Add Bookmark | Recommend this book | Back to the book page | My bookshelf | Mobile Reading

Free Web Novel,Novel online - All in oicq.net -> Romance -> superstar producer

Text Chapter 368: Specialization in the art industry

Previous page        Return to Catalog        Next page

    The advancement from actor to producer is a qualitative leap and cannot be compared to the same thing.  Although she was worried that she might be attracted to this guy, Lin Qingxia still cared about it, instead of being indifferent like she did about the producer position in other film companies.  Especially in a small environment like Hong Kong and Taiwan, the difficulty of taking this step is much greater than that of our American counterparts. Even though some people also pretend to be producers, they are basically just errand boys.  Completely devoid of the actual nature of the producer.  ¡°For example, the original producers of Sao¡¯s films were basically Sao Yifu and Fang Yihua. Others could not get involved at all, and they would not delegate power.  On the New Art City side, Huang Baiming and others have the title of producer or producer, but the actual power is often in the hands of Lei Juekun. At least the rights of the producer are incomplete.  In more small companies, the producer is just a name, and almost everything on the entire crew is handled by the director alone. As long as there are a few losers below to help with greetings, there will still be no problem.  The reason is simple. It is true that Hong Kong films are booming, but this prosperity is only in the hands of a few people.  In addition, the distribution range of Hong Kong movies is actually not very large. The largest market is Hong Kong and Taiwan. The wider the channels, the wider the scope of Asia. There are very few movies that can be distributed to Europe and the United States, and they basically make no money, so there are many  The crew positions are not difficult either.  But Phoenix Culture is different. Hong Kong is just a starting point for Phoenix Culture. The real market is on a global scale. As the number of movies produced by the company continues to increase, it is definitely impossible for one person to take over everything.  Producers of various companies have to be exposed to a lot of practical business.  From the selection of scripts to the preparation of the crew.  From the selection of actors to the management and supervision of the filming process, including post-production distribution, etc., everything must be done personally.  Another point is that Phoenix Culture is obviously playing a global development pattern.  It is following the route of the eight traditional Hollywood companies. Within the company is a complete film market, and there are too many places where you can use your methods.  In other words, in a film company of this level, producers are truly producers.  The producer of a movie is the boss of the movie.  It can determine almost everything about the film.  In such an environment, as long as your skills are deep enough and your boss trusts you, you can even participate in some overall company affairs within a certain period of time.  If you can serve as a producer for a long time, you will almost become a senior executive of the company. This is probably what an actor can do to the extreme.  In fact, he has no less power and face than the average film company boss.  If Phoenix Culture can develop soundly for several years and reach the scale of the eight major Hollywood companies, as one of the producers, it will be more powerful than film company bosses like Yi Fu and Zou Wenhuai.  Phoenix Culture has attracted a lot of attention now. Let's take a relatively important movie as an example. "The Thief of Hearts" is a new movie that Phoenix Culture is preparing to launch. After a meeting and discussion, Xu Anhua was selected as the best director at the Berlin Film Festival.  Come direct.  Next, a series of work will begin.  If power is completely delegated, the film¡¯s producers can first select a suitable crew from within or outside the company.  Because Phoenix Culture and Xu Anhua are so famous, participating in such a crew will definitely enhance their reputation and strength, so there will be many people competing for every position. Even for ordinary crews, there will be a lot of people who are just trying to make money.  Come compete.  At this time, the producer¡¯s status is revealed. He can select all candidates, including the use of all actors.  The director must listen to the producer's opinion. If the producer disagrees, the actor has no chance.  This is why in the American entertainment industry, many actresses give unspoken rules to producers instead of being directed.  The audition sofa is often placed in the producer's office.  In the process of film production, all major links require the participation of the producer. The work of post-production and distribution, as well as the selection of advertising sponsors, etc., are all within the scope of the producer's power. The greater the influence of the film.  , the greater the producer's energy. The ancestors of Phoenix Culture are not a small company, and their works are not the products of a small workshop.  Of course, Dame Lin doesn¡¯t use the power of the producer to unspoken rules for the actor. She just wants to reflect her own value and show her abilities in more aspects.  After Lin Qingxia left, could she have started to think about which brand should this "The Devil Wears Prada" collaborate with? Should it be the original partner of the 21st century film, which is the Prada mentioned in the original work, or should she choose a new one?  Other brands come to cooperate.  The difficulty of this choice does not come from Mo Fei¡¯s pickiness, or from the brand issues of this era, or even fromIt seems that Prada¡¯s brand style is the most suitable for this film. Even if Louis Vuitton, Chanel, Dior and other brands are better than Prada in many aspects of history and connotation, they cannot compare.  