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Text Chapter 1552 Nuclear Sculpture

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    "Chao Gang, now that the Jin Yanmu has been refined, has the body of the talisman pen been ready? Should we start refining the tip of the talisman pen next?" The refining success of the Jin Yanmu made Li Liping and Liu Jingjing  She is even more interested in the refining of talisman pens. What Li Liping asked just now is actually to contribute to the next refining of talisman pens.  "Haha, Pingping, Jingjing, and the refining of Jin Yanmu have been completed. However, the body of the talisman pen has not been refined. We still need to carve some formations on the body of the talisman pen so that we can  Cultivators are more comfortable when drawing and making talismans, do you understand?"  Zhao Chaogang chuckled and answered Li Liping and Liu Jingjing. He also knew why Pingping asked that question just now. The successful refining of Jin Yanmu just now directly inspired Pingping and Jingjing's enthusiasm for refining weapons.  "Formation? Chao Gang, Jin Yanmu is only the size of your little finger now. How can you carve formations on it?" Liu Jingjing looked puzzled. In her mind, Jin Yanmu is now so small.  ,.  Nothing wrong.  How do you carve a formation on it?  "Jingjing, the size of the little finger is already quite big. Even on earth, the art of engraving in smaller places is very common, just like rice engraving. Rice engraving is extremely difficult in a certain period of time.  Well-known." Zhao Chaogang explained.  "Mi Ke?" Liu Jingjing was confused. She had never heard of Mi Ke.  "I have heard of and seen Mi Ke, Jingjing, let me talk to you about this matter!" Li Liping spoke on the side, and then she began to introduce Mi Ke's affairs to Liu Jingjing: "Mi Ke's  The scientific name is rice carving, or rice carving. Rice carving is the most delicate craft among the traditional arts and crafts of the Han people. It is carved on rice grains. The work can be done with a magnifying glass or microscope depending on the content of the carving.  You can see the content of the carving. Therefore, it has been called a unique skill in the past. It is an art of carving words on rice. Rice carving originated from the folk crafts of Qianlong in the Qing Dynasty. It was actually an imperial examination at that time.  Poems and articles are used as tools for cheating. Nowadays, people engrave words of blessing on rice grains and add them with exquisite ornaments as a symbol of beautiful emotions. The craftsmanship of rice carving is extremely high, and the construction area of ??rice is very high.  It is extremely small, and it is difficult to complete without a very high base and skill in using micro-carving tools. When carving, you need to hold your breath, concentrate, and be meticulous. As the name suggests, it is a carving technique that is famous for its small details.  I also wrote a poem specifically for rice carvings: "A rice carving contains half of the world, and half of the world is boiled in the pot!" Rice carvings are both valuable and difficult because they are not only small, but can also reproduce the thousands of years of Chinese culture in their small size!  Cultural and artistic beauty and charm. Every piece of subtle art is based on the basic skills of the implementation. At the same time, it is also filled with the efforts of our country's miniature carving artists. Rice carving is the most delicate and minute form of Chinese traditional art crafts.  It is a kind of handicraft that is carved on rice grains. The work requires a magnifying glass or a microscope to see the carving content, so it is called a "special skill" in the past. It is not easy to use rice as a canvas.  Fixing the rice grains is quite tricky, because the rice grains are semi-curved and have dents, and it is more difficult to write and draw on them. The most difficult thing about "rice carving" is to write and create patterns on the small square rice grains at the same time, no matter whether you draw the picture first.  Or calligraphy. Both must be presented perfectly. If you make a mistake, you have to give up and start over. You can start with a simple practice. You can make a few strokes on the paper before writing, and then write some complicated ones on the rice.  It is necessary to make some substitutions such as cursive writing. Cover the pen in time when not in use. Keep your eyes close to the light when writing. It is better to use the pen lightly and control the pen in place.  Start with a simple practice. Before writing, you can make a few strokes on the paper. After the water is smooth, you can then write some complicated words on the rice. You need to make some substitutions such as cursive writing. Cover the pen in time when not in use.  The tip of the pen is easy to dry. When writing, you can keep your eyes close to the light, and use the pen lightly. The control of the pen must be in place. Don't be discouraged. You can start with simple calligraphy, or you can draw horizontally and vertically.  