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Text 0266 [Centenary Anniversary]

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    "Wan Xiaohu, Wan Xiaohu" "Boss, boss" The fans' shouts did not make Wan Xiaohu change his cold strategy. He still looked ahead, put his hands in his pockets, and walked forward unhurriedly.  "As China's best young director, Wan Xiaohu occupies the forefront of China's movie box office almost every year, and is very productive. He has completed seven movies in more than four years, all with excellent results. He has created a series of  Movie theme. "Source Code" directed by him has been completed and will be released soon, and another animated film "Kung Fu Panda" is still in production. "In addition to making great achievements in the director's career, Wan Xiaohu has also made great achievements.  The owner of Dandelion Film Company, Dandelion is a famous film company in mainland China that has produced and released a series of excellent films. Wan Xiaohu, who is also the owner, director and producer, was born in 1980 and is only 25 years old this year. He is very impressive.  People are amazed.¡± During the explanation, Wan Xiaohu walked to the signing table and a huge wall of Huabiao Award posters.  The beautiful emcee came over with a signature pen.  Wan Xiaohu grabbed the pen and signed his name on the signature wall.  Behind the guardrail, many reporters were shouting loudly: "Director Wan, can you accept an interview?" "Director Wan, can you pose for us to take some photos?" "Director Wan, look here.  " Wan Xiaohu didn't hear the reporters' requests clearly. He put down his pen and prepared to enter the award ceremony.  But before he could take a step forward, the host of the interview station, Yao Miao from the movie channel, came over.  "Director Wan, please stay. Director Wan, as soon as you appeared, the fans cheered the loudest. Many fans are looking forward to your latest work "Source Code". Can you tell us about this movie?" Wan Xiaohu pushed the toad mirror.  , said: "Well, "Source Code" has been completed and will be seen with you on October 7th." "We are also looking forward to another movie. "Kung Fu Panda" is the fat panda.  Bao, how is it now? " "All the drawing manuscripts of "Kung Fu Panda" have been completed, and now we are starting to render and color it, and it may not be completed until 2007. " Time is limited.  After asking two questions, Yaomiao stopped: "Wow, I'm really looking forward to it. Okay, thank you, Director Wan, for accepting the interview. Let's invite Director Wan Xiaohu to enter." After entering the exhibition hall, she was immediately invited by the chief director of the award ceremony.  Went backstage to arrange when to go on stage.  Then Wan Xiaohu found old acquaintances, Feng Xiaogang, Mai Zhaohui and others, and continued to brag and compete, waiting for the moment to go on stage.  At the same time, the live TV broadcast concluded the red carpet process.  The camera turned to the exhibition hall and a large-scale song and dance performance began.  The song and dance faded, and the hosts Tu Jingwei and Zhu Jun took the stage.  "Pursue the glory and dream of Chinese cinema." "Share the glory and splendor of Chinese cinema." "Use light and shadow full of passion and love. Write a great era." "Dedicate the centenary anniversary of Chinese cinema with true feelings and report to the motherland and the people.  Dear leaders and guests.¡± ¡°Friends here and in front of the TV who care about and support Chinese movies¡± ¡°Good evening,¡± the two hosts finished their opening remarks quickly.  Jingwei smiled and said solemnly: "What you are watching is the China Radio Film and Television Awards broadcast live for you by the movie channel. The grand ceremony of the 11th Film Huabiao Awards" " In recent years, Chinese movies have maintained a strong  The good and fast development trend has achieved fruitful results one after another. It not only embodies the passion and talents of several generations of filmmakers, but also embodies a new chapter of national reform and development" The host was sensational.  in the lines, TV camera.  From time to time, the stars are shining on the faces of the guests present.  Because this year marks the 100th anniversary of Chinese cinema, the program is a little different from previous years, and we will have an opening that pays tribute to old filmmakers.  First, several veteran filmmakers were invited to the stage to give a speech.  Ten minutes later, the old filmmaker finished his speech. The host Jingwei said with a smile: "Now we invite Wan Xiaohu, a new generation of young directors in China, to come on stage and give a speech." Wan Xiaohu, who was already prepared in the background, put on his shirt.  He lowered his sleeves and buttoned them up, shook his pants, and walked up from the backstage.  As soon as the whole person appeared on the stage, he immediately felt that he was out of tune with the atmosphere of the scene.  Because there was a row of old filmmakers standing on the podium, all of them white-haired and senile, except for Wan Xiaohu, who looked ridiculously young.  Rather than delivering a direct speech, he bowed and shook hands with the veteran filmmakers one by one.Wan Xiaohu came to the microphone and took a breath.  "Dear leaders, distinguished guests, and friends in the audience in front of the TV, good evening to everyone." "This year marks the 100th anniversary of our Chinese film's glorious era. It is worthy of our celebration, especially worthy of our review, reflection, and learning from it.  The power to create the future. " "As a very young category in our national culture, Chinese movies are trying to show the spirit of the times: actively being close to the people, we have seen it throughout its hundred years of history.  