"No, I can't remember this conversation" George suddenly threw the pen in his hand into the air, held his head and began to complain.
After the Razzie Awards ceremony, George immediately let go of the Oscars. He did not even go to the red carpet on the excuse that he was not feeling well. This unexcused absence also caused dissatisfaction among many people. "Vanity Fair" originally planned to do a special program for George at the party held after the Oscars. After all, being the first director to dare to receive the Golden Raspberry Award in person is a very selling point in itself.
It¡¯s a pity that George took advantage of his ignorance of current affairs and disappeared directly on such an important day. The organizer warmly invited him, but he missed the appointment. George was really a little sorry, so he also asked Glenn to quickly issue a statement to show that he was 100% supportive of Oscar, but he was really too busy at work and in poor health. Discomfort and so on.
Of course, almost no one will believe these nonsense. One day, they were lively at the Razzie Awards Ceremony, and the next day, they couldn¡¯t even walk Do you really think that everyone is an idiot? How many actors want to walk on the red carpet, but are not even qualified to be invited because they are not famous enough. It's better for George. He dared to absent himself without giving an award. The excuse of being unwell was really lame, couldn't he make up something more decent?
Afterwards, some media secretly ridiculed: When did Oscar become less famous than the Golden Raspberry? Look at George Young. In this guy's heart, Oscar must be on the higher side of the scale.
¡° George did not deny this statement. I went to the Oscars to listen to other people¡¯s acceptance speeches. George knew those clich¨¦s by heart already, since he didn't even get a nomination, so why waste time on them. Of course, if there is a chance to win in the future. He will definitely not be absent for no reason like this year.
As for that party, George was even less interested. Anyway, that kind of party was just for seeing big boob girls. Every year, the media¡¯s focus is on which actress¡¯s neckline has dropped by a few centimeters. This kind of boring news is often posted on the headlines of the entertainment pages Nowadays, every celebrity party open to the media is almost It's turned into a lingerie show. It's okay not to join in the excitement.
I just spent a few days thinking hard behind closed doors. George discovered a very serious problem. There was no way he could complete the script of "This Killer Isn't Too Cold".
The general content of the entire film is okay. George only needs to wander in his mind once to get a general idea. Just the memory of this film. He still had some incomplete memories, and many places had to be added later by himself.
But here¡¯s the point, if it¡¯s a horror movie script, George can scribble on it and add his own interpretation to the broken parts. After the supplement is complete. The entire script seems to be seamless and there is nothing abrupt at all, which may be defined as a unique talent. But after changing the subject matter, George suddenly discovered. But I have nothing to say, even a few simple dialogues between characters. He couldn't even connect well.
Especially in the memory of the future, the dialogue between the male protagonist Leon and Matilda in the film. Silent movies were being played in many places. When George scanned it, he didn't pay much attention to it. He originally thought that this was not the first time such a small problem had occurred, and that it would be easily solved by just thinking about it. .
But just now, George had written seven versions of one of the conversations, but in the end he overturned them one by one Now he is almost desperate.
"What the hell! Can't I write warm dialogue that touches people's hearts?" George walked around helplessly in the office. He had a bad premonition. It seemed that he had dug a deep hole, and now he was showing signs of being unable to escape
"This Killer Isn't Too Cold" wears the appearance of a killer, but in fact the film focuses on warmth, and the whole film also has a lingering literary flavor. Although George's familiarity with literary films is extremely close to zero, this film is obviously a typical example of the perfect combination of Hollywood commercialization and literary niche. To sum up, it is suitable for all ages, and no one will feel a strong sense of rejection when watching it.
But since his debut, the styles of movies George has shot have been very polarizing. Some people like them very much, while others hate them to death. This kind of movie is closer to commercial production To be honest, George really doesn't have much experience. Commercial films often have to succumb to the taste of the audience and do not allow the director's own ideas to be incorporated into it. This is why most directors with personality are so resistant to commercial films. If similar molds appear throughout the film, who would be the one to film them? Basically the same tune.
But it is this popular film style that stumps George The template of Hollywood commercial films is actually very simple, with grand scenes, big-name actors, and simple story clues. In short, it must be exciting and make the audience feel at ease. As long as it's enjoyable to watch, as for the plot loopholes in the film, only a devil would delve into such things.
George thought about it carefully, but sadly discovered that the three movies he shot were all contrary to the requirements of commercial films. The scenes were basically trapped within one hundred square meters, and the reputation of the cast also fluctuated. The story Clues and so on It is estimated that most people have watched George's movie once and have no idea what he is going to talk about. Otherwise, there wouldn't be so many people calling him crazy.
It is somewhat similar to making the audience feel excited, except that typical Hollywood commercial films make the audience excited and excited. And George's movies will definitely send people to the hospital. Most of the causes are heart attacks and mental disorders
Under such circumstances, how could George write lines that are roughly in line with the tone of this film Even if he writes it, the audience will only feel chills behind their backs, and who will pay attention to the content of the entire film? true meaning?
"We have only found one starring roleand now we can't even finish the script" George felt like 10,000 unknown mammals were whizzing past his heart, almost crushing his left atrium
¡° What I considered at the beginning was too simple George frowned deeply. It seemed that the transformation was not that easy after all. This year, one movie is still a horror film, and the next one is a literary film or something. As expected, it can only appear in novels
The best solution in this situation George suddenly stopped and looked out the window thoughtfully. Since he was lacking in this aspect, he should naturally ask the original author It's just Luc Mr. Besson seems to be still struggling in the field of literary films. Would it be too sudden to ask him for such an inexplicable cooperation request? "
And the leading actor in the film, Jean Reno George thought about it for a long time. The only way to get him to participate in this movie is to first get Luc Besson, and then play the family card and invite Jean Reno to join the crew. It's just that these two people don't seem to have the intention to develop into Hollywood, which is a bit tricky Do they still want to go to France to play the trick of visiting the thatched cottage?
¡°If the script can be completed, George believes that although he does not have sufficient experience in shooting this kind of movie, he can at least reach the passing mark. It's just that the script is incomplete now, so you can't just find someone to fill it in, right? George still doesn't trust others very much. Of course, if this script was originally written by someone else, then George would just keep his mouth shut. Borrowing and originality are two completely different concepts.
"In that case, let Glenn contact Mr. Luc Besson first and find out what the other party is saying" George made a decision. If the other party is interested in cooperating, that would of course be the best. But if things reach a deadlock, then you have to make other preparations.
George hopes to hear the answer "ok" from the director named Luc Besson, otherwise the time he wastes on the script will be extended indefinitely.
"Mr. George, do you have time?" Vivian's cautious voice suddenly came from outside the door.
Although George had told people in the company not to disturb him if nothing happened, of course he could be accommodating if something really urgent happened.
"What's the matter" George quickly pulled himself out of his messy thoughts, straightened his collar, and opened the door to the office.
"A girl named Ashley Olsen came outside the company. She looked very young, but she spoke in an old-fashioned way She said she called you many times this morning but no one answered, so I have no choice but to come to the door in person to talk about cooperation"
"No one answered the phone?" George turned his head and looked at the table It seemed that he had left the phone on the bed and forgot to bring it over
"Invite her inshe came alone?" George looked suspicious.
"Of course not" Vivian shook her head, "There is a man escorting her here. I will go and invite her up now."
"Sorry to bother you!" George was also a little surprised. In less than a week, could it be that the Olsen sisters had negotiated the script adaptation and filming rights for "Knight Rider" so quickly? ? If this was really the case, it seemed that these two sisters were hundreds of times more powerful than he imagined. . . )
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