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Chapter 231 The bloody beauty and the bodyguard

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    After a period of live interaction between the two parties that Liang Yuan thought was just okay, but that in this era, the cast, the audience, and the media found it extremely novel, "Ancient and Modern War between the Qin Terracotta Warriors" officially opened and was released.

    As the theater lights go out one after another, and accompanied by the melodious and desolate music of the ancient Qin opera, a love journey spanning a thousand years officially begins.

    The original work of "The Love of the Qin Terracotta Warriors in Ancient and Modern Times" was written by Li Bihua, a talented girl from Hong Kong Island who is as famous as Hu Shu. The original work is simply called "The Qin Terracotta Warriors". In order to cater to the aesthetics of the Hong Kong Island audience, Cheng Xiaodong added quite doggy elements.  The title of the bloody battle between ancient and modern times.

    "Terracotta Warriors" very well borrows the concept of three lives and three lives in Chinese classical culture, and sublimates the bloody love story of the male and female protagonists. The movie script also divides the entire movie into three independent parts according to the rhythm of the original work.  Three related stories.

    Act 1: In more than 200 BC, Qin Shihuang overhauled the tomb and ordered alchemists to refine immortality elixirs.  One day, Qin Shihuang was assassinated, and Meng Tianfang stepped forward to save him.  Qin Shihuang ordered the alchemist Xu Fu to lead five hundred boys and girls to the east to seek the elixir of immortality.  Dong'er and Meng Tianfang, who came for a physical examination, fell in love at first sight and had sex, which led to their death.  Dong'er put the hidden golden elixir into Meng Tianfang's mouth and threw himself into the fire to die for his love.  Meng Tianfang was enshrined as a figurine to protect his mausoleum.

    In the second act, in the 1950s, Donger was reincarnated as a third-rate movie star Zhulili.  Big star Bai Yunfei made a movie about stealing treasures and coming to the imperial mausoleum.  Julie was murdered and thrown into the underground mausoleum.  At this time, Meng Tianfang came back to life and launched a fierce ancient and modern war with the tomb robbers.  Zhulili died protecting Meng Tianfang.

    In the third act, in the 1990s, Dong'er was reincarnated as Yasuko Yamaguchi, and Meng Tianfang, who became a repairman of the terracotta warriors and horses, recognized his lover again.

    Although the outline of the story in the movie version has not changed significantly, a lot of the imaginative essence of the original work has also been deleted. For example, in the original work, Qin Shihuang himself was resurrected. In the second act, in the 1930s of the Republic of China, the Qin Shihuang leader was awakened by Bai Yunfei's tomb robbery.  After leading the army out of the mausoleum, they headed straight for Yan'an.

    When they read the original work, the two girls felt that the imagination of the book "Qin Terracotta Warriors" was too great. The battle between Tubal Road and the Terracotta Warriors and Horses was simply 666.

    However, Liang Yuan, who is well-informed, said that this idea is just average, and he should be emotionally stable and have everything under control.

    The twins were not convinced and asked Liang Yuan to give an example.

    Liang Yuan also directly gave an example of going to Yan'an in the 1930s. The heroine traveled to Yan'an physically, fought with Muzi Yunhe's eldest sister in the palace, and replaced her after defeating her.

    The two girls were stunned by Liang Yuan's idea as soon as they thought about it. The more they thought about it, the more they felt that there were infinite possibilities if they followed Liang Yuan's setting. It was much more exciting than the nonsensical Terracotta Warriors and Horses vs. Tubal Road.

    ¡°Also, based on Ning Wanjia¡¯s understanding of Liang Yuan, she knew from his expression that Liang Yuan had not used his moves at all. Naturally, the girl whose curiosity was already overwhelming would not let Liang Yuan go easily.

    Liang Yuan was so entangled by the two girls that he had no choice but to use a big move to scare them.

    "Apocalyptic story about the resurrection of zombies with spiritual energy. One day, spiritual energy suddenly revived in a square in the imperial capital. The super boss resurrected shockingly. Liang Yuan pointed at his nose and swept away all the monsters and monsters.

    The two girls didn¡¯t realize what Liang Yuan meant at first, but after thinking about it for a moment, they suddenly realized it, and then they knelt down directly to this idea.

