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Text Chapter 706 Poems about Falling Flowers (continued)

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    Because of a fabricated story about Tang Bo Hu Dian Qiuxiang, Tang Yin has become a famous painter and talent of the Ming Dynasty, which is now well known to women and children, and his calligraphy and painting works handed down have always been valued by the world.  But, since Tang Bohu is so famous, there are certainly many fakes. In addition, most of the authentic works are now in public museums. Authentic works circulated in society are very rare and rare.  Therefore, everyone paid great attention to the album in front of them and observed it very carefully. It took a full hour before everyone read the album inside and out.  When everyone came back to their senses, Chu Chen asked with a smile: "Seniors, what do you think of this album?" Several old people looked at each other first, and Zhu Dafu spoke first: "Lao An, what do we think of this album?"  In the meantime, you have the most thorough research on calligraphy and painting. How about you talk about your opinions first? " "Okay, then I will give you my humble opinion first." An Gongshi smiled and nodded and said, "I will.  It is believed that this album should be authentic, and its creation time is likely to be later than the versions collected by the Sioux City Museum, the Liao Provincial Museum and the United States. "There are currently four versions of "The Falling Flower Poetry Album", among which only the National Gallery of Art has it.  The version collected in the book has a clear date and was written the year before Tang Yin died of illness. The other three versions have no date.  However, after research, except for the Liao version, which is still somewhat uncertain, the other two versions should have been completed during the years of He Shi.  "How do you say it?" Qiao Qingtai interjected and asked.  "Let me first talk about why I think this album is authentic." An Gongshi said: "First of all, everyone should know the origin of the poem of falling flowers, right?" Everyone nodded, indicating that they knew.  Tang Yin loved peach blossoms all his life.  The villa was named "Peach Blossom Temple", and he called himself "The Master of Peach Blossom Temple" and wrote many peach blossom poems.  His representative work is "Album of Falling Flower Poems".  Tang Yin¡¯s poem about falling flowers is composed by He.  The poem was written in the spring of the seventeenth year of Hongzhi's reign in the Ming Dynasty.  That is when Tang Yin was about thirty-four years old.  At that time, Shen Zhou wrote ten poems in seven rhymes about falling flowers.  In addition to Tang Yin, Wen Zhengming, Xu Zhenqing and others all wrote harmonious poems.  According to historical records, Tang Yin composed thirty poems of seven rhymes for harmony, plus his later creations. According to statistics, there are more than one hundred "Poems of Falling Flowers" in total. And that period was the period after he was involved in the examination fraud case.  Year.  An Gongshi continued: "It is precisely because of this that these peach blossom poems are filled with Tang Yin's indignation at the feudal rulers' destruction of talents. And the depressed mood expressed between the lines of the album in front of him is also  It was in line with Tang Bohu's situation at that time. I think it is difficult for imitators or forgers to express this kind of artistic conception." At this point, he paused and found that everyone had no objections, and then continued: "Let's continue.  Let's talk about Tang Yin's calligraphy style. Tang Yin's calligraphy is not as famous as painting and poetry, but his talent is still very high. Therefore, Wang Shizhen commented in "Yanzhou Mountain Manuscript": "Bo."  "Tang Yin's calligraphy, like his painting, pays attention to the broad integration and comprehensiveness, and the appearance is also very diverse, but he has not yet reached the age of "tonghui".  The realm of "both people and books are old". According to documentary records and extant works, he studied extensively from Zhao Mengfu, Li Yong, Yan Zhenqing, and Mi Fu. He had different emphasis at different times, thus forming an ever-changing stage appearance" General  think.  The changes in Tang Yin's calligraphy style can be divided into four periods.  The first period was before the age of 30, when he lived in his hometown of Suzhou.  He had a good relationship with Wen Zhengming, who was of the same age, and was greatly influenced by Wen. Therefore, their calligraphy and painting were very close. Tang Yin painted "Huangmaozhu Small Scenery" when he was more than 20 years old). The lakes, rocks, flat slopes and trees are all extremely beautiful.  It is similar to Wen's fine pen; the calligraphy is also from Zhao Mengfu, both of them are elegant in structure and elegant in use. The inscriptions on Tang Yin's "The Master's Deep Hidden Picture" are very similar to Wen Zhengming's.  The second period is from 30 to 36 years old. Tang Yin was deposed from the imperial examination and his wife divorced. He had no choice but to make a living through poetry, calligraphy and painting. At that time, calligraphy followed the Tang Dynasty people and strived to be standardized. In particular, Zong Shangyan Zhenqing¡¯s regular script was dignified and round.  It is fleshy, the structure tends to be rectangular, strong and dense, the stippling is thin horizontally and thick vertically, and absorbs the calligraphy method. The end of the horizontal stroke is like a "silkworm head", and the stroke is close to the "swallow tail" in the middle of the stroke, which is very powerful.  The representative work of the second period is his "Album of Falling Flower Poems".  