What is really difficult for Mo Fei to decide is how to use this cooperation to cooperate with his more big plans in the future and complete his dominance of the large entertainment industry.  This problem has been bothering Mo Fei since he planned to shoot the Chinese version of "The Devil Wears Prada". But unfortunately, it is difficult to find someone to discuss these matters. His ambition is really too big.  It¡¯s almost unbearable for people in today¡¯s era.  But the filming schedule of the film is gradually approaching. If you want the film to be released in January 1987, you must choose a partner before June, leaving at least three months of negotiation time. Otherwise, if the time does not cooperate, you will be  You will face a very passive situation.  He has thirty years more experience than people of this era, which allows Mo Fei to stay ahead in the overall situation. However, in terms of many detailed operations, he is not much better than people of this era, and even some elites are better than him.  A big chunk.  Take Dai Caishen for example. He just knows the general trends and data of some stocks, futures and other markets. When he actually operates the transaction, he can only follow his own memory and try to maximize the benefits.  , it takes a master like Dai Mozhen to play it well.  Facts have proved that it is impossible for one person to do everything well. I frowned and thought about it for half an afternoon, but I still couldn't come up with a result.  Looking at the several white papers on the table filled with various advantages, disadvantages, needs, and directions, Mo Fei decisively made the choice to give up. This matter had to be done by someone more professional, at least more professional than himself.  Just come and solve it.  After thinking about it, I stopped changing it and just did it. I immediately called He Chaoqiong to make an appointment for dinner and asked for advice. This made Miss He really happy. Is it possible that there was finally another difficult problem that could not be solved?  It¡¯s time to help yourself.  He Chaoqiong's solution was simple. After understanding Mo Fei's various conditions and worries, as well as his future development plans, he first expressed surprise and admiration for Mo Fei's ambition, and then pointed out the partner she thought was the most suitable partner -  ¡ªPrada.  She believes that Prada has just recovered some of its grievances after going through a crisis on the verge of bankruptcy, and needs an opportunity to open up the market and strengthen its brand concept. Such a movie is exactly what the other party dreams of. As long as the price is not too outrageous, it will definitely not happen.  reject.  Rather than being like other brands, it is the time for unlimited glory.  Although cooperating on a film that can be regarded as a brand promotional film is also very profitable, their demand is not the strongest, and some can even be said to be not very strong. It is impossible to maximize the benefits of such a cooperation.  Secondly, if a movie can add strength to Prada, who has not yet recovered her strength, and prompt her to recover faster, it will also be a great help to the reputation of Phoenix Culture.  When Prada quickly regains its strength, it can be the bad boy that disrupts the balance and rules of the same-level market. This will be of great benefit to Mo Fei when it starts to develop other brands in the future. With its fame and strength, those brands will be more accepting.  Easier.  Miss He really does not disappoint. She is indeed a master who founded a public relations company in her twenties and won numerous big brands¡¯ planning business in the Greater China region. In less than half an hour, she was troubled.  The great talent has solved the problem that has lasted nearly half a year, and it is almost effortless.  It also made Mo Fei have to sigh, "There are different professions, and there are specialties." The current status of international brands, and what are the development trends, etc., are definitely not something that he, who is infinitely close to a layman, can understand.  .  Of course, what I received was not all signals of attack. There were some things that were gratifying.  After He Chaoqiong solved the problem, he casually asked a question: "Are you going to make this film to target the Sing Tao newspaper industry? Isn't it a bit too much?"  , even He Chaoqiong, a person who knows part of the inside story, thinks so, so the misunderstanding from the outside world is not that big.  As long as there is a little guidance, the level of attention this movie has received will definitely exceed all previous similar movies, at least among the movies released and started shooting at the same time, there will be no other movies.  Seeing Mo Fei smiling and shaking his head, He Chaoqiong knew that he had guessed wrong, and asked again: "Then what is the purpose of your film? What is the insinuation of this magazine? Will it be "Extraordinary"? Are you going to comment on "The Other One"?  Should we start with "Outside the Numbers"?" He Chaoqiong was really right about this. Targeting the sales of "Outside the Numbers" was one of his hidden purposes.  This magazine can be said to be the only one in Hong Kong at present.It is also the earliest fashion magazine. If this magazine can be obtained, it will be extremely beneficial to the development department of Phoenix Culture. At the same time, it can also practice for future operations in Europe and the United States, so as not to dive in and lose sight of the direction.  .  At that time, he will use channels to release the news that this film is alluding to "The Extraordinary", drag this magazine into the water, and take advantage of the panic to capture this pioneer in guiding the petty bourgeoisie sentiments of Hong Kong's middle class.  .
Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report