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Text Chapter 921 Four Screens of Flowers and Birds

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    The exchange will make Chu Chen feel more and more about some of his shortcomings, and it will gradually come to an end.  After Mr. Wang explained a piece of bronze to everyone, he said with a smile: "Okay, now I would like to invite Mr. Mao to unveil the last two collections of this exchange meeting." While speaking, Mr. Mao also walked over quickly.  In front of the exhibition stand, the next collection revealed its true appearance, but it was four paintings and calligraphy works. Chu Chen looked up and thought it should be four screens.  "This is Zhu Da's four-striped screen of flowers and birds. Now you can come on stage to watch it up close." "What?! Bada Shanren's four-striped screen, are they real or fake?" "The gilt copper incense burner just now is already a fake.  "This one should be authentic!" "That's not necessarily true" "Well, don't be sure. You can tell if it's true or not after seeing it!" Chu Chen said last year,  I once got a paper fan from Bada Shanren's "Lotus and Stone Birds". The market value of that fan alone is now at least one million, and it is the target of everyone's competition when it goes to auction.  A fan is so precious, and now there are four screens on the Yuxian stage. No wonder everyone is so excited and in disbelief.  Amid everyone¡¯s hesitation, a few quick-footed people rushed to the stage to take a closer look.  During this period, Chu Chen found that Chai Pingle and the young man sitting next to him had a smile on their faces.  Seeing this, Chu Chen guessed that these four screens were probably Chai Pingle's collection.  It¡¯s not easy to come across a group of Bada Shanren¡¯s works. You can imagine everyone¡¯s excitement and enthusiasm. Everyone wanted to stay on stage and not get off the stage.  Even if a friend reminds me, I always look back.  The reluctance on his face was beyond words.  In this case, everyone is becoming more and more convinced.  This set of four screens should be genuine.  After appreciating the work, Zhao Xueyi walked down from the stage. As he walked, he made a sound of admiration. When he sat back down, he sighed with emotion: "As expected of Bada Shanren, he is indeed a rare person."  What a great painting!¡± When Uncle Wu, who was about to go on stage to appreciate it, heard this, he asked, ¡°Are you sure it¡¯s the real thing?¡± Zhao Xueyi laughed and said, ¡°Judging from the paper and the painting and calligraphy skills, I think it¡¯s from Bada Shanren.  Of course, my ability to appraise calligraphy and painting works is really not up to the mark. Let¡¯s listen to Xiao Chen¡¯s opinion later!¡± Chu Chen waved his hand and said, ¡°Uncle Zhao, I¡¯m not here to appraise the calligraphy and painting works either.  Okay, let¡¯s listen to Mr. Mao¡¯s opinion later!¡± Chu Chen was not being modest when he said this.  In the vast art market, there are a dazzling array of antiques and relics, and there are also a dazzling number of fakes.  I am at a loss, and it is even more difficult to distinguish between calligraphy and painting.  As mentioned earlier, the appraisal of calligraphy and painting is a subject that is both practical and academic, requiring a certain amount of experience in calligraphy and painting, knowledge of literature, history and art.  In modern cultural relic identification.  The appraisal of calligraphy and painting is the only category of cultural relics that cannot be completely replaced by visual appraisal with scientific and technological means.  In calligraphy and painting, scientific and technological appraisal can only falsify, but not prove the truth.  For example, a painting and calligraphy attributed to Su Dongpo from the Song Dynasty.  Using instruments to detect whether the paper, ink, ink pad and other materials are from the Song Dynasty, it cannot be confirmed that the work is Su Dongpo's.  It is also necessary to compare calligraphy and painting styles, consider the flavor of the times, and study personal penmanship.  This is because people after the Song Dynasty can also use the materials of the Song Dynasty to create calligraphy and paintings, but if the materials such as paper are tested, it is after the Song Dynasty.  It can be concluded that this is a forgery.  To prove that a work is authentic, in addition to the material having to be of that era, you must also have a clear understanding of the calligrapher's and painter's personality, style, and seals. Sometimes it is necessary to rely on a large amount of documentary evidence for auxiliary proof.  It is based on this reason that Chu Chen believes that for a long time in the future, the appraisal of calligraphy and painting will still need to rely on the experience of experts to make judgments.  Since it mainly depends on experience, it will inevitably be restricted by many subjective factors, which makes the appraisal of calligraphy and painting the most difficult and most controversial of all cultural relic appraisals.  Chu Chen had also encountered difficulties in appraising calligraphy and paintings at Liu¡¯s home before.  Once, Mr. Qian brought several experts in calligraphy and painting appraisal and brought a piece of Tang Yin¡¯s work to Mr. Liu for help in appraising it.  Before making the appraisal, Mr. Liu first asked them to express their opinions. As a result, each of them had a different opinion, even Mr. Qian was no exception.  Finally, Mr. Liu completed the appraisal and gave his own conclusion. Several experts still disagreed, and in the end they had no choice but to part ways.  Things like this can be said to be countless in the appraisal of calligraphy and painting.  It can also be seen from this that the difficulty of identifying calligraphy and paintings cannot be solved without corresponding knowledge.?There is no way to become a calligraphy and painting appraiser with a strong foundation.  