It will get better with more practice. If the pen fails to enter the water during the creation process, you can draw a few times on the paper next to it. After the water is flowing smoothly, you can continue to write on the rice, because it is normal for the rice to have rice crumbs and sometimes not to enter the water.  Don¡¯t trace the words you have written, as the effect will often be worse. If you write the wrong words, just change the meter and write slower, and it will be better.  Of course, some good experiences must be learned through practice.  Engraving characters on rice is a simple yet magical technology that can be done on ordinary grains of rice.?More than ten words, turn an ordinary grain of rice in life into an expensive golden rice! Rice carving is a novel art that combines folk craftsmanship and fashion personality, and has extremely high appreciation and economic value.  Engaging in rice engraving projects requires less investment and quick returns. It is a low-risk, high-return way to start a business and get rich.  With the development of society and the improvement of the quality of life, people's requirements for art accessories are getting higher and higher, requiring novelty, fashion and full of personality. Rice carving handicrafts are emerging artworks developed in response to such needs. They use the Chinese folk communication room system.  Engraving technology is to carve names, blessings, life mottos, famous quotes, Tang poems and Song lyrics on an ordinary grain of rice.  Then it is made into craft jewelry necklaces, bracelets, keychains, earrings, mobile phone pendants and other very fashionable and personalized gifts, which can be given to relatives, friends, lovers, colleagues, classmates, and everyone will love them.  Rice is light but affection is heavy, and rice-carved jewelry is the best jewelry gift for modern people to interact with.  Write what you want to say on an ordinary grain of rice, such as ilove, happy birthday, I love you (you can write in text, English, and patterns). You can write 2-10 words (usually 4- for the sake of beauty).  ¡ª10 characters is appropriate), it can be stored for more than 5 years without deterioration or decay.  In modern times, rice carvings, that is, engravings on rice, have become the best witness of the love between lovers. Writing special words on the rice to tell him or her.  Make it the only souvenir in the world or give it to your loved one to bring him or her your most sincere and special blessings.  When Chao Gang and I were in college, Mi Ke was very popular.  At that time, rice was a very sacred gift between lovers, and men and women in some universities only had to establish a relationship.  They all go to the Mi Ke shop to make their own Mi Ke.  At that time, if Chao Gang hadn¡¯t been in trouble, Chao Gang and I would have gone to the rice carving shop to make our own rice carvings. Don¡¯t you think so, Chao Gang?  "Li Liping looked at Zhao Chaogang with tenderness, and went to the rice carving shop with Zhao Chaogang to carve a rice carving for themselves. But that was what Li Liping longed for the most. Therefore, when Zhao Chaogang mentioned rice carving today, Li Liping would  He directly explained to Liu Jingjing what Mi Ke was. "Yes, if that didn't happen.  I did go back and carve our own rice carvings with Pingping!  "Zhao Chaogang also looked at Li Liping affectionately. What Li Liping said just now directly brought back Zhao Chaogang's memories of his college days, which were extremely beautiful and heart-warming memories. "It turns out that there is still something on the rice.  Such a skill in carving is really unimaginable!  "Liu Jingjing sighed on the side. After understanding what rice engraving is, Liu Jingjing felt that her eyes were opened. It was really unexpected. Just an ordinary person can engrave words on a small piece of rice, and the words are still beautiful.  Not just one, two, but dozens or even more. Liu Jingjing once again understood the infinite potential of people.  As long as you understand it, you will find it.  There are many things in the world that you can't even imagine. In your opinion, Mi Diao is a very magical skill.  However, in the world of sculpture, rice carvings are not a magical thing at all. In the world of sculpture, there are many more magical things.  For example, peach stone carvings are more magical and popular than rice carvings.  "Zhao Chaogang on the other side was very disapproving of the rice carvings. If the rice carvings were not very popular with those couples, Zhao Chaogang would not care much about the rice carvings. "Peach stone carving?  Is it carving on the peach core?  !  A peach stone is so big, it should be even worse than a rice sculpture. Chao Gang, what's going on?  " Liu Jingjing is a complete layman when it comes to carving. In her opinion, the skills of carving on smaller things are definitely better than the skills of carving on large places. Therefore, regarding Zhao Chaogang's statement, Liu Jingjing is an expert.  There will be such questions. In fact, this idea is not only unique to Liu Jingjing. Many people who do not understand the carving skills will also regard the rice carving skills as carvings when they first see them.  