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Text 0203 [The hope of Chinese movies]

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    "I represent a hope!" "Since the market restructuring of Chinese films in 1994, the fourth generation of directors has given the right to speak to the fifth generation of directors. This group of fifth generation directors has endured ten years of catastrophe, and has also  After experiencing the ideological collision of reform and opening up, the fifth generation of directors has conquered Chinese films in terms of art and humanities, as well as international awards and awards. "It is undeniable that the current Chinese films are the work of the fifth generation of directors.  In the world, Zhang Yimou and Chen Kaige carry the expectations of an entire nation. They film stories and condense the background of the era into a four-square screen. They win awards and receive attention. All their achievements are natural. " "2000.  In 2016, I, Wan Xiaohu, invested in my first film and became a director in China. Someone saw me and said that I was a sixth-generation director, so I turned around and looked for recognition from the sixth-generation directors. As a result, I was not recognized.  No sense of identity has been found. " "The sixth generation directors are a more unique group than the fifth generation directors. They have not experienced the hardships of the past ten years, but they have gradually grown up during the major changes of reform and opening up.  The system collapsed, old ideas gradually melted away, various new trends of thought collided and established, and the pain and passion of reform accompanied the growth of the sixth-generation directors. " "I tried to classify myself as a sixth-generation director, but ultimately failed.  They are either extremely pursuing the ontology of images, or they are obsessed with realistic forms and paying attention to grassroots people, or they are firmly on the commercial route and have integrated every bit of the changes in China¡¯s economic trajectory into their bones.  In terms of subject selection, they pay attention to the current urban and marginalized characters. Marginal people such as thieves, journal girls, and unemployed young people frequently appear in the film; in terms of narrative strategy, they often incorporate their own experiences into the characters in the play, more or less bringing them into the film.  It has an autobiographical tone; in terms of image style, they emphasize real light, color and sound, and use a lot of long lenses to form a documentary style. " "It is not difficult to see that the fifth generation directors or the sixth generation directors are all influenced by the mission of history.  Granted, they have their own group commonality and representativeness. Feng Xiaogang said that he is an outsider of Chinese movies because he has not interacted with the fifth generation directors. I would like to say now that I am also an outsider of Chinese movies, and neither do I.  Intersection with sixth-generation directors. "In recent times, especially after the New Year, people will point fingers at me, saying that Wan Xiaohu's "Infernal Affairs" is not as good as Zhang Yimou's "Hero".  , the difference in box office is 100 million, and the difference in overseas sales is even greater, regardless of investment, lineup, genre, promotion, or reviews.¡± ¡°Because I was treated as such from the beginning.  Commercial directors, everyone seems to regard taking the box office as their feelings towards me. This is the same as a person who eats an extra bowl of rice at noon and is labeled as a loser. " "Chinese movies have been constrained.  Inside the main hall, the quality of movies is the worst in history. Two hundred movies are made every year, and 180 of them are not released. Everyone is tied up by chains, and they are trapped in a cycle of bad movies and worse movies.  .  Who tied the chain?  " "One is the filmmaker himself.  Don't have the guts to try something new and ignore the audience's feelings.  Delve into your own little world of art.  The other is the media, which never objectively reports on a movie. They only try to find out who the big names are in the movie, what kind of scandals happened during the filming, or how the movie is flawed.  " "Over time.  The audience doesn't care at all what the content of Chinese movies is, because newspapers scold it hard, and if a movie is scolded, it doesn't matter to everyone, as it doesn't affect anything.  Because there are hundreds of other movies, it doesn't matter if you dislike one more. Only when you dislike ten movies will you feel that something is wrong. All the subsequent movies seem to be labeled as ones that should be disliked.  ¡°So the media came to the conclusion that Chinese audiences don¡¯t like to watch domestic movies, but Hollywood movies are better.¡±  " "At this time, I showed up and slapped some media in the face, because I filmed "Waiting Alone" with 500,000 yuan, which earned 21.8 million at the box office, and "The Butterfly Effect" with 6 million yuan, which earned 45 million US dollars worldwide.  .  In one fell swoop, the reason why audiences don¡¯t like watching domestic movies was shattered.  " "So they attacked me, saying that the movies I made were kitsch, vulgar and vulgar, especially "My Sassy Girl".  Just like talking about Feng Xiaogang back then.  " "At this time, I made another move. I filmed "Infernal Affairs", and the box office and word-of-mouth were like a slap in the face, which slapped the media who liked to slander me.  They never expected that Zhang Yimou saved their lives, and now they can vent to their heart's content. Wan Xiaohu is not a master, Wan Xiaohu is not that strong, and Jiang is still old and spicy.  " "But I want to tell these people that clamoring will not work. There is indeed a distance between me and the master now, but I represent a kind of hope, the hope of Chinese movies.  