As for Chu Chen, although he can force Wen Boji, he is still quite lacking in experience in appraising calligraphy and painting. If he can still say one, two, three with the help of superpowers, but without superpowers,  At best, he can only be regarded as an ordinary appraiser.  Chu Chen followed Uncle Wu to the stage. At this time, there were several people watching with gusto. They didn't want to disturb them too much, so they occupied an empty seat and started watching.  Except for one of the four screens, which is a landscape, the others are pine and stone, lotus and stone with two birds, and bamboo and stone with two birds.  The stones on the picture are simple and strange in shape, with negative momentum. Since most of them are top-heavy inverted triangles, the picture shows a strong unstable state.  In the picture "Song and Stone", a stubborn stone rushes into the picture from the lower right corner. When it is about to topple, it is skillfully supported by Qiao Song on the left, saving the day.  Being able to seek stability in danger is for everyone's benefit.  In the picture of Two Birds on Lotus and Stone, a slightly deformed bird stands on two inverted stones under the slanting load, with one eyebrow lowered and the other glaring toward the sky.  Be wary of each other and depend on each other.  In another work, a group of rocks fell from the sky, squeezing the bird at the bottom of the picture in the middle, creating a heavy and depressing visual experience.  Although there are two birds in the painting, they do not seem to have a caring relationship with each other.  They each crouched in their own little world, rolling their eyes to the sky, daring to get angry but not daring to speak. Chu Chen guessed that this might be a metaphor for the artist's situation at that time!  As soon as these four screens came into view, Chu Chen couldn't help but praise "What a painting", but then, he couldn't help but frown.  ??If we look at the brushwork and appropriate artistic conception of this painting, this should be an authentic work by Bada Shanren.  But what surprised Chu Chen was that compared with his paper fan, this work seemed to lack a little charm, which made him doubt the authenticity of the painting.  "Did I think too much, or is there something wrong?" Chu Chen thought as he carefully looked at the paintings in front of him, but based on his experience, he really couldn't tell that these four screens were fakes. In the end, he had no choice but to  Used super powers.  After a while, Uncle Wu next to him asked, "Xiao Chen, are you okay?" Chu Chen came back to his senses, nodded and said, "Okay, let's go back!" The two walked back to their seats,  Zhao Xueyi couldn't wait to ask: "Xiao Chen, how are you?" Chu Chen said with a smile: "Uncle Zhao, let's listen to Mr. Mao's opinion on this matter. I'm really not good at this." Although  He already knew the result from his supernatural power, but he really couldn't give a solid reason, so it would be better not to say anything.  Seeing what Chu Chen said, Zhao Xueyi did not force it, so everyone patiently waited for Mr. Mao¡¯s explanation.  After a while, when everyone returned to their seats, Mr. Xu next to him spoke first: "Old Mao, you'd better just tell me the result directly. Just like this, everyone is discussing how to do it." Mr. Mao looked at it.  Seeing that everyone was in high spirits, they knew that as Xu Lao said, there should be nothing to discuss in this situation, so they nodded and said with a smile: "Everyone must have admired these four screens. First of all, I want to say  , these four screens are indeed good paintings, the author's imitation is very good, very accurate!" When Mr. Mao said this, the scene suddenly became silent, and many people had a look of astonishment on their faces.  After a while, Chai Pingle stood up with a roar and asked anxiously: "Mr. Mao, do you think these four screens are imitations?" Mr. Mao solemnly nodded: "Mr. Chai, although I also hope that  These four screens are authentic works of Bada Shanren, but that¡¯s the fact, and this result is unanimously agreed upon by the five of us.¡± I heard that it was the unanimous conclusion of the five experts, and Chai Pingle knew that the result was unlikely to change.  This made his face a little bitter. After a while, he said: "Mr. Mao, I want to ask you for advice" "Mr. Chai, if you don't tell me about this, I will definitely explain it  ¡­¡± Next, Mr. Mao combined the characteristics of Bada Shanren with the performance of these four screens and gave everyone a vivid lesson. In the end, everyone believed Mr. Mao¡¯s explanation.  "Xiao Chu, have you guessed who the author of these four screens is?" Just as Chu Chen was drawing useful experience from what Mr. Mao said, he suddenly heard Mr. Mao ask him, which made him  He couldn't help but be slightly stunned, and he couldn't understand. How could Mr. Mao know that he had already thought about who the author was? Could it be that Mr. Mao could still understand him?  Mao Lao definitely didn¡¯t understand him. The reason why he felt that Chu Chen might know the real author was because Chu Chen came to power before.The thoughtful look on his face while appreciating it caught his attention. In addition, when everyone else was talking about the four screens just now, Chu Chen didn't talk much about it. Therefore, he felt that Chu Chen might  I saw the inside story.  Speaking of which, Chu Chen's performance made Mr. Mao sigh in his heart. If Chu Chen could see that the four screens were wrong at such a young age, then his talent and level in calligraphy and painting appraisal  How high!  "If Chu Chen had not been accepted as a disciple by Mr. Liu, but if it were someone else, he would have to find ways to take Chu Chen into his sect!"  (To be continued, please search Piaotian Literature, the novel will be better and updated faster!
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