Among the best skills, such things are inevitable, but among the carving skills, rice carving is really a very simple skill, because real carving is not about carving words on the smallest things.  Really good carvings contain the hard work of the carver, which means that the artistic value is very high. Only such carvings are real carvings. The carrier of rice carvings is rice, which is better than others in the sky.  The carving carrier is much lower. Things like rice are too common, and it is not easy to preserve. Therefore, the value of rice carvings is really very low. This is why rice carvings are only popular among couples and not among couples.  The reason why it is so popular in the sculpture world, even in the lovers world, isThe popularity of ?? was only for a short period of time, and now Mi Diao has not been heard of at all.  "Jingjing, peach pit carving is not a simple thing. It contains extremely rich artistic value. Peach pit carving is to carve the images of various animals and characters on small peach pits. It is a carving art with Han nationality characteristics.  Among them, the carvings of the twelve zodiac animals are the most representative, including rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog, and pig, each with its own unique mood, as well as the Eighteen Arhats, Eight Immortals Crossing the Sea, and Chinese Pearls.  It is understood that the earliest stone carvings in the Ming Dynasty were peach stones. Most of the peach and apricot stone carvings in the Ming Dynasty were immortal figures, evil beasts, mascots, etc. They were exquisite and exquisite and were a kind of hanging.  The pendants placed under the belt, fan or embroidered bag can also be used as decorations and ornaments. From the mid-Qing Dynasty to the late Qing Dynasty, the core carvings were mostly carved from walnut cores, which were specially made for the hands of literati or wealthy people.  During the Republic of China, the variety of core carvings became increasingly abundant, but the level of exquisiteness and cultural connotation were no longer as high as those in the late Ming and early Qing dynasties.  Mr. Di Jin, Yin Genfu and his children Yin Xueyun and Zhong Nianfu were sitting in the bow of the boat, holding a cup and drinking tea. An old man was sitting on the table in the cabin with cups and dishes.  It seems that they are drinking and watching the scenery, and the boy at the stern is looking away from the boat. The work has a well-organized layout, exquisite knife skills, and exquisite carving. It is a rare masterpiece of the nuclear boat in the middle and late Qing Dynasty.  The olive stone carving "Mountain Scene" with similar carving techniques also shows the exquisite and exquisite micro-carving skills. This olive stone carving is brown and has a natural patina. It is surrounded by mountain cliffs and pine caves.  The scenic spots in the mountains, such as pavilions, corridors and houses, give people the impression of a paradise-like mountain scenery on a small scale. In this period, a group of literati longed for the "reclusive" taste of the wild mountains and forests.  Core carvings with themes of scenic spots and Taoyuan heaven and earth are also often produced for the appreciation of literati. Some are mainly about official ships and flower boats, some are famous for arhat heads, Eight Immortals and other themes, and some are famous for their core carvings.  Single pieces of "Guan Gong", "Zhong Kui" and other historical and legendary figures are featured. These stone carvings are relatively exquisite and have their own knife skills and artistic characteristics, such as a stone carving of an official ship in the middle and late Qing Dynasty.  The material is large in size and the hull is rich and elegant. During the period of core carving, in addition to hand-shaped and beaded peach core carvings such as human figure carvings and auspicious animal carvings (17 photos), there were also some traditional themes.  Single core carving pendants, such as "Guan Gong on Horseback", "Zhong Kui on Donkey", "Liu Hai Playing with Golden Toad", etc. This kind of olive core carving that shows carving skills pays attention to the vivid and unique shape of the carved objects, and the skill and delicate knife skills.  , it should be able to withstand repeated tastes when played in the hand, such as "Guan Gong on Horseback". The sculptor used the limited size of a small olive stone to cleverly design the layout of Guan Gong's horse, clothing and armor, and his expression.  The style is vividly displayed. The red rabbit horse that Guan Gong rides and the Yanyue sword he holds are both in the shape of gods.  Arrange the processing position just right.  ??????????????????????????????????????????????????: The characters behave and behave without any confusion, the front, rear, left, and right are all intact.  No detail is spared, just a small piece of core carving.  There is no suspicion of chaos and disorder, and it is easy to handle with ease.  Artists have carved and studied the core carvings with themes like "Guan Gong" hundreds of times, and have long been familiar with its layout and knife skills. The objects produced are naturally intriguing and impeccable.  