One day, Chinese films no longer need to expose themselves.??Scars, show scars to others. One day, five thousand years of culture began to be exported to the outside world, and the morality of benevolence, justice, propriety, wisdom and trust affected the world.  " "One day, foreign directors hope to come to China to shoot Chinese-language films. At that time, you will find out who created this era!  " "Junior brothers and sisters, I am speaking here today to encourage you.  If someone tells you that you are no longer good, you have to stand up and show them.  Chinese movies are bound to rise, and the hope is not in the hands of people who stand up and talk without pain, but in the hands of me, you, and those of us who really like and look forward to Chinese movies.  " "On February 16, 2003, Wan Xiaohu gave a speech in the small auditorium on the first day of school at Nortel.  " Faced with the reporters' disparagement, Wan Xiaohu failed to learn the good character of stretching out the right cheek after being slapped on the left cheek. After finishing the filming of "Savage Sister" and returning to the capital, Jun Ji-hyun lived a low-key but extremely athletic life.  On Valentine's Day, I spent the Lantern Festival alone with my brother Wan Xiaobin, and then took advantage of the start of school at Nortel to give a speech. This speech quickly spread from Nortel to the outside, making the originally noisy media.  Even more crazy. ¡°The ultimate arrogant man is none other than Wan Xiaohu Demon.  " "The funniest joke of the 21st century was born - Wan Xiaohu created a new chapter in Chinese movies.  " "Young people who are typical of being dazzled by fame and fortune should be careful about becoming the second best to Ten Thousand Little Tigers.  " "Wan Xiaohu gave a speech at Nortel, saying that he had surpassed Zhang Yimou's achievements.  " "The world is in turmoil in my generation. Wan Xiaohu probably didn't understand the next sentence. It's just like the time in the world, which means that it would be more appropriate to talk about life after ten or twenty years.  ¡± There was a lot of ridicule in the newspapers. For example, the "Beijing Youth Daily" said that "the young director's lofty ambitions" have been drowned in ridicule.  Promote benevolence, justice, propriety, wisdom and trust to the outside world?  "¡ª¡ª"Southern Metropolis Daily". "Wow, Wan Xiaohu closed the newspaper, picked up the tea cup with an expressionless face, and drank the tea in small sips. Su Ya supported her head with her arms, tilted her head and looked for a while, and asked: "  Why are you angry with reporters again?  If you said such words, didn't you mean to let others scold you for being arrogant?  " "The world's ups and downs come from my generation, and the time comes as soon as I enter the world.  In the chat and laughter of Huangtu Hegemon, life is a drunken experience.  He raised his sword while riding astride and swung the ghost rain, causing bones as white as a mountain bird to fly away in fright.  Things in the world are like tides and people are like water. Only a few people in the rivers and lakes return.  " After reciting a poem, Wan Xiaohu suddenly asked Su Ya: "Do you know the meaning of this poem?  "    "have no idea.  " "This is when I was watching "The Swordsman: The Invincible East" and heard the poem recited by Linghu Chong. I didn't know who wrote it. It felt very interesting.  It is about a scholar who entered the world of martial arts, full of lofty ideals and ambitions. However, as time goes by, the lofty ideals and ambitions of those years have become a thing of the past. The people around him are like running water, fleeting and fleeting, and the artistic conception is very desolate.  " "Does this have anything to do with your Nortel speech?  " Wan Xiaohu put down the tea cup, stood up, walked to the window, and looked at the high-rise buildings outside: "Don't you think I am becoming more and more diplomatic now?  Worn away.  My behavior in public has become less and less personal, so you see, everyone will step on you now.  Does the 250 million box office of "Hero" have anything to do with my "Infernal Affairs"?  Hold on!  " "So you just want to show off your personality?  "Su Ya laughed. "Yeah, I'm going to film "The Wind", and I want to get myself into combat mode quickly.  After being at ease for half a year, I feel that my skills are not as flexible as before. I just want to find some whetstones to add some passion to myself!  You know, my goal is to become a world-class director. How can I get out without fighting?  " At this time, Wan Xiaohu is like a sword unsheathed, with its sharp edge revealed. Although his mental age is already in his thirties, his body is only twenty-three years old, and his hormones still make people's blood boil. The maturity in his heart allows him to do things  Sleek and high-spirited, it also brings him a different kind of exciting youth. ¡°Su Ya, please start arranging for people to let the news out that I am going to film "The Wind". I'm going to prepare the crew!  "With motivation, Wan Xiaohu became a workaholic again. Soon, Dandelion officially released the news. "Wan Xiaohu's fifth film "The Wind" has been approved, creating the first spy drama in domestic films and serving the Republic and the country.  A tribute to the revolutionary martyrs!  " "I am leaving this record in purgatory. I only hope that my family and Sister Yu can forgive me for my decision at this moment, but I firmly believe that you will eventually understand my feelings.  My dear people, I am so ruthless to you because the nation is at the point of survival, and my generation is?Be able to work hard and save yourself from any eventuality.  My body is about to perish, but my soul will be with you.  The enemy will not understand that Laogui Laoqiang is not a person, but a spirit and a belief!  " ""The Wind" is coming, who is the old ghost?  "(To be continued, please search Piaotian Literature, the novels will be better and updated faster!
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