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Text Chapter 1085: Everything is fake

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    The waiter took everyone into a private room, poured everyone a cup of tea, and then said goodbye and walked out.  ¡÷¨J Knowing that Chu Chen and the others were pressed for time, Peng Fangyue signaled to everyone and took out the paintings from the painting and calligraphy box.  This painting is also a "Two Hunan Pictures", but the artistic conception is different. The paper is full of wooden leaves blowing in the wind, near or far, gathering or scattering, slowly flying and landing. Two ladies stand tall and graceful.  While walking slightly, his expression is solemn and slightly sad, which highlights the sadness of autumn and the theme of the work.  I have to say that if you look closely, this painting is indeed a rare good painting. However, judging from the several points pointed out by Professor Gao before, this painting is undoubtedly a fake. Even if the time when it was painted is  This result will not change until Fu Baoshi completely establishes his own painting style.  Because even though Fu Baoshi had not yet formed his own style of painting at that time, he would always have his own characteristics in terms of brushwork and other aspects. However, there are errors in this aspect in this painting. It may happen that you say this is an authentic painting.  Thing?  In addition, there is another major flaw in this painting When Chu Chen put down the magnifying glass in his hand, Peng Fangyue quickly asked nervously about the result. It was normal for him to be nervous, because he bought this painting not cheaply.  As the "leading stock" in my country's calligraphy and painting market, Fu Baoshi's works began to enter the circulation field as early as the 1940s.  In 1984, a set of Fu Baoshi's "Poetry of the Tang Dynasty" album auctioned in Xiangjiang was sold for 1.6 million yuan in Xiangjiang coins, setting a record for modern Chinese painting auctions at that time.  In 1996, his masterpiece of figure painting "Beauty Walking".  It was sold for 10.78 million yuan, setting a record for the highest auction of modern calligraphy and painting works in my country.  So many kinds.  Everyone should understand the value of Fu Baoshi's works.  Most of the works that are frequently sold for sky-high prices at major auctions belong to the Konggangpo period, but if the painting in front of you eliminates those few errors.  It is not much worse than the masterpieces of the Jingangpo period.  Therefore, the price is certainly not much cheaper.  However, it was obvious that Peng Fangyue was going to be disappointed. Chu Chen said regretfully: "Mr. Peng, I don't think much of this painting."  Please explain the reason." "This is what it should be" Chu Chen pointed out several errors in the painting one by one, and then said: "In addition, there is another biggest flaw in this painting.  "What's the flaw?" Jiang Jiachang asked quickly.  Chu Chen explained: "Most of the characters painted by Fu Baoshi were ancient scholars, legendary ladies and other people from a long time ago. At that time, these characters did not leave any images or statues for future generations to refer to. They could only rely on him through words."  Rough descriptions of historical materials form some general vague impressions. " "Fu Baoshi has devoted his life to the study of art theory and has a deep understanding of traditional culture, so he has a profound cultural accumulation in figure painting.  The shape has many unique characteristics. " "The most obvious feature is the 'multiple faces', whether it is "The Picture of Xiangjun", "The Picture of Xiangjun Crossing the River", "The Lady of Xiang", or "The Picture of Two Xiangs".  The faces of the ladies painted in "Mountain Ghost" are very plump, their eyebrows and crowns are graceful, and their temperaments are very similar. " Speaking of this, Chu Chen pointed to the painting "Er Xiang" in front of him.  "But although the author portrayed the expressions of these two ladies very well, he obviously forgot this feature of Fu Baoshi's paintings of ladies, which is different from the original ones. This is only the same as Professor Gao's."  You can see it by comparing the "Two Hunan Pictures". "After hearing what Chu Chen said.  Professor Gao quickly took out his painting, and everyone found it through comparison.  Sure enough, as Chu Chen said, the appearance of the ladies in Peng Fangyue's painting was quite different.  to this result.  Peng Fangyue felt very disappointed. After a while, he asked reluctantly: "Teacher Chu, are there any exceptions to this?" Chu Chen shook his head: "If you want to say that there are 100% no exceptions, then I can't guarantee it.  But I have not found this phenomenon in several of Fu Baoshi's works of ladies. You can also compare it with other related works." After hearing this, Peng Fangyue scratched his forehead and looked very anxious.  He murmured: "How is this possible? I bought it at an auction. It has an appraisal certificate from an authoritative expert. How could there be a problem?" When Chu Chen heard Peng Fangyue's words, he couldn't help but shook his head.  Are there any fakes at the auction?  This is obviously unrealistic.  Especially Fu Baoshi¡¯s works, due to their huge market value and market potential, they have undoubtedly become the targets of many counterfeiters.  For example, in December 1999From January 10th to January 2nd, 2000, a special exhibition entitled "Special Exhibition of Works from the King Kong Po Period by Fu Baoshi" was held at the Shanghai Museum. The issue of authenticity of the works caused a huge sensation at the time.  