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Text Chapter 384, Loli and Uncle¡¯s Love

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    ", Mathilde looked at Leon with eyes that were far beyond those of a teenage girl and asked him, 'Is life always so hard, or is it only in childhood?' Leon faced this more seriously than killing someone.  Difficult question, simple and honest answer: 'It's always so hard' From this time on, Mathilde became Leon's assistant Mathilde said, 'Leon, I think I love  Falling in love with you. This is my first love, do you know? ', a little girl's love for a killer is not grand, nor does it have flowers and beautiful dinners, only a black gun, white milk, and a pot of green.  Plants, but this relationship was a romantic mess After Leon's death, Mathilde took the only friend that Leon saved money from, which was the pot of green plants, and moved it out of the small flower pot and planted it on the ground, so that Leon could finally  From now on, Mathilde is a person, but she is not just a person, she also has that beautiful and strong heart, which is Leon. It is planted in the soil, but it is not just a person.  It took root in Mathilde's heart" Could it be that Luc Besson was invited here not to have a drink with him or to chat with him when he had nothing to do? He wanted this man who had just become famous to be famous in Europe.  The young director who has been praised as "promising" came to direct the movie "Leon the Killer", which was destined to be directed by him, which is also known as "The Killer Isn't Too Cold".  European movies, to a certain extent, French movies are European movies. It can even be said that movies come from France.  As one of the most outstanding directors in France, Luc Besson should be the one to direct this film.  And it's the most complete version.  That¡¯s right, what was told to Luc Besson was the 136-minute version that was only publicly released in Japan.  The version that is also called the ¡®International Version¡¯ is designed to make this movie appear completely in this history.  Is it because I like this movie so much that I tried many ways to buy the so-called international version? Otherwise, this movie would really be aggrieved now.  The love between a girl and a killer, the year-end love of a lonely pair; Loli has a royal sister in her heart, but the uncle has a little shota in his heart.  This kind of story is very classic, isn't it? Who can have any reason to leave it incomplete? ????????? Could it be the time in the previous life.  The film was nominated for seven C¨¦sar Awards, but none of them actually received any awards.  The performance at the box office was not very impressive, with a budget of almost 20 million US dollars.  With a box office of more than 40 million, it can be considered worthy of it.  But this film is really a classic, Luc Besson¡¯s classic and Jean Reno¡¯s peak performance.  A story that is enough to shock people deep into their hearts.  It would be a shame not to make this film.  So, could it be that he was shamelessly telling the story in front of someone else's original creation, so that it was so romantic and shocking that Lao Lu started to feel moved when he heard it.  Now Luc Besson is still a newly emerging young director. He has just directed a black-and-white silent film "The Final Battle" starring Jean Reno, and another thriller crime film "Metro".  To be honest, although I have been nominated for several awards, I am still very young.  Not at all the one who directed the blockbuster film "The Fifth Element."  The great international director, who has won numerous awards and is like a god, is easily fooled by Mo Fei.  Of course, this is also because Mo Fei puts himself in the perspective of a director when telling the story.  I combined my own understanding of this film with the reviews and information I learned in my previous life, and removed some of the tiny shortcomings. After speaking about it in this way, I achieved a more shocking effect.  After listening to Mo Fei's story, he was very silent and pondered for a moment. Then Luc Besson changed his expression and said: "Mr. Mo Fei, this is indeed a great story. If it is made into a movie, it will definitely be a sensation."  . It¡¯s just a film like this. Why would you ask me, a young director, to do it? With all due respect, although I have received some recognition, it is not enough for you to treat it like this. If you are willing to find someone who is qualified.  If you cooperate with the director, they will be very happy, and the risks you need to take will be much smaller. "Is it really difficult to answer this question truthfully? Do you want him to say that it is your film? That's okay.  What a fool. It's weird that Luc Besson didn't regard him as a madman. As for cooperation, forget it. When facing a madman, the best way is to stay as far away as possible.  And it can't achieve the effect of deception. Luc Besson made very few films that were successful in his life, but no one can deny his achievements in film art, and no one can help but take him seriously.  There are still many benefits that can be obtained if Luc Besson is done well.  "I can only continue to deceive from an artistic point of view: "Actually, it's just like what you said, but I believe in feelings. I have watched two of your films.After that, my first feeling was that you are very suitable to be the director of this film, and I believe you will definitely give me a great ending.  