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Text Chapter 288 The Five Prehistoric Parts?

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    Chapter 288: Five Prehistoric Parts?  Only those who write a script know that it is impossible to write a script overnight.  Just like Wen Yi, even if there is the original version of the previous life as a reference, it is impossible.  After all, it is impossible to completely copy it in his memory.  Even if it is completely replicated, there are still many factors that need to be considered.  Wen Yi wants to adapt ancient myths and put them on the big screen.  Although there are settings from many novels in previous lives as reference, there are also plots from many novels that can be used for reference.  But there are so many clues and countless information needs to be consulted.  For example, the twelve ancestral witches who appear in the novel have no such name in history.  Its name just appears in "The Classic of Mountains and Seas" and "Huainanzi".  Just like Shebishi, one of the twelve ancestral witches, if you don¡¯t check the information, how would you know that it comes from the Great Wild East Scripture.  He said: There is a god with a human face, dog ears, and an animal body. There are two green snakes named Er, called Shebishi!  "If you quote the ancient myths set in the prehistoric times that are commonly used in previous life novels, and if you don't know the physical characteristics of the twelve ancestral witches, how to create special effects, you can just show them as human beings without any change.  So how can we embody witches and demons instead of humans?  If so, it is undoubtedly a failure.  Liches, witches, witches and monsters, as well as human races cannot be clearly distinguished. It is easy to imagine how He Muyang made the film.  Wen Yi actually had planned to quote this setting from previous novels.  At least in Wen Yi's view, those settings connect many ancient myths together, and at least logically, they are quite reasonable.  Yi has browsed a lot of mythological novels on the Internet today, which are very similar to when a certain novel appeared in the previous life.  As far as fantasy novels are concerned, the Eastern immortals are overwhelmed by Western magic!  And this is still in the Chinese online novel!  The system of Western fantasy is huge and rigorous. There are dwarves, elves, orcs, dragons, and angels and demons. There are so many things to write about. Compared with immortals and heroes, the only ones that come and go are "Journey to the West" and "The List of Gods".  The characters, and even a divine world that is neither east nor west, really make people have the urge to complain. ????????????????????? At least, Wen Yi has read countless novel settings in his previous life that make people look at him, and he really wants to complain.  The boss who cultivates immortality is the Yuanshi Tianzun, Lao Tzu.  The boss who cultivates Buddhism is the Tathagata. The boss who cultivates demons has no choice but to get Chi You, or directly demonize the leader of Tongtian. Over and over, there are just a few people who come and go, and they are all written down.  Nothing new to say, but why are they the most powerful?  What a powerful method?  But I can¡¯t explain it!  And there are some inherent deficiencies in terms of momentum!  There is no atmosphere at all!  The setting in the magical book "Buddha Is the Tao" from the previous life is undoubtedly amazing. This is why there are countless follow-up works after this book, but none of them can be said to surpass it, and even reach the level of "Buddha".  Not even to the extent of "Ben".  Hongjun is the boss. The bosses of the following branch churches, Renjiao, Chanjiao, Buddhism, and Shurajiao, all explained clearly. The books we read when we were children, the stories we heard, and the characters in them all found their organization.  , even the demons and ghosts mentioned in some ancient books such as "The Classic of Mountains and Seas" are classified one by one into the witch clan and the demon clan. The entire world of gods and demons is majestic and hierarchical, which is amazing.  "A Chinese Ghost Story", a ghost film adapted from Pu Songling's "Strange Tales from a Chinese Studio", and the two films adapted from "The Swordsman of Shushan" by Huanzhu Louzhu, both seemed stingy in Wen Yi's opinion.  It may not be impossible to shoot ancient myths from the "prehistoric" period, or even integrate the entire Chinese mythology into a series of movies.  However, the first part of a series of movies is very important.  If the first film fails, the sequel will be a joke.  A movie only lasts for more than two minutes at most. It is impossible to cover everything, so it must have a main line.  As for this main line, Wen Yi considered whether time should be the main line.  For example, it begins with Pangu opening the sky and ends with Journey to the West. As for the story, Pangu opens the sky, it¡¯s just him and an axe. Naturally, there is nothing to shoot, and at most it is just one shot.  Moreover, Wen Yi had already thought about this shot and placed it at the beginning of the movie.  The story naturally starts from the so-called immeasurable calamity.  For example, the first part filmed the battle between the lich and the three religions coexisting, the second part filmed the battle between emperors, that is, the battle between Xuanyuan Huangdi and Chi You, and the third part naturally filmed the battle of the gods and the establishment of heaven.  The fourth part can film Journey to the West and the spread of Buddhism to the east.  We can even film the fifth part, where the gods return to earth. ?????????? The Battle of the Gods shattered the ancient continent into pieces, and didn¡¯t the gods arrive in the immortal world?  So what will happen if these gods are directly returned to Earth?  Of course, it is impossible to film any immortal battle.  Mortals are just ants, no matter how advanced technology is,It won't help either.  After all, who made those guys so bad in the previous movies.  However, Wen Yi was not in a hurry to consider this.  At most, this foreshadowing can only be laid in the first part.  