million yen, that is in hundreds of millions. Even if it is Japanese yen, it is about 30 million when converted into RMB, not to mention that it is 99  Before and after, 30 million yuan was already considered a very impressive investment. Jia Yuan said with a certain envious tone, "Everyone present," he glanced around, "except for a few masters, probably can't reach it at all.  At your level, of course, it is impossible for a master to have such generous prerequisite preparations when starting out.  " "Yes," Shen Zhenghui admitted, "but I can tell you about my beginning. It is true that I had abundant funds when I started because my family is engaged in foreign trade. There is really no shortage of money in making movies, and it comes from Japan.  That said, there is no shortage of financing channels. I think you know this, Director Jia.  " Director Jia snorted. He also started his career with funding from Kitano Takeshi Studio, so he naturally knows it. "Before shooting this movie, I invested in several cartoons. Which ones are they?  They are Gonzo's "Re-Take", "Tokyo Fortress" and "Urami Fortress". These cartoons have finally been released into movie versions, so everyone should know better.  " No, there were many old comrades who did not watch cartoons at the scene. Everyone was very confused and asked questions one after another. So Shen Zhenghui had to tell them the profits of the TV versions of these cartoons and the box office of the movie versions. After introducing them one by one, he listened  After reaching the box office, everyone was only envious and jealous. "Then I became an actor myself. This is the most serious movie I have ever participated in, "The Cruel History of North High School". I also invested in this movie.  The director is director Shimizu Takashi, who is the director of "The Grudge" and is known as the master of Japanese horror films. When we found him as director, he had only participated in the production of a few TV series and raised his own money to make "The Grudge".  "The TV version of "Can't find the distribution company yet.  "Shen Zhenghui said, "This movie finally got 2 billion at the box office. Of course, I am not bragging here about how great my vision is. I will explain a little bit about "The Cruel History of Peking High School" and the cartoons mentioned before.  In fact, all of them already have original works. They were popular in a certain circle that was not too small or too big. I discovered them and then used them as subjects for movies.  " Shen Zhenghui swallowed a mouthful of saliva and applauded in his heart for his shamelessness. "So I am actually not a director with a strong personal style at all. If you want to see it yourself.  I am just an ordinary person living with the times. In a sense, I have grasped the pulse of the times.  "Shen Zhenghui continued to speak boldly, "Actually, many young people, especially those who have just stepped out of campus, have wonderful ideas in their minds that are actually very valuable, but they lack the ability to put these wonderful ideas into practice.?The material conditions for the realization of wonderful ideas, for me, maybe I am a little lucky.  I want to thank my dad and mom.  "Shen Zhenghui bowed to his father, and Shen Xingguo couldn't suppress the smile on his face. "So" "So Chairman Wang said it very well just now.  We must give more opportunities to young directors," Shen Zhenghui continued, relying on Jia Yuan's words, "In fact, we should pay more attention to the students in school and give them the opportunity to show their talents.  The younger they are, the more sensitive they are to the times.  He raised his hand and said, "Director, I have a suggestion. We should strongly support college students in filming their graduation works."  "The director nodded matter-of-factly, "This should be taken into consideration.  " "I am very willing to contribute to this," he looked around, "Since we are at Pingjing Film Academy, then.  Okay, we'll talk about that in a minute.  " The sixth-generation directors sitting aside were a little embarrassed. Of course, they could condescendingly say something to Shen Zhenghui based on the awards for their films. But at this meeting, everyone is not a brainless middle-aged teenager, and they also know the theme of the meeting.  It's definitely not how to win awards at major Western film festivals, and listening to Shen Zhenghui's speech from beginning to end, it seems that he has no interest in winning awards at all, and the content he talks about is limited to commercial films. This changes the topics that can be targeted.  It became difficult to find them, and the sixth-generation directors became a little silent for a while. Of course, Shen Zhenghui didn't have a good impression of the sixth-generation directors. If their debut works were recognized by the Western film industry, they would have a halo.  If successful, then most of the future works of these directors will be mediocre, especially some of them, which are far behind the times. They are still immersed in their own chuunibyou, repeating themes that they feel are profound.  On the contrary, it has been made shallow by the times. However, it cannot be denied that at this point in time, these are still a group of talented directors with their own pursuits and sufficient ability to act. Faced with the dilemma of the Chinese film market, the government has to work with them.  