This is my reason. If I have to say anything else, I will have to lie.  " Anyway, Luc Besson believed at least 70% of Mo Fei's words. The remaining three achievements were automatically made up by Mo Fei's fame and interest in the movie. Which director can refuse a good movie?  The temptation. He nodded and said: "Okay, I think your statement is completely reasonable, so how are we going to operate this film? How much budget do you plan to invest, and how much time do you give me to familiarize myself with and complete this work?  ; How to assemble the crew? Is it suitable for a Hong Kong crew or a French crew?  There is also the issue of actors. Are they designated by you, or do they have to be selected from the investment company Phoenix Culture, or can I choose freely?  ¡± It is indeed a good player. I praised it secretly in my heart. These questions raised by Luc Besson are the foundation of a movie. Only by solving these problems can the director truly gain a reputation. Otherwise,  It's just a reputation. This kind of thing is not surprising. There is one person in Hong Kong who likes to do this. He is responsible for making a living as a producer or producer. It is none other than Mr. Xu himself.  He brought a wine glass and motioned to Luc Besson to talk while eating, and said: "First of all, I want to correct that Phoenix Culture will not invest in this movie, but will be funded by a company called 'Art Alliance Film-Europe'  invest.  " Looking at Luc Besson, who was a little confused, but also seemed to have a little bit of understanding, Mo Fei continued: "Yes, this company is one of Phoenix Culture's branches in Europe, because this film  The box office may not be very good, but it is guaranteed to be a classic film. Phoenix Culture will never invest in a film that does not make a lot of money, so in order to deal with this situation, I specially hired such a company to invest in it.  Those classic films that don't make a lot of money but don't lose money either and have artistic value.  "This is correct. Could it be that this is indeed what it was done? Including Zhang Wanying's previous "Illegal Immigration", it was all invested in the name of a company called "Hong Kong Art Film Company", but everyone knows that it is a Phoenix Culture series  It¡¯s just a company, Phoenix Culture must ensure its invincibility. Luc Besson is already a little confused. Before the film has even started filming, he has already determined whether a movie will make money and whether it will become a classic.  What kind of company is this? What kind of person is it? If it weren¡¯t for the halo surrounding it before, Luc Besson would definitely think that he was a guy who could boast so much that turning around and walking away would be the only outcome.  . But this person is Mo Fei, and Laluc Besson is still a new classmate, so he can only continue to listen to Mo Fei: "Now let's talk about the filming of this movie.  First of all, I plan to release this film at the end of August, so you have three and a half months.  I have completed all the scripts, and there are also storyboards if you need them. Generally speaking, the directors I work with, as long as it is not a super large-scale production, the shooting time of each film will not exceed two months, so your time  Still enough.  " Hearing this, Luc Besson has already equated Mofei with a tyrant. He even gave the director the pride of splitting shots. This is to use the director as a puppet, and the time is given so little. It takes two months.  To finish a movie, isn¡¯t it going to push people to death? I really don¡¯t know how the Easterner in front of me does it, but there are so many directors working for him, and he seems very happy. But then again,  Phoenix Culture's films are really not shoddy, and they don't look like films produced in a short period of time. Could it be that there is something magical about it? Now Luc Besson would never have imagined that when he saw Mo Fei's script, then  It felt like it was tailor-made for myself. Let alone two months, as long as all parties cooperated, one month was possible. Regardless of Luc Besson's psychology and expression, he continued: "  This is a purely Western film, so the actors will be chosen from European and American artists.  I already have a suitable choice for the male lead, and I think you will also like it, Jean Reno, who has worked with you before. As for the crazy policeman, I plan to use British actor Gary Oldman, I believe  He will definitely satisfy you too.  As for the actor of the little girl, I really don¡¯t have any good choices. It¡¯s better to choose it with other characters and see if an eye-catching little girl will emerge, or maybe a future star will be discovered.  Not necessarily the star.  When selecting the crew, I will only send financial and logistical people from Phoenix Culture, and I will leave everything else to you. Of course, if anyone is willing to work at Art Alliance Film-Europe, I will also welcome you, and you will be welcome as well.  Able to join.  In terms of investment budget, you don¡¯t have to worry. My budget for this film is US$15 million.Yuan, as long as the crew operates normally, this money is enough for you to make a classic film.  ¡± With an actual budget of 15 million US dollars, a crew that he almost completely controlled, and the casting rights of all supporting actors, Luc Besson couldn¡¯t believe his ears. It was his prayers that were answered by the Lord.  Did you agree? (To be continued)
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