No matter how many films can be filmed, the starring actors in each film will definitely be different.  However, Wen Yi plans to directly let the protagonists of the five movies appear in the first one.  For example, the protagonist is set as an astronaut, flies to the moon, inadvertently triggers the taboo of Guanghan Palace, and then meets Chang'e, who begins to tell the story of the prehistoric times.  The Lich War is the main story of the first film.  The selection of male and female protagonists undoubtedly requires many considerations, and love is undoubtedly an eternal topic.  Therefore, Wen Yi planned to use Hou Yi and Chang'e as the male and female protagonists, and also used their love as the overt line and the lich's struggle for hegemony as the hidden line.  It connects together myths and legends such as Kuafu chasing the sun, Hou Yi shooting the sun, and the public's anger touching Mount Buzhou.  Wen Yi is not a professional screenwriter, but he was exposed to it when he was studying directing.  Most of the research is on completed scripts.  Before, I had the original version as a reference so I didn¡¯t have to worry so much.  After writing the original script for "Kung Fu", Wen Yi wrote some of his own insights into the script.  There are some differences from those professional screenwriters.  Of course, the new film must have put more thought into it than "Kung Fu".  After all, the story involved in the movie "Kung Fu" is very simple.  And it also has a simple linear narrative technique.  It can even be said that there is no plot at all.  But although Wen Yi has not named this film yet, he knows that it is connected with many ancient myths and legends. If the connection is illogical, it will undoubtedly become a joke.  If there is no logical plot, is it still called a plot?  Therefore, when Wen Yi wrote this script, the first thing he thought of was to use light and dark as the main line to make these myths and legends logical.  At the beginning of the film, Pangu opens the sky, but a simple scene flashes by, and then the astronauts land on the moon, inadvertently triggering the ban on Guanghan Palace, accidentally enter it, see Chang'e, and then listen to Chang'e's story.  All kinds of things about prehistoric times.  Time jumps directly from modern times to ancient times, which gives modern audiences a sense of immersion.  "Then the lecture of Hongjun from Zixiao Palace flashed by again, and then Nuwa made humans out of clay to become saints through merit. However, the human race was weak, and their flesh and blood contained the essence of heaven and earth, so they were mostly eaten by the demon clan.  Then he made fire with bricks and wood, and cultivated the original fire of heaven and earth to resist the demon clan, and was regarded as the ancestor of mankind.  There is a Chao family who builds houses and gathers people, and becomes one of the ancestors with great merits. Of course, these will not be shown in the plot, but will be revealed in the dialogue in the end.  The film begins with the demon clan attacking the human village.  The heroine Chang'e is naturally among them.  Along with the fleeing crowd, she ran to the land of the witch tribe to seek rescue and protection, where Chang'e was rescued by the great witch Houyi. The two fell in love at first sight and became husband and wife.  However, when Hou Yi rescued Chang'e, the Peng demon who was shot to death with scissors was the son of the demon master Kun Peng.  In order to avenge the murder of his son, he provoked conflicts among the lich and instigated his demon emperor Jun Shizi to seek bad luck for the witch clan.  This also paved the way for the Lich War.  Di Jun is the Demon Emperor, who was conceived by the Golden Crow in his temples, and his ten sons are the bodies of the Golden Crow. They seek bad luck from the witch clan, so the ten days are in the sky, and Kuafu chases the sun.  Then Hou Yi shot the sun, Chang'e flew to the moon, and the Lich War broke out.  When the context of events appears, it becomes a setting of the character.  The personalities of the people involved, the dialogues, and the appearance requirements of the actors all need to be carefully considered.  ¡°Of course, this has changed from a screenwriter to a director.  The first protagonist is undoubtedly Hou Yi.  The first heroine is naturally Chang'e.  Hou Yi is from the witch clan, and he is a great witch, so his martial arts are naturally extraordinary, but compared with the ancestral witches and others, they are naturally inferior.  Appearance requirements naturally include a certain height and a strong build.  It shouldn¡¯t be too rough, but should be somewhat handsome.  Of course, Wen Yi of the Wu clan is set into two images.  The false body is the appearance of a person, and the real body is the body of a great witch, which depends on the tribe. This requires consulting a lot of information and then setting it yourself.  Just like the false body of the ancestral witch Shebishi is played by a human, the real body of the ancestral witch has a human face, dog ears, animal body, and two green snakes!  And these, of course, rely on special editions.  The Twelve Ancestral Witches and Xiang Liu have all been described, so there is no need to waste much thought. However, if Hou Yi's own material appears as a human body, to give him the body of a great witch, one needs to rely on imagination.  The protagonist?  Naturally, he has the halo of the protagonist, so he cannot be too ugly.  And Hou Yi is the image of a hero, so naturally he can't get over the cute, cute or whatever true form of the great witch.  What he needs is a "mighty and domineering" and very handsome true form of the great witch.  SoTo determine the authenticity of the film, in addition to considering the production cost, it also naturally takes into account the audience's sense of substitution, which can also distinguish between the human race and the witch race.  What¡¯s more, Wen Yi wants to use the witch transformation to directly defeat the werewolf transformation in Western fantasy movies.  Let Western foreigners know what transformation is. Their werewolf transformation is too petty.  r1152
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