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Text Chapter 909: Woolen Materials in the Antique Shop

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    Some friends may find it strange that since the old man thinks his stuff is good, why must he sell it to Zhao Xueyi?  Of course, the reason was because he was reluctant to return the money to Zhao Xueyi. As for the fact that he brought out an artifact that was sold for more than the value of the flower goblet, there is no need to explain the reason.  Zhao Xueyi looked at the things carefully and found that there was no problem, so he handed the things to others.  The brush wash is in the shape of an autumn leaf. The autumn leaves are stretched and the veins are engraved inside, without much carving.  There are several carved flower buds on the petiole, which are delicate and charming and complement each other.  In addition, the edges are rolled up, making it look extremely agile.  The bottom of the vessel is supported by three thick and blunt legs, which are stable and impressive.  Except for the three-legged bottom, the entire body of the autumn leaf wash is glazed inside and outside, with white in the blue, and full of change. ??????????????????????????????????????????????????????????????????????????????????????????? Moreover, works of the same shape are collected in the Forbidden City and the Shanghai Museum. Therefore, after everyone has seen it, there is no doubt that it is authentic.  Seeing that this thing was indeed a good thing, Zhao Xueyi said with a smile: "Okay, Lao Yi, just this thing!" Seeing that Zhao Xueyi finally accepted the thing, the old man couldn't help but let out a sigh of relief, although he  I knew there would be nothing wrong with this thing, but I was still worried that something might happen.  After the matter was settled, a smile appeared on the old man's face. He said with a smile: "Old Zhao, look, I just bought a batch of things. Do you want to see what you like?" "Old Yi, you don't know how.  Are you planning to fool me again?" Zhao Xueyi looked around with a smile and saw that there were indeed several new items on the shelves.  The old man said with an innocent look: "Why are you deceiving you? Besides, I also made a guarantee about the flower goblet before, and it has been resolved now. Let's not mention this matter!" I thought of going to eat now.  It was still early, so Zhao Xueyi looked at the others.  Seeing that they said there was no problem, he smiled and said: "Then let's see what good things you have collected, Lao Yi." "Okay, you guys take a look here first, and I will go get a few things out" etc.  The old man walked into the back room with a smile, and the group of people started looking for things they liked.  This store mainly deals in porcelain, but just like the two pieces of porcelain that the old man took out before, most of the porcelain is products from local folk kilns. I don¡¯t know if the old man just likes local folk kilns or what.  Something happened.  Except for porcelain.  This store also sells some miscellaneous items, such as Yushanzi, stationery supplies, old furniture, etc., but the quantity is not large.  However, Chu Chen looked around but didn't find anything he liked. Then Wu Ke fell in love with a small sachet.  This sachet is made from a small piece of ivory, hollowed out and carved into a gourd shape.  It is split in half and can be used to hold spices and be worn with you.  It uses relief and openwork techniques to carve bats and flower vines.  The carving is exquisite. Judging from the age, it should be a work from the Qianlong period of the Qing Dynasty. It is also a very good gadget.  Wait for the old man to take out his things.  Chu Chen asked about the price of this small sachet.  The price offered by the old man is slightly more favorable than the market price, and judging from his tone, there is no room for price reduction.  Anyway, it was only worth ten thousand yuan, and Chu Chen was too lazy to talk.  I paid directly.  Just as Chu Chen was paying, Uncle Wu and the others picked up what the old man had just brought over and looked at it.  They are two pieces of porcelain and an inkstone.  The items are good. The two pieces of porcelain are from the official kilns of the porcelain capital of the Qing Dynasty and the third generation of porcelain. The Duan Inkstone was also made by a famous artist in the late Qing Dynasty.  When Zhao Xueyi saw this, he laughed and said: "Old Yi, why are you willing to take out the exquisite products from the official kilns of the Qing Dynasty?" The old man laughed and said: "What's the point of not giving up? Let me tell you, I like the things from the folk kilns.  , The things in the official kiln are good, and the painters are excellent, but many of them are mechanical decorations, which I just don¡¯t like!¡± Zhao Xueyi laughed when he heard this: ¡°Your idea is quite special¡± The collection of folk kiln porcelain  , has never been taken seriously by collectors.  Many books on porcelain collection on the market also teach people how to collect official kiln porcelain and famous kiln porcelain. Few collection books guide people to collect folk kiln porcelain. Some books even openly advocate that folk kilns and miscellaneous kilns  Porcelain is not collectible.  A big reason for the above point of view is that those who wrote the book may have done some research on official kilns and famous kilns, but lacked research on folk kilns. In fact, so far, not many people have studied many folk kilns in our country.  Not to mention how many results the research has produced.  In fact, Chu Chen feels that folk kilns are worthy of collection and even more worthy of study.  Chu Chen also agreed with the old man's attitude towards the folk kiln.    Compared with the official kiln porcelain, the craftsmanship value of the official kiln is very high. It concentrated the best kiln workers, the best batching masters, the best drawing masters, the best glazing masters, and the best porcelain of the time.  