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Volume One Hidden Dragon in the Abyss target=_blank Postscript

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    Well, the review of the postscript last time was not in-depth enough, so I have to rewrite it.  First of all, Lao Zhuang admitted that he was out of luck this time.  In the past ten years of online writing, a lot of changes have taken place. It is well known that if you do not innovate, you are waiting for death, and if you innovate, you are courting death. This is a dilemma faced by many authors.  Lao Zhuang chose to seek death and fell a lot, but he never gave up.  The idea behind this book was originally to explore a new path by integrating history and fantasy.  Generally speaking, in terms of creativity, it is still successful. Although the dragon and phoenix system is nonsense, it can be justified and it still looks like that.  Although some readers cannot accept the statement that Chinese civilization came from the Western Yi, in general, most readers are fairly acceptable to this system.  But the results of this book were not good.  Lao Zhuang thought about it carefully and felt that there are two problems: First, the conflict of writing styles. The writing inertia formed by writing history for a long time is far away from the mainstream fantasy literature, and it fails to achieve the purpose of attracting fantasy readers.  There are a lot of hidden historical elements, and even readers who like history may not be able to appreciate the interest.  I originally wanted to have both sides, but in the end I turned out to be a stranger inside and out, and my performance was greatly affected. I was left with only Lao Zhuang, who was complacent and self-admiring.  Second, there was insufficient preparation, the early settings were not thorough, especially the upgrade system was unclear, and the rhythm was not controlled well, resulting in the protagonist becoming too powerful.  The invincible protagonist will inevitably bring a story of failure.  When the protagonist can only sit and talk, the story has become useless. Even if Lao Zhuang is still interested in telling the story, not many readers are willing to accompany it.  Based on these two reasons, Lao Zhuang had no choice but to reluctantly part ways with her, which was a shameless mess.  "If it's unfinished, some people will naturally criticize it. Lao and Zhuang are responsible for it, so they don't blame anyone else."  However, what is strange about Lao and Zhuang is that most of the readers who really subscribe to the whole process are quite generous. At most, they complain to Lao and Zhuang a few words, such as "Lao and Zhuang, your character is not strong this time", but the ones who scold him harshly are those who watch pirated copies, or say something  Most of them are pirated copies, and their fan value is not as good as that of apprentices.  It's a bit shameful for you to scold me.  If you didn't watch pirated copies, but subscribed to genuine ones, and the subscription wasn't so bad, would Lao Zhuang be unfinished?  What hurts the most about a bad ending is not the reader, but the author. It¡¯s not forced, and no author is willing to do this.  There is a certain bottom line in being a human being, okay?  Finally, let me explain the last chapter, because some readers said they didn¡¯t understand it.  This chapter suddenly appeared when Lao and Zhuang Wuming were irritable. It is actually the outline of the remaining plot. Based on the emotions at the time, it may not be very clear. I will explain it here.  In Lao and Zhuang¡¯s conceptual system, the dragon and phoenix civilizations are originally one body, just manifestations at different levels. The specific representation is the Kunpeng transformation, that is, the dragon turns into the phoenix, and the water turns into the fire, which is consistent with the Jiji hexagram in the Book of Changes.  In terms of the storyline, it means that after Liu Bian unified the Central Plains, Xi Zhicai led the rise of the Sassanid Empire (seeing Ardashir, does it look familiar?), led his troops to invade eastward, and defeated Liu Xie and others who were advancing westward.  , Liu Bian's Western Expedition, a showdown in the Kushan Empire-Central Asia, the first collision between dragon civilization and phoenix civilization.  The jade seal of Chuan Guo refers to the crystallization of the entire civilization, just like the legendary sutra cabinet. The four jade pendants symbolize the four dimensions, which is of course the unity of time and space, and of course the time machine.  However, because the national jade seal was thrown and missing a corner, the time and space Liu Bian returned to was not exactly the original time and space. Diao Chan's natal beast also traveled through time and space with Liu Bian. Of course, the little round face was not the original one either.  That little round face has changed, so what follows is a completely new story, rather than returning to the starting point.  It¡¯s a pity that I couldn¡¯t write about the idea of ??passing on the national jade seal this time.  When I have time, Lao Zhuang will change his approach and write a suspense short story for everyone's entertainment.  ??Okay, that¡¯s all. Finally, I would like to express my sincere apology to all readers who support Lao and Zhuang.  I will continue to work hard to code words, and I hope you will continue to support me.  As for those who watch pirated copies and scold their mothers, I have no time to pay attention to you. You can stay where you want to cool off.  Finally, interested readers are invited to read the new book: "Almighty National Master", well, the name has just been changed.  Although this time it goes further towards fantasy, it still has the distinct imprint of Lao Zhuang. I believe it is a good story and can be read by book lovers who focus on the story and don't mind the genre.  
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