    "Here we go to Quantai to recruit old troops, and with a hundred thousand banners we will kill Yama."

    Ning Wanfei slowly recited a poem by Mr. Chen and said to Liang Yuan with a smile: "Zhutou, if the spiritual energy is really revived, we'd better run away as soon as possible."

    Feeling that all three views have been reshaped, the twins continued to force Liang Yuan to talk about the imagination settings. This time, Liang Yuan did not want to say whether he would live or die. There are limits to the ways a time traveler can commit suicide. How could he dare to be the 404th time and space manager?  The bureau completely does not exist.

    But since Liang Yuan showed his hand, the script review of "Ancient and Modern War between Qin Terracotta Warriors" was legitimately thrown on Liang Yuan's head by the two girls.

    Although Liang Yuan doesn¡¯t know how to make a good-looking movie, there is still a way for the second-largest director to make "Tiny Times". Without telling the plot, just expressing the real life of the pseudo-upper class is enough to hit the box office.

    Liang Yuan happened to have watched the finished film of "Ancient and Modern War between Qin Terracotta Warriors". The urban plot in the second half was so bad that there was almost no need to save it. It was better to completely overthrow it and start over.

    Because co-director Zhang Kaigang has been tempered in capitalist America, his attitude towards commercial films is much more serious than before.

    In the third act, the reincarnated heroine becomes the sole heir of a large cultural consortium on Hong Kong Island, and the villain¡¯s enemies have also changed from big stars to unscrupulous rival consortiums.

    The hostile consortium, which is mainly engaged in the cross-border smuggling of cultural relics, in addition to constantly sending out various types of men with ulterior motives to form groups to target Gong Li, who plays the role of Bai Fumei, has also sent outThe killer tried to get rid of his rival's sole heir once and for all. As a repairman of the Terracotta Warriors and Horses, Meng Tianfang decided to apply for a bodyguard after recognizing his reincarnated lover who was traveling in the mainland.  This begins the bloody journey of pretending to be a slap in the face with many popular elements of Mary Sue and Long Aotian, such as the CEO, the natural special forces soldier, and the personal bodyguard.

    In the end, this version of "Ancient and Modern Warriors" is a hybrid with the fashionable atmosphere of "The Devil Wears Prada" and "Tiny Times", similar to the pedigree of urban spy action movies such as "Mission: Impossible".

    Originally, the plot of the first and second acts did not change much, but the changes in the third act almost completely overturned the original version, and the scene in the second act where Meng Tianfang made a lot of jokes due to his inability to adapt to modern technology was also postponed.  Act III.

    For example, in the second act, the resurrected Meng Tianfang faced the electric lamp of modern technology and tried to extinguish it by blowing it out like an oil lamp. In the third act, when Meng Tianfang was chosen as the personal bodyguard of the reincarnated Bai Fumei girlfriend because of his quick hands,  , indicating that I had seen the light bulb before and knew how to turn it off. After searching for a long time, I couldn't find a switch or power cord. In the end, my girlfriend just told me to turn off the light and the light turned off automatically.

    In the third act, there are many funny plots like this that essentially reflect the comparison between traditional home appliances and smart home appliances. Compared with Meng Tianfang's journey from ancient times to modern times, from modern times to the smart era, he uses comedy to reflect the rapid advancement of human technology, which is considered to be an improvement to a certain extent.  It reflects a certain intention of the film.

    The 105-minute movie was all played out quickly. On the movie screen, Zhang Kaigang and Gong Li stood hand in hand on the bow of a super yacht and sailed past the camera, then disappeared into the horizon of water and sky. The emotional entanglement of the three generations was a clich¨¦.  's happy ending.

    As the cast and crew list appeared, the spotlights in the cinema were turned on one after another. There was sporadic applause at first, but within a few seconds it became sweeping. Although this version of "Ancient and Modern War between Qin Terracotta Warriors" has nothing profound,  , but the story in the third act is a typical routine of Diaosi counterattacking Bai Fumei. It is enough to show off wealth and fun enough. For ordinary viewers, having these is worth the price of the movie ticket.

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