The best kiln masters, as well as the best painters, spare no expense and strive for excellence, so they can produce official kiln porcelain with extremely exquisite craftsmanship.  However, the artistic value of official kiln porcelain is not necessarily higher than that of folk kiln porcelain. This is because the feudal social hierarchy is very strict, and special things are made for the royal family. Special attention must be paid to the decoration. If the painting is wrong, even  There is a risk of being beheaded.  Therefore, the best kiln workers can produce the best porcelain, but the best painters may not be able to draw the best and most beautiful pictures in such a restricted and repressed environment. They can only paint the patterns that the court likes.  By following the same pattern, the artist's personality is stifled in the repetitive and boring mechanical work.  Without individuality, there is no art. If these painters have their individuality stifled, their artistic value will naturally be greatly reduced.  On the contrary, when the same painting master paints folk kiln porcelain, he can be unrestrained and express himself to his heart's content. His suppressed personality is liberated, and his works are naturally smooth and lively.  If you are a person with a high level of art literacy and have studied and appreciated the fine works of folk kiln porcelain paintings, you will definitely be amazed.  The unrestrained agility and lively business in folk kiln porcelain paintings are simply incomparable to official kiln decorations.  Of course, not all folk kiln porcelain paintings are that good, and most of them are shoddy works.  Moreover, art is not just porcelain painting, the shape and glaze color of porcelain are also a kind of art.  Therefore, given that most folk kiln works are shoddy, it is reasonable for some people to criticize folk kiln collections.  However, Chu Chen feels that although shoddy folk kiln works do not have much collection value, in the future as people's collection concepts become more mature and the level of art appreciation continues to improve, the value and investment potential of those fine folk kiln wares will definitely  It will get higher and higher.  It is precisely with this understanding that when Chu Chen encounters those exquisite folk kiln works, he will definitely take them into his pocket. However, although there are many folk kiln porcelains in this store, Chu Chen feels satisfied with only a few pieces. This  Perhaps it was because the old man had the same idea as Chu Chen, and wanted to wait for the value of folk kiln porcelain to rise before selling his collection of exquisite products.  Closer to home, there are only three items, but there are a lot of people here in Chu Chen. It is definitely not enough to divide it by one person. Fortunately, Zhao Xueyi has already gained something. Qi Baofu and Fang Jinbo don¡¯t have much money to buy it. Uncle Wu and Chu Chen are from the same family.  People, so Chu Chen and Zhu Dafu divided the things, and Chu Chen asked for two pieces of porcelain.  After paying the money and seeing that the time was almost up, the group was about to leave and go to dinner. At this moment, they saw two men walking over. One of them asked: "Boss, how did you sell that box of jade wool?"  Chu Chen and others were somewhat surprised when they heard this. Why are there still woolen materials sold here?  The old man replied: "Those woolen materials are not only for sale. If you want it, it's 80,000 yuan!" Hearing the price offered by the old man, both men had incredible looks on their faces. One of the men exclaimed: "  There are four pieces of wool in total, and there are three pieces of head covering material that are not very good. Boss, you actually want 80,000?" The old man said calmly: "Even if the three pieces are all wool, don't you still have the remaining one?  Didn¡¯t you see that the exposed part of the wool is completely green? It¡¯s only 80,000 yuan!¡± Another man smiled and said: ¡°Boss, do you know how to gamble on stones?  It's all green, but it's worthless Tie Longsheng. Even if the whole piece is like that, it can't be sold for 80,000." After hearing the man's words, the old man's face immediately became serious and he said coldly: "I don't know how to gamble!  Shi, but so what, you can do whatever you want, and if you don¡¯t want it, go ahead and do whatever you want!¡±  The man probably had a bad temper. When he heard this, his expression changed and he immediately quit. However, before he finished speaking, he was stopped by his companion.  Then the man glared at the old man and walked out angrily with his companions.  "Who are these people!" The old man spat fiercely at the backs of the two of them.  Chu Chen and others looked on with cold eyes, feeling that the old man's behavior was really not too big. Although the man's words were indeed a bit harsh, he did not say anything too extreme. Since the old man was a businessman, why didn't he know  The principle of harmony and wealth, even if it is perfunctory, is better than the current situation.  Of course, no one said much about this matter. Zhao Xueyi then asked curiously: "Old Yi, why do you still have jade wool?" The old man sighed."Hey! I'm unlucky, I met an unreliable relative" It turned out that the old man had a nephew who heard the story about how he could get rich overnight by betting on stones, so he started playing the game without telling his family.  The result of gambling on stones was that he didn't get rich, but instead owed a lot of debt. These pieces of wool were put on consignment by his nephew, and he had already made an agreement in advance that he couldn't sell them for less than 80,000 yuan.  (To be continued, please search Piaotian Literature. The novels will be better and updated faster!
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