The third period is from the age of 37 to 45. At this time, Tang Yin was in his prime. At this time, his life was contented and his creation reached its peak The fourth period was from the age of 46 to the death of 54 years old. It was Tang Yin's later years. Since the age of 45,  After pretending to be crazy and escaping from King Ning of Jiangxi Province, he further understood the world, his thoughts became more depressed, his behavior became more decadent, and his calligraphy became willful After talking about Tang Yin's calligraphy style in detail, An Gongshi continued:?As for the calligraphy style of this "Luohua Poetry Album", from the dignified pen, round and fleshy, and rectangular structure, it can be clearly seen that it was written in the second period of Tang Yin's calligraphy.  " Hearing this, Meng Yixian had some different views. He said: "But I think the pens on the pages of this album clearly have the flavor of Juanxiu. I think it should be regarded as the third issue, right?  " An Gongshi nodded: "You can call it the third phase, but I think the style of the second phase should be stronger, so it is better to count it as the second phase.  As for the time when this album was written, it should be after he turned 36, when his writing style was about to change.  " At this time, Ji Haoliang asked: "Then why is the version of this album completed later than the three versions collected by the museum?  An Gongshi smiled slightly and said: "One reason is based on the change in calligraphy style mentioned just now, and the second reason is because this edition is a thirty-six-page edition, with a total of thirty-two falling flower poems written on it, excluding thirteen  The first poem is the original collection of poems about falling flowers, and the fourteenth poem are supplements.  " "The other five songs are supplements to the two versions collected by Su Shi and Mi Guo. Judging from Tang Yin's habits, it can be basically concluded that this version should be later than those two versions.  As for the version in the Liao Provincial Museum, I am more inclined to Mr. Yang Renkai's judgment that it should have been written in the year of He Shi" "I don't agree with this!  " Hearing this, Qiao Qingtai retorted: "I think the time when the Liao edition was created needs to be discussed. If it was really written in that year of He Shi, then why is the calligraphy style of this edition so similar to that of the National Jade Museum?  ?  "    "OK OK!  " Seeing An Gongshi preparing to argue, Zhu Dafu smiled and waved his hands and said: "Now we are here to identify the authenticity of Xiao Chen's album. As for the academic discussion, we will leave it to you later.  But I think, since these works are not signed with dates, if you really want to determine who comes first and who comes last, you are asking for trouble.  " "What Lao Zhu said makes sense!  Meng Yi first smiled and said: "After all, we are not studying history. Why do we need to be so clear about it?"  Of course, it would definitely be better to study it. If you want to study it, Xiaochu, I am very much in favor of it.  Chu Chen smiled and said, "Let's wait until I retire to discuss this matter!"  " At this time, An Gongshi asked curiously: "Xiao Chu, how did you see this album page?  " Chu Chen scratched his head and said with a smile: "It's just very common. I found it when I looked through the book.  "    "So simple?  An Gongshi was very surprised when he heard this. He said with envy: "Then you are really lucky!"  " Zhu Dafu smiled and said: "Xiao Chu's luck has always been so good. Among his collections, Tang Bohu's "Album of Falling Flower Poems" is not the best.  " "No, isn't this the best?  Meng Yixian and others all looked in disbelief when they heard this, feeling that what Zhu Dafu said was too exaggerated. Zhu Dafu smiled slightly and said without arguing: "When you see Xiaochen's collection in the future, you will know whether I am right or not."  .  " Hearing what Zhu Dafu said, An Gongshi became a little curious. He said, "Xiao Chu, if it's convenient, can you tell us which famous artist's work you have recently obtained, and it will open our eyes?  Chu Chen said with a smile: "What's the inconvenience? If I talk about the recent past, it was when I went to Wucheng a few days ago that I received a piece of "Luo Shen Fu" in regular script by Zhao Mengfu.  "    "What?  Zhao Mengfu's "Luo Shen Fu"?  " Before anyone else could react, Zhu Dafu stood up suddenly and shouted. Others also showed stunned expressions at this time. You must know that it is Zhao Mengfu's most famous "Luo Shen Fu", let alone "Luo Shen Fu".  "Luo Shen Fu", even a small-sized work by Zhao Mengfu, is already something extraordinary to them. Seeing Chu Chen nod again, Zhu Dafu smiled and scolded: "I said you kid, you are so stupid.  Why don't you tell me about the good things, so I can appreciate them first?  Chu Chen chuckled and said, "I was busy those days, so I didn't have time to come to you. Moreover, my father took the "Luo Shen Fu" to the association's gathering last week. If you go,  You must have seen it a long time ago!  " Zhu Dafu shook his head regretfully: "Hey!  such a pity!  If I had known this, I would have been a day late!  After I go back, I must go to Lao Wu¡¯s place to appreciate it.  Meng Yi rolled his eyes first and said with a smile: "Lao Zhu, I haven't been to your place for a long time. When you leave, let's go to the capital together. What do you think?"  " "Let's go together!  Let¡¯s go together!  "Qiao Qingtai and An Gongshi also said in unison. Next to them?Haoliang also wanted to meet them, but except for Meng Yixian, he was not familiar with anyone else, and he was embarrassed to ask.  Seeing this, Chu Chen smiled and said: "Seniors, if you go, I will welcome you. However, after I return to Beijing, I have to go to Wucheng and then to Myanmar. I probably won't have time to entertain you."  Sorry, please give me some thanks!" (To be continued, please search Piaotian Literature for better and faster updates!
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