Their reconciliation pinned the hope of revitalizing the film market on them. On the other hand, it may be regarded as an ideological relief. However, the power of the system is huge, and reality has proved that it can save the Chinese film market.  The main force was a group of non-professional directors from the Mainland and directors from Hong Kong. This exchange meeting finally turned into an exchange meeting. Several leading directors from the fifth generation and other production bosses began to communicate happily with Shen Zhenghui.  My experience in film production and distribution. As the number one commercial director in Asia, the name is still too loud. In the reality that Hollywood is too far away, many people are very interested in the Japanese market. However, the Japanese film market is a complete negative example.  , in terms of live-action movies, they have completely gone astray, and it is difficult to return. Even Shen Zhenghui, who has won the first place in the box office of Japan's live-action movies, publicly told the people present that Japan no longer has the ability to train actors.  Hope. Japanese actors have to hone their acting skills in endless idol dramas, and then completely go astray. Another example that Shen Zhenghui can give is that of Aonuma Tomoaki who came to China to study.  The subject matter of "The Movie" is heavily biased toward animation. According to Shen Zhenghui, this has become the reason for his success and the reason for the decline of Japanese movies. If China does not go its own way in commercial blockbusters, it will inevitably become a Hollywood movie like Japan.  Dumping ground. The three major directors wanted to market their films in Japan, so they were very polite to Shen Zhenghui. Director Feng especially complimented Shen Zhenghui, saying that he should cultivate more division of labor in the film industry, which he liked very much.  Mentioning the lack of professionals in the film industry, Director Zhang and Director Chen were also polite on the surface. The three of them left quickly after talking, and then other business tycoons, experts and professors came up to talk.  The leaders of the bureau are particularly satisfied with this effect and are ready to issue a summary of this meeting and work on several projects that can produce political achievements.  Shen Zhenghui had just had a preliminary discussion with the dean of the college about the plan to sponsor the school's students to make films, when Jia Yuan came over and patted Shen Zhenghui on the shoulder unceremoniously.  ¡°Director Shen!¡± he shouted politely, followed by many of his buddies.  "What's the matter?" Shen Zhenghui asked.  "We want to communicate with you privately." Jia Yuan said, "Do you have time?" "I'm sorry," Shen Zhenghui showed a troubled expression, "I really don't have time today." The principal on the side stepped in and said,  "Jia Yuan, don't leave either, stay and have dinner together tonight!" Jia Yuan also showed a troubled expression, "Let me tell you briefly." Several people gathered around and talked about the release of the film first. Spring naturally  They won't push business to outsiders, and they won'tIf we can only release commercial films, this kind of literary and artistic films can be regarded as establishing a healthy cycle, so Shen Zhenghui nodded and agreed that we can cooperate in principle, and we will discuss the specific situation at that time, and also left his contact information.  Seeing that the business was settled, Jia Yuan immediately changed his face, "Do you think the commercial films you made have soul?" If not for the expression on this guy's face, Shen Zhenghui would have definitely thought that this guy was a cult preacher, "What do you mean?  "Can you make it clearer?" "What do you think is the meaning of the film you made?" Jia Yuan asked, still not giving up on the controversy, "Are they realistic?" "It's enough for the audience to like it."  Shen Zhenghui replied.  "So do you like it?" Jia Yuan continued to ask.  "Of course I like it. No, it's not a question of my liking. I hope my film can express a kind of interest and others can understand it. I'm very happy." Shen Zhenghui replied, patting Jia Yuan on the shoulder.  "Everyone's experience is different. Sometimes I'm not used to the kind of movies that really stimulate my soul. It's all a matter of fun." "According to you, there will be more and more fun-oriented movies in the future."  Jia Yuan asked somewhat seriously, "Does it mean that we will have no way out in the future?" "I didn't say that, at least I didn't say that there will be fewer and fewer people who like art films." Shen Zhenghui replied, "And  I'm just talking about my personal speculation, which may not be correct." Shen Zhenghui spread his hands and said.  "You look down on the film festival awards?" Jia Yuan suddenly asked such a question.  "This" Shen Zhenghui showed a puzzled expression, "How can you say you look down on it?" He was a little helpless, "I just have the self-knowledge to know that I will not be favored by the film festival, but several of the cartoons I invested in won good awards.  I'm very happy about this." "Are art films a precursor to commercial films?" Jia Yuan asked.  "It's mutual aid!" Shen Zhenghui emphasized, "It's like walking on two legs. If you put more emphasis on one leg, you won't be able to walk well in the end." This guy's self-esteem is surprisingly strong and sensitive.  Shen Zhenghui said in his heart.  (To be continued)  
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