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Text Chapter 1,083 No distinction between right and wrong

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    Chu Chen didn't expect to encounter such an unexpected surprise, which made him feel a little emotional. If Tao Chunhai hadn't found it by chance, this Gangmao would not have been discovered until the year of the monkey, let alone come into his hands.  ¨R Since this Gangmao appeared in front of him, Chu Chen had to keep it in his pocket, and probably because Tao Chunhai had limited eyesight, the price was not expensive.  Of course, it is much more expensive than the previous sapphire Gangmao.  After taking this Gangmao, Chu Chen chose a few good pieces of jewelry and prepared to give them to Wu Ke and the others as gifts. However, he didn't say much when buying them, otherwise Zhao Qirui would definitely not give them away easily.  he.  After completing the transaction, Tao Chunhai calculated that it was indeed much more expensive than those porcelains as Jiang Jiachang said just now.  Although he didn't make much money overall, at least he didn't lose money, which was an acceptable result for him.  After Tao Chunhai said goodbye and left, the four of them walked back to the warehouse, preparing to continue appraising the remaining porcelain.  Jiang Jiachang asked as he walked: "Mr. Zhao, what did you want to say before?" "Before" Zhao Qirui was stunned for a moment, and then said: "Oh, you just said that Su Changtou was unwilling to be beaten by the other party.  He chose to commit suicide by jumping into the sea. I don¡¯t think it is possible.¡± ¡°How do you say it?¡± ¡°How to explain the gunshot wound on his body?¡±  "I forgot about this." Zhao Qirui said: "So, I think it is more likely that Su Changtou has taken advantage of the other party." "In that case, why would Su Changtou lie to He Lihang?"  Jiang Jiachang shook his head and felt that this possibility was not high.  Zhao Qirui said: "This is also easy to explain. For example, Su Changtou took advantage of the other party and wanted money. In the end, the other party said that it was okay to ask for money, but he had to get rid of the seals first. So Su Changtou got the idea  "On He Lihang." "Su Changtou is not that stupid." Jiang Jiachang still thinks this is impossible.  Zhao Qirui said: "I don't understand Su Changtou's character, but if he was put in front of him with hundreds of millions or even more money, would he be tempted? Although he is not stupid, he may be tempted by money.  "I lost my mind." Jiang Jiachang is well-informed. After hearing this, he had to admit that what Zhao Qirui said was reasonable. If Su Changtou can keep his head clear, there will be no problem. If he is stunned by the property,  At the end of the day, anything can happen.  "Forget it. Let's not talk about it anymore. Let's wait for the police to give out the results." "Then if there are results by then, you have to inform me." Zhao Qirui smiled and nodded, although this matter had nothing to do with him.  It didn't matter, but he was still curious about the results.  "There must be no problem" Next, Chu Chen and Zhao Qirui randomly inspected the remaining porcelain, and everyone began to discuss how to cooperate.  Actually, Chu Chen¡¯s idea was to simply buy all the porcelain found in the sea, but these porcelains were not as low-end as those brought by Tao Chunhai.  The collection potential is much higher, so Jiang Jiachang is not willing to dispose of these sea-harvested porcelain in the form of sale.  Of course, there is another main factor.  Jiang Jiachang is very optimistic about the market of Hailao porcelain and does not want to sell all these porcelains when the current market conditions are not very good.  His idea was to form a partnership.  In addition, he also proposed to transport these porcelains to the mainland for preservation.  This way the storage cost is low and it is easy to dispose of in the future.  About this.  Zhao Qirui and Chu Chen also agreed, but in this case, they would definitely not suffer a loss in terms of shares.  Finally, after some intense discussions, a result that everyone was satisfied with was reached.  After handling this matter, it was noon, Jiang Jiachang quickly took the three of them to a nearby famous restaurant for dinner.  After dinner, Zhao Qirui and Chu Chen left and prepared to go to the place where Wu Ke and the others were playing.  Just as everyone walked to the door of the hotel, Jiang Jiachang answered a phone call.  "What?! He said it was a fake? This is definitely impossible Okay, I'll come over right now." When Jiang Jiachang hung up the phone, Zhao Qirui asked: "What, is there something wrong in the store?" Jiang Jiachang  He nodded and frowned and said: "Last time I helped a friend find a work by Fu Baoshi. He came over today and said it was a fake. I have clearly had several experts look at that painting, how could it be possible that it was faked?  What¡¯s the problem!¡± As mentioned earlier, Jiang Jiachang¡¯s store mainly sells porcelain and stationery supplies. However, because he likes to collect paintings and calligraphy, and has many channels in this area, some of his friends have needs in this area.  , he will also ask him to help with the search. As long as the request is not too difficult, he will usually agree.Over the years, he has helped his friends find a lot of calligraphy and painting works, and there has never been a problem. Now that there is a problem, it is no wonder that he is very shocked.  Hearing that this was the case, Zhao Qirui said: "Could it be that your friend made a mistake?" Jiang Jiachang said: "My friend said that he compared it with the real thing. Although it looks similar, there are some details.  There are some discrepancies. But the experts I hired before are obviously authoritative. One may make a mistake, but it is unlikely that they will all make mistakes! " Chu Chen said: "The people who make fakes are too sophisticated now.  Brilliant, there has been collective fraud and division of labor and cooperation. As far as I know, Fu Baoshi has a division of labor and cooperation. You specialize in painting landscapes, I specialize in painting scenic spots and figures, you specialize in postscripts, and he specializes in making seals and has special people to do it.  "Because the counterfeiters are very good in this field, it is really hard to guard against such forgeries, so in recent years there have often been disputes between experts on a certain work, even in large auctions.  Even the company can't be sure of the authenticity. ""So awesome!" Jiang Jiachang was very surprised after hearing what Chu Chen said, and for a moment he couldn't help but wonder if the painting he helped find was also made of this.  A fake method.  Thinking of this, Jiang Jiachang hugged Chu Chen in embarrassment and asked, "Mr. Chu, can you please come with me to take a look?" At this time.  Of course it was impossible for Chu Chen not to agree, and it was just to appraise a painting.  It didn't take too long, so I nodded in agreement.  Jiang Jiachang expressed his gratitude again and again.  Then he invited Chu Chen and the others to get in the car.  Ten minutes later, Jiang Jiachang took Chu Chen and the others to the reception room of his shop. At this time, an old man in his fifties, wearing black-rimmed glasses and looking quite elegant, was already sitting in the room.  Jiang Jiachang first introduced both parties. The old man¡¯s surname was Gao, and he was a professor of medicine.  After everyone exchanged pleasantries, we got down to business.  Jiang Jiachang said: "Professor Gao, before I gave this painting to you, it was seen by several experts, and they all agreed that it was authentic" Professor Gao waved his hand, interrupted him, and said, "Little  "Jiang, let's look at the painting first. Since I said there is something wrong with it, I am basing it on facts." With that said, Professor Gao took out a scroll from the painting and calligraphy box and unfolded it, revealing two lifelike ladies.  in front of everyone.  It is the "Two Hunan Pictures" that Fu Baoshi often painted.  Many people must know the famous modern painter Fu Baoshi. His original names were Changsheng and Ruilin, and he was also known as the Master of Baoshizhai.  He is also good at landscapes, figures, and seal cutting.  Landscape paintings use hard brushes to roughen rocks, which is known as "bouldering". It has a distinctive personality and a sense of the times.  Fu Baoshi¡¯s figure paintings are mostly recreations of historical figures and artistic conceptions of ancient poems.  He especially loved Qu Yuan's spirit, so he painted many figures related to Qu Yuan.  Fu Baoshi's "Two Hunan Pictures" is based on "Nine Songs" of Chu Ci.  It is the author's favorite subject to depict. Lord Xiang and Lady Xiang are the goddesses of Xiangshui in folklore.  It contains both human emotions and divine spirituality, and has been repeatedly depicted by the author.  Judging from the signature, the painting in front of me was made by him in the 1940s.  The characters in this painting are exquisitely depicted, with slender bodies, plump faces, delicate texture, even bones and flesh, and dignified manners. They seem to have the style of ladies before the Tang Dynasty. It is the typical style of ancient ladies painted by Fu Baoshi.  His mood is like longing and admiration, his face is sad and sad, not seeing the person he misses, his clothes are strong and elegant like ancient gossamer lines, their colors are light and elegant, they are bright, clean and noble.  The waves in the lake are a unique brushwork created by the painter, which captures the artistic conception of "the autumn wind blowing in the air, and the waves in the Dongting flowing under the wooden leaves".  It is the concrete embodiment of Fu Baoshi's creative concept of "writing boldly and cleaning up carefully".  While Chu Chen was admiring this work, Professor Gao also pointed out a few things that he thought were problematic about this work, and finally said: "Furthermore, my friend told me that he also saw it in a collector's house.  I have seen the same painting. In this case, it is not necessarily true that these two paintings are authentic, right?" At this time, Chu Chen said: "Professor Gao, the situation you mentioned is actually very common in Fu Baoshi's works.  "Common." "Ah! How is this possible?" Professor Gao was so surprised by Chu Chen's words that he even suspected that Chu Chen was joking.  "If you know the paper Fu Baoshi uses, you will know that this is not surprising, and we sometimes see two almost identical works of Fu Baoshi in some albums." Chu Chen explained: "Fu Baoshi likes to use larger  Thick paper, because thicker paper can "endure" his unique way of using the pen: heavy strokes, fast speed, vigorous brushing, repeated processing, etc. This is because some of the papers used by Fu Baoshi are as thick as a framed mirror.This is evident in the film.  " "Therefore, what he uses most is a kind of local paper called 'hide paper' produced in the western region of our country.  The parchment paper is thicker and can be peeled off more easily, split into two, or even into three.  However, this type of paper is not very large in size and does not have certain size specifications. It is obvious that it is produced in private workshops.  " "Fu Baoshi once took advantage of this characteristic of leather paper. After painting, he peeled the work into two parts. In this way, the original layer above created a particularly bright and watery feeling.  Sometimes Fu Baoshi would also process the second layer into paintings.  This is the case with the exact same works by Fu Baoshi in the album I just mentioned.  " After listening to Chu Chen's explanation, everyone realized that this was what happened. Professor Gao thought for a while and said, "Even if there are two identical paintings, the points I just pointed out should be good evidence.  Bar!  " "Professor Gao, please forgive me for saying that the creative control of 'contrast' and 'relationship' of painting elements is the key to Fu Baoshi's unique creation of figure paintings and landscape paintings.  The points you mentioned are the most powerful proof of authenticity!  " Chu Chen pointed at the painting and said: "The most fascinating thing about the characters painted by Fu Baoshi is often the expression on the eyebrows.  What's more, he changed the ancient lines from neat to flying and sloppy, and also used many sharp and white lines. This makes Fu Baoshi's figure painting skills the same as the "Baoshi Chun" in his landscape paintings.  , showing the characteristics of music.  " "Moreover, it is the vague and indescribable forms of pen and ink you mentioned that express the richness, complexity and subtlety of the object more deeply and vividly.  At the same time, under the contrast of vague and scrawled pen and ink, the brilliance of the eyebrows, eyes, head and face can be more clearly revealed" After describing the characteristics of Fu Baoshi's figure paintings in detail, Chu Chen concluded: "Therefore, I think, this  The painting must be authentic.  " Listening to what Chu Chen said so clearly, Professor Gao began to wonder if he had made a mistake. But after a while, he felt that this possibility was unlikely. He should not have made a mistake, but what Chu Chen said seemed to be wrong.  It makes sense, what is going on? Seeing Professor Gao still doubtful, Jiang Jiachang asked: "Professor Gao, I don't know why you don't believe that this painting is authentic?  "Professor Gao said: "Because my elder's painting by Fu Baoshi was given to him by his son on his eightieth birthday, so it is really unlikely that it is fake.  ¡± Everyone originally thought that the painting had been appraised by some master appraiser, so Professor Gao felt that there was nothing wrong with the painting, but it turned out that it was just because of this reason, which made them very speechless.  Isn¡¯t it an international joke to regard a fake as an authentic one and then use the standards of a fake to identify the authentic one? Jiang Jiachang smiled bitterly and said, ¡°Professor Gao, you think so is a bit subjective.  We cannot decide which painting is right and which is wrong just by comparing it with a painting, even if the painting is authentic, because the style of a painter in each period is different.  " "For example, the painting style that Fu Baoshi painted when he was thirty years old is different from the painting style when he was fifty years old. If you compare it like this, then you say that the painting he painted when he was thirty years old is authentic?  Or are the paintings painted at the age of fifty authentic?  " "Oh, that's right.  "Professor Gao agreed with these words, and then asked: "Then the painting of my elder is also like what you said, so there is a difference?  "Jiang Jiachang said: "It is indeed possible, but for the specifics, you have to see it with your own eyes before you know.  Of course, the appraisal master must be an expert like Mr. Chu.  ¡± Chu Chen smiled modestly. In fact, based on the few issues Professor Gao pointed out just now, he felt that the painting Professor Gao saw was more likely to be a fake. But seeing is believing, he said.  I won¡¯t make any assumptions now (to be continued, please search Piaotian Literature, the novel will be better and updated faster! PS: Thank you ¡°buluelinker¡± for your monthly vote!
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