And because of Fu Baoshi¡¯s popularity, many auctions now include Fu Baoshi¡¯s works, making it impossible for an auction to be complete without Fu Baoshi.  There is almost no large-scale or high-end auction that does not include paintings by Fu Baoshi.  But because of this, it is destined that quite a lot of "Fu Baoshi" among them are fake.  Just think about it, a person's lifetime creation is limited after all. Apart from the collections of Fu Baoshi's paintings in major museums, Fu Baoshi's family, Fu Baoshi's friends during his lifetime, and a few collectors, the rest should be very limited in the market.  How is it possible that Chang Xin is so common in the auction market?  Even if it is an authentic work, if it is collected by a collector, it must be quite valuable, so how can it be easily sold to the market?  Nowadays, in addition to some high imitations of Fu Baoshi's forgeries, there are also counterfeiters who piece together the various faces in Fu Baoshi's paintings. Some counterfeiters even modify some paintings that resemble Fu Baoshi's style and send them to auction.  OK.  Chu Chen had heard before that at a large auction in Beijing, a work labeled "Fu Baoshi" was valued at over one million yuan, and its real author was the then director of the Fu Baoshi Memorial Hall.  This painting is a Fu Baoshi painting that he copied more than ten years ago. It was sold at the price of one thousand yuan per foot.  In fact, not only Chu Chen knew about this situation, but Zhao Qirui and Jiang Jiachang also knew about it.  Unlike Chu Chen and Peng Fangyue, who had just dealt with each other, Jiang Jiachang was familiar with them, so he briefly told them the inside story: " This shows the proliferation of Fu Baoshi's counterfeit products in the market, and with the  With the development of modern technology, counterfeiting has become more concealed and deceptive. Therefore, any painting with a certain authoritative appraisal must be cautious and put a few more question marks. " "But" Peng Fangyue said!  He swallowed the words that were on his lips, and then asked politely: "Teacher Chu, could you please give me a little more time and help me identify this work? It was taken together with the "Two Hunan Pictures"  "Since the appraisal just didn't take long and there was still some time, Chu Chen nodded and said, "Okay." Seeing Chu Chen's agreement, Peng Fangyue quickly took the painting out of the brocade box and opened it.  "Pine Eagle" painted by Qi Baishi "Pine Eagle" is a frequent subject of Qi Baishi's paintings. He created many paintings of Pine Eagle, the most famous of which is the "Pine Eagle" presented to Xu Beihong in 1928.  Judging from the composition and shape, this "Pine Eagle Painting" is very similar to the one he gave to Xu Beihong. The pine trunk runs through the painting from top to bottom, giving it a strong air; the eagle stands with its head high on the trunk, proud in the breeze.  The image suddenly came to life; a few strands of pine needles were added to the side to add interest.  The rough and carefree depiction of the tree trunks contrasts with the delicacy of the pine needles; the dry and wet shades of ink can be used freely and are full of variety.  In this work, the eagle's beak, claws, and eyes are outlined with strong ink lines. The beak is sharp and curved, and the claws with sharp hooks are strong and powerful. The body and wings are written in the boneless method, and are accompanied by fine lines drawn with sharp points.  The tall and straight pine needles exude a domineering atmosphere in the loneliness.  This painting also looked like a fine work, but when Chu Chen saw the date of signature, he secretly shook his head. This painting was very likely to be fake!  Due to time constraints, Chu Chen quickly observed the details of the painting, and then said: "Mr. Peng, I'm so sorry, I don't like this painting either." "Why!" Peng Fangyue simply didn't believe his ears.  Although Jiang Jiachang was also surprised by the result, he saw that Peng Fangyue was a little unstable and quickly tried to persuade him: "Mr. Peng, it is normal for our industry to be eye-catching. Besides, these two paintings of yours were obtained from auctions."  If there is any problem with the auction, we can discuss it." Peng Fangyue was well-informed after all. After listening to what Jiang Jiachang said, he calmed down after a while.  Seeing this, Chu Chen began to explain: "Mr. Peng, do you know Qi Baishi's life? You must know that there is no 77-year-old in Qi Baishi's records, because the fortune teller told him that there is a limit at 77, and this year will be very special.  Sadly, Qi Baishi kept it secret. He stayed in the house for three days without seeing anyone, and even brought food through the window. When he came out, he announced that he was 78. "So, he should not have any works from the 76 or 77 years."  . I dare not say absolutely whether there will be special exceptions. There may be, but the possibility is the same as your "Two Hunan Pictures". At least in the works of Qi Baishi I have seen in the past,  I have never seen any works from the 1976 and 1977 models. ""Qi Baishi doesn't have any works from the 1977 model?" Peng Fangyue's eyes widened and he looked very unbelievable. He really didn't know about this, let alone him.  Except darkExcept for Jiang Jiachang, who was careless, no one else knew about this matter.  And this painting by Peng Fangyue was painted by Qi Baishi when he was 77 years old. From this point of view, the probability of it being a fake is self-evident.  (To be continued, please search Piaotian Literature. The novels will be better and updated faster!
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