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Text Chapter 96: Taking pictures to identify treasures (Part 2)

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    "Sir, this looks familiar to you. Are you also an artist?" Someone became interested in Meng Zhe's career.

    "Haha, I'm just an ordinary Chinese tour guide." Meng Zhe told everyone openly.

    "Oh, I remembered, he was the Chinese who caught the diamond thief!" Someone in the crowd recognized Meng Zhe.

    ¡°It¡¯s amazing that a tour guide can be of this level!¡±

    Everyone in the crowd following behind praised Meng Zhe.  Meng Zhe, who was praised by everyone, was naturally very happy.

    Jon smiled and said: "Meng, in fact, with your excellence, being a tour guide is really too humiliating."

    "Jon, I don't think this career has wronged me. Instead, I think it has made my life rich and colorful! As long as I work hard, my career will shine, right?" Jon admired the young man in front of him from the bottom of his heart.  .

    Meng Zhe originally liked his job. Not only could he travel around, he could also taste delicious food from all over the world.

    After experiencing Porter¡¯s ¡°giving away money¡± incident, Meng Zhe likes this job even more. Maybe there will be bigger surprises than this time in other places in the future!

    Meng Zhe, who was thinking about the Wang Chong lot, saw Qiaoen chatting happily with his friends and had no intention of continuing to appreciate other lots.

    He then ran alone to see the true appearance of the Wang Chong small regular script.  But he didn't realize that his every move was being watched.

    The seven chapters of the Nanhua Sutra in small regular script written by Wang Chong on display on display in the corner were not eye-catching. Meng Zhe looked at it carefully.

    It doesn¡¯t even say anything in the introduction!  It seems that this lot did not attract the attention of the French auction company.

    Meng Zhe¡¯s eyes lit up when he saw the true face of the auction item, and his heart beat wildly!  This small regular script work by Wang Chong not only has detailed identification, but also has multiple Tibetan seals, which proves that this collection has been passed down in an orderly manner.

    He took a deep breath, suppressed his inner excitement, tried his best to calm down, and carefully read the inscriptions on the silk book.

    In the past years, I visited the Jianguang Pavilion of Mr. Budi and saw Yu Yongxing¡¯s handwritten chapter on the interior of Qiyuan.  The writing style is absolutely similar to the Book of Divination, but even more charming than it is.  I admired it so much that I stayed in the boat to read it for several days and couldn't bear to put it down.

    King Bingzi Chun, I crossed the Lianghong River again. I held a piece of silk tape in my hands and copied the Yongxing wrist method. I wrote it into seven chapters. After reading the moon for three months, I began to report my fate.

    ???????????????????????????????????????????????????????????????????????? Meng¡¯s attire, and his handsome appearance, are quite worthy of shame.  In the tenth year of Zhengde's reign, Wang Chongzhi, a native of Yayi Mountain, met him.

    The seals include Wang Chong¡¯s private seal (white text), Lu Ji¡¯s seal (white text), Dayatang (zhu text), and Loacha Zhai (zhu text).

    After reading the inscription, Meng Zhe learned from the inscription and postscript at the back of the volume that this volume was written in response to Mr. Bu'an's sentiments.  Meng Zhe quickly searched for relevant information about this person in his mind.

    Bu'an's name is Huayun, the courtesy name is Conglong, his nickname is Bu'an, he is a layman of Bu'an, his living names are Zhenxiuyuan, Lujunwo and Jianguang Pavilion. He is a native of Wuxi, Jiangsu, and is a good friend of the king.

    "The fact that there are so many collection seals is enough to prove that its inheritance is orderly. You must get this good thing!"

    Meng Zhe, who was making a decision in his mind, suddenly felt as if there were a pair of eyes staring at him from behind.

    He turned around suddenly, but didn't find those eyes.  Am I neurotic?  Damn, why are people staring at an inconspicuous person like me in a place like this?

    Meng Zhe shook his head and carefully looked at the several collection seals on the front and back of the hand scroll, looking for names he knew well, and quickly matched them in his mind.

    These people are all collectors. Although Wu Yun was only a magistrate of Suzhou, he was devoted to archeology, was fond of epigraphy, calligraphy and painting, and his family collection was very rich.

