Chu Chen first looked at Lao Meng's two various objects that had been smashed. Both of them were porcelain. One of them was a goblet that looked like Yongle sweet white porcelain. Blue and white figure plate. Although these two things seem to be the same thing, as long as you look more carefully, it is not difficult to find the problems. They are two very ordinary imitations. The last piece is also a blue and white plate, with the Xuande pattern on the bottom. This blue and white plate has a delicate texture, white glaze, and the blue and white hair color is very similar to Xuande's utensils. Although it is wrong, Chu Chen thinks this plate is still very interesting. After putting the things away, Chu Chen cleared his throat and said with a smile: "I was really surprised by everyone's enthusiasm today, but you don't have to be like this. I am just an ordinary collector. I still have a lot to explore on this road, so don¡¯t think of me as an expert, just treat me as an ordinary Tibetan friend.¡± ¡°Experts are just experts!¡± ¡°That¡¯s right! Only by being humble and eager to learn can you become an expert! " "Teacher Chu, you are humble, but it is hard for us to see you once. You have to leave something behind, right?" "Yes! Teacher Chu, can you tell Lao Meng? Please express your opinion on the three pieces of porcelain on the table!¡± ¡°Yes, yes! Teacher Chu¡± For a moment, the crowd onlookers all wanted Chu Chen to express their opinions on the three pieces of porcelain on the table. Malice. The good intention is that I really want to hear Chu Chen's experience. As for the bad intention, I still think it is best to make Chu Chen look embarrassed. There is a saying that people are afraid of being famous and pigs are afraid of being strong. If Chu Chen was in his thirties or forties now, it would be nothing, but he is a young man who looks to be in his early twenties, which makes some people very unconvinced by him. As for Chu Chen's performance on TV. They can also be seen as having been rehearsed long ago. So, now that they have the opportunity to face Chu Chen face to face, some people take the opportunity to test whether Chu Chen is really talented and knowledgeable. If so, then at most it will deepen everyone's impression of him. If not "Well, then, Let me share my humble opinion. Please correct me!" Having participated in several treasure appraisal programs, Chu Chen was completely familiar with this matter, so he picked up the broken goblet and started talking. Yongle¡¯s sweet white glaze. Chu Chen is no stranger to this. When he was in Xiangjiang, he once appraised a sweet white glaze monk's hat pot for Liu Sizhe. So now he combines the characteristics of the goblet in front of him to tell everyone the characteristics of authenticity. I introduced it once and also gave a few tips. This made the surrounding audience listen with gusto. Some people even took out the small notebooks they carried with them and recorded the important points that Chu Chen said. Finished talking about the goblet. Chu Chen picked up the fragment of the Apocalypse blue and white plate. "We know that Tianqi's reign in the Ming Dynasty was very short, and the official kilns basically did not produce much. The private kilns produced a large number of products, which is characterized by the decrease of large products and the increase of small products. Large products are slightly less regular and small products are less regular. The product is very delicate and has the legacy of Wanli blue and white. "Chu Chen took a relatively large piece of porcelain on the edge of the blue and white plate and introduced: "Let's not talk about the other things for now. Let's talk about the deglazing of Tianqi Dynasty porcelain. Phenomenon" Deglazing refers to a phenomenon in which the glaze layer on the ceramic surface separates from the matrix. The situation of deglazing can be complete or partial, and the types of ceramics and kiln mouths that are deglazed are also relatively complex. The range is also wide, and glazed porcelain of various colors can be deglazed. actually. The porcelain in the porcelain capital has already solved the phenomenon of deglazing, but it happened to come back to the world in Tianqi's generation. This also shows the decline of porcelain technology in Tianqi Dynasty. Chu Chen first briefly introduced the reasons for deglazing, and then some members of the audience couldn't wait to say: "Teacher Chu, I'm just a little confused about artificial deglazing and natural deglazing. Can you introduce them to us? "Okay, let me just tell you a few points." Chu Chen nodded and said, "The current artificial deglazing is usually acid-treated glaze, plus manual polishing. This method will generally cause several problems due to the deglazing phenomenon caused by hitting it. " "First, the surface of the area treated with acid will lose its luster and look like a melting ice layer, lacking the bright and sharp edges of the real glaze layer. . In addition, there will be blackening. Secondly, the glaze is hard to peel off with nails, and the glaze can be scraped off even if the glaze is not removed with a little force. " "In addition, although the parts and glaze layers that have been deglazed by manual polishing and knocking have the characteristics of clear edges and bright edges, the parts that have not been knocked are stillVery sturdy. The naturally removable glaze fragments are in the form of hard flakes or particles with edges and corners, just like broken glass. " "Also, when the ceramic layer is deglazed, the gap at the opening is observed under a magnifying glass. It has the characteristics of wide gap and wide distance. Fake products do not have such characteristics" Chu Chen introduced the difference between the two, and then carefully explained the fake characteristics of the blue and white plate porcelain piece in his hand, which amazed the surrounding audience, and they all expressed their appreciation for his erudition. With great admiration, Chu Chen took out the remaining porcelain piece imitating the Xuande blue and white plate and introduced: "This blue and white plate has a pattern of entwined flowers on the outer wall, which is a typical style of Xuande blue and white. There is a lotus painted on the center of the plate. This is not the style of the Xuande period, but the style of the early Qing Dynasty" After talking about the two fakes, when it came to the last one, the audience only thought it was a fake at first. It was an ordinary fake, but when Chu Chen introduced it, some people reacted quickly and immediately noticed the difference. So, someone in the audience immediately asked: "Mr. Chu, don't you mean this plate. , is it actually an old imitation from the early Qing Dynasty? " Chu Chen didn't show any concern, smiled and nodded: "It is true, and if I am not wrong, this should be a sustenance made in the Kangxi year of the Qing Dynasty, and the overall quality of this blue and white plate is , also reached the level of Kangxi official kiln. " "Hiss! "After hearing Chu Chen's answer, many people around took a breath. Most of the people present, those who have studied porcelain, knew that the blue and white utensils of the Kangxi period were popular in imitation of Yongle and Xuande blue and white utensils, among which they were divided into official There are poor imitations and good imitations. Needless to say, the poor ones are valuable, but generally the value is not high, while the good ones are not necessarily bad. It's still good. The value of porcelain imitated by private kilns is basically a bit lower than that of official imitations, and the value is not the same. Now Chu Chen said that this blue and white plate was imitated during the Kangxi period, and it was probably an official imitation. , how can this not shock everyone? (To be continued)