The mainstream among them is always striving to reflect the people's thoughts and express the people's demands of the times. " "From the birth of "Dingjun Mountain" to the silent film "The Goddess", to the talkies "Road Angel" and "The Goddess".  In "Cross Streets", we can all feel the burning heart of Chinese film artists for pursuing freedom and democracy, and sharing the joys and sorrows with the people. These films are full of artistic tension and show us the epitome of each era. It can be said.  , They are the artistic tradition of our Chinese films. " "Our country has experienced a lot of suffering and suffered from the damage of the war, but we have finally emerged from backwardness, our national strength is growing, and our people's lives are getting happier day by day.  Resisting darkness and pursuing light, our filmmakers have created a series of films with strong critical spirit: "A River of Spring Flows East", "Eight Thousand Miles of Road to Clouds and Moon", and "Lights of Ten Thousand Houses" are also accompanied by art.  With his broadened horizons, he created films with different artistic styles such as "Spring in a Small Town" " Entering the 1980s, our filmmakers once again created a new artistic era, such as "Furong Town", "Yellow Earth",  "Red Sorghum", "Old Stories in the South" and other outstanding films are blooming" "In the 1990s, we thought more about the combination of art and market, and the collective glory of the fifth generation of directors emerged, and the emergence of the sixth generation of directors.  Entering the new millennium, more and more Chinese filmmakers will devote themselves to the film industry, allowing Chinese films to stand at the top of national culture. " "Looking back on the century-old history of our country's film industry, although it has gone through a difficult and tortuous process, it has been throughout the process.  The mainstream is the spirit of unyielding and self-improvement. It is this spirit that accompanies every Chinese to build and develop their motherland, support and love their motherland. I also believe that in the new century of Chinese films,  "It will surely become more prosperous and create more immortal spiritual monuments for the people of the motherland." "Finally, on the occasion of its 100th anniversary, on behalf of the Chinese young film workers, I would like to pay high respect and respect to the older generation of filmmakers.  Sincere blessings, thank you.¡± The audience burst into applause.  Movies were introduced to China in 1986, and China produced its first movie in 1905, the half-hour black-and-white silent film "Dingjun Mountain". Until now, in 2005, Chinese movies have celebrated their 100th anniversary.  Over the past one hundred years, Chinese films have gone through a long road full of longing and hope, struggle and pain, joy and glory.  In the 1930s, Chinese films entered their first golden age, and the city became China¡¯s Hollywood.  In 1933, "Sisters" directed by Zheng Zhengqiu screened in Shanghai for more than 60 days.  In 1934, "Yuguangqu" was screened for 84 consecutive days.  In 1947, "A River of Spring Flows East" was screened for nearly 100 days.  That was the earliest period of Chinese cinema, like a girl¡¯s priceless youth.  With the outbreak of the Anti-Japanese War and the beginning of the civil war, the war trampled on Chinese films. It was an unbearable past.  Until the founding of New China in 1949, Chinese films ushered in 17 years of glory, and batches of excellent movies became the spiritual food of the public.  But with the impact of the political wave of the past ten years, movies have become a means of propaganda. For a period of time, there were only model opera movies, Albanian movies and North Korean movies to watch.  Mainland movies suffered another fatal blow.  At the same time, Chinese films are making a splash in Hong Kong and Taiwan.  Run Run Shaw's Shaw Brothers film empire has made the influence of Hong Kong films cover all Chinese regions except the mainland. King Hu's "The Heroine" won the first trophy at the Cannes Film Festival for Chinese-language films.  In the 1980s, Chinese-language films reached their most dazzling era, with the fifth generation of directors led by Chen Kaige and Zhang Yimou, the Taiwan New Film Movement with Hou Hsiao-hsien, Edward Yang, Lee Eucalyptus, and Tsai Ming-liang as the core, and Yusen Wu and Wong Jiawei as the core.  The Hong Kong filmmakers represented have raised the status of Chinese-language films to unprecedented heights.  Their influence lasted through the 1980s and 1990s and continues to this day.  ¡°Chinese film, this word is appearing in prestigious film festivals around the world with an increasingly proud attitude.  In 2002, the authoritative British film magazine "Sight and Sound" convened world-renowned directors and film critics to select the 41 best films in the world since 1981. 10 Chinese films were on the list.   As a result, Western industry insiders predict that the mainstream of world cinema in the 21st century will shift to the East and to Chinese-language films.  The future is bright, but the road is tortuous.  There is a long way to go for Chinese films to become mainstream, but veteran filmmakers like Xie Jin and Zheng Dongtian have begun to teach and educate people and train successors; filmmakers like Zhang Yimou have won major film festivals and created various artistic themes;  Wan Xiaohu, a group of filmmakers, has also begun to grow and strive to speak their own voices.  Chinese movies will eventually become better and better.  Wan Xiaohu, who walked off the stage amidst applause, believed in all this and believed in this day!  (To be continued)
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