    He compiled the "Inventory of Classical Books, Inscriptions, Calligraphy and Paintings Collected by Liangleixuan", "Inventory of Calligraphy and Paintings Collection of Erbai Lantingzhai", "Ancient Bronze Seals", etc., and compiled "Jiaoshan Chronicle", which are all very important to future generations' collections.  Someone helps.

    ???????????? Ouch, these two brothers have collected them!  Meng Zhe saw that the scroll had the collection seal of Kong Guangtao, who was known as one of the four major bibliophiles in Guangdong Province. The "Huaimin Treasures" Zhu Wen seal mentioned later was the collection seal of his brother Kong Guangyong.

    I really didn¡¯t expect that there were imprints of Pan Xilan, Jiang Gusun and others on this volume.  This is enough to show the importance collectors attach to Wang Chong's calligraphy.

    After seeing two more seals from collectors, Meng Zhe was greatly amazed in his heart!  Even more determined to win.

    The content of Wang Chong's volume is "Nanhua Zhenjing", also known as "Zhuangzi", which is one of the Taoist classics.

    According to "New Tang Book? Yi Wen Zhi": "In the first year of Tianbao, the imperial edict "Zhuangzi" was titled "Nanhua Zhenjing".

    "Hanshu Yiwenzhi" records fifty-two chapters of "Zhuangzi", but only thirty-three chapters have been preserved.  Seven of them are generally attributed to Zhuangzi.  External chapters and miscellaneous chapters may be mixed with other disciples and laterTaoist works.

    The contents of his articles are wild and unrestrained, and most of them are in the form of fables. They are extremely rich in imagination and have high research value in philosophy and literature.

    Meng Zhe carefully read the seven chapters in this volume: Xiaoyaoyou, Qiwulun, Yangshengzhu, Renjianshi, Dechongfu, Great Master, Yingdiwang, etc.

    The characters are sparse and scattered, and the style is elegant and quiet. It is a masterpiece that fully embodies the author's calligraphy charm.

    This volume was written in the 10th year of Zhengde's reign (1515). It is the early masterpiece of the 22-year-old Wang Chong in small regular script.

    The development of calligraphy in the Ming Dynasty can be roughly divided into three periods.  The early period is from Hongwu to Hongzhi, the middle period is from Hongzhi to Wanli, and the later period is from Wanli to Chongzhen.

    The early calligraphy style followed the calligraphy style of the Yuan Dynasty, especially the calligraphy style of Zhao Mengxi dating back to the Jin and Tang Dynasties.

    The rulers used books to recruit scholars, and gradually formed the "Taige style" calligraphy style.  This type of calligraphy is represented by the Three Song Dynasty and the Second Shen Dynasty, namely Song Ke, Song Sui, Song Guang, Shen Du and Shen Can.

    In the middle period, calligraphy can be traced back to the meaning of the Song Dynasty, forming a typical Ming Dynasty calligraphy trend called "Shangshi" and "Shangtai" by later generations. This trend is especially outstanding among calligraphers in the Wumen area.

    In the late Ming Dynasty, calligraphy showed a diversified and diversified pattern, mainly represented by Xing Dong, Zhang Ruitu, Dong Qichang, and Mi Wanzhong, breaking the dominance of Taige style and Wumen calligraphy.

    He Liangjun said in "Si You Zhai Shu Lun": "The book comes from the Great Order."  Wang Shizhen also said that "the book was originally copied from Yongxing and Daling".

    In fact, Wang Chong¡¯s regular script, especially small regular script, widely absorbed the strengths of famous small regular script calligraphers in the Jin and Tang Dynasties and came up with his own ideas.

    This point can be seen from the "Wang Yayi's Copying of Jin and Tang Xiaokai Albums" in Volume 4 of "Guyuan Cuilu". In the third month of Jiajing Jiashen, Wang Chong copied Chu Henan's calligraphy. The postscript says: "Mr. Hengshan is the master of calligraphy in this world. How can I love a book?"  I caught a glimpse of the Ying family and saw that Gu Meng was addicted to scabs and was puzzled. In the past, when I was studying in the thatched cottage, I used to catch the four chapters of the Ming Dynasty book. I finished it when I was five years old. I didn't understand it, but I was fortunate to teach it.

    It can be seen that Wang Chong spent five years studying the works of famous artists of the Jin and Tang Dynasties. There is no doubt that Wang Chong has covered a wide range of works.
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