Yang Hongwu of the Ming Dynasty carved "Chang'e Flying to the Moon" with a peach stone. Wei Xuezhen's beautiful article "The Story of the Nuclear Boat" describes the story of Changshu artist Wang Yi who used a small peach stone to carve "Dong Slope Boating on the Red Cliff" during the Tianqi Period. It made people gasp in admiration after reading it.  Among the peach stone carvings, the most representative one is the peach stone carving "Eight Immortals Blue Caihe" in the late Ming Dynasty. The entire peach stone is only the size of an adult's thumb, and the micro carving artist's skills are fully demonstrated in the small space.  This peach core has an uneven surface. According to the shape and texture of the peach core, the artist skillfully carved the blue color and appearance of the Eight Immortals, the bun on the head, the flower basket on the shoulder, and the wave pattern under the feet.  The carvings are exquisite and lifelike.  The core carving artists seem to have adopted a variety of knife techniques such as round carving, deep carving, hair carving and sunken carving in bamboo carvings of the Ming Dynasty. The large outlines of the figures are precise and have distinct concavities and convexities;  The traces of hair on her bun, the rattan stripes and flower petals on the flower basket on her back are all clearly visible.  This peach stone carving has been deposited for hundreds of years. The surface of the peach stone is dark brown, but the layer of patina of time is shiny.  There is no famous artist's mark on the core, but this peach stone sculpture is very similar to the "Lancaihe" apricot stone sculpture of the Eight Immortals of the Ming Dynasty that was introduced in an article by Mr. Cai Guosheng, a famous connoisseur of cultural relics in Shanghai.  &nbspAccording to Mr. Cai Guosheng, the apricot kernel carving of the Eight Immortals "Lancaihe" from the late Ming Dynasty and the early Qing Dynasty has the two characters "Qiao Lin" in small seal script on the back.  According to historical records, Qiao Lin was a native of Rugao, Jiangsu Province in the late Ming Dynasty and early Qing Dynasty, and was a master of nuclear carving.  Qiao Lin has many talents, including calligraphy, painting and engraving. Engraving and seal carving are also his strengths.  It can be imagined that the skill and taste of the core carvings carved by Qiao Lin are not low.  ??Although the core carving is microscopic, the macro can be seen in the micro.  Since ancient times, nuclear carving has amazed and fascinated countless collectors and playthings with its unique artistic charm.  Nuclear carving is a delicate and exquisite miniature handicraft. As long as the carver has superb carving skills, the theme of the creation is in line with the taste of contemporary appreciation and collectors, and has a certain degree of novelty and taste, such nuclear carving will always be favored and cherished.  .     so.  Jingjing, peach stone carving is not comparable to rice carving.  Peach stone carving contains the carver¡¯s understanding of life and art.  It also contains extremely superb micro-carving skills, so the status of peach stone carving in micro-carving is very, very high. Things like rice carvings are really incomparable to peach stone carving!  " Zhao Chaogang introduced to Liu Jingjing in great detail what peach stone carving is and its status in miniature carving. It also has information such as its popularity, etc., which benefited Liu Jingjing a lot. "It turns out that this is what it is.  It¡¯s peach stone carving. I really didn¡¯t expect that peach stone carving has such a history and status. Compared with peach stone carving, rice carving is indeed inferior!  "With Zhao Chaogang's detailed explanation, Liu Jingjing certainly understood the difference and status between rice carvings and peach stone carvings. "Chaogang, how do you know this knowledge so well? This knowledge is usually reserved for those who engage in antiques.  It¡¯s up to people to understand, and you don¡¯t want to be an antique.  So, when did you learn this knowledge?  " Li Liping was very surprised that Zhao Chaogang knew so much about these antiques. You know, when he was in university, Zhao Chaogang was a student in the Department of Finance, so normally, Zhao Chaogang would not look at these antiques at all.  Knowledge. As Zhao Chaogang's classmate in college, Li Liping knew this very well. However, looking at Zhao Chaogang's proficiency in these antiques knowledge, it was obvious that Zhao Chaogang had read a lot of antique books, which made Li Liping very happy.  I¡¯m curious, when did Zhao Chaogang read these books? ¡°Pingping, I learned this knowledge in prison.  After I came into contact with weapon refining, because of the need to carve formations, I needed to learn carving, which was of great benefit to my practice of formations.  Many of the lines of the formation are carved on very small things, which requires cultivators to have extremely strong carving skills.  Therefore, in order to practice the formation, I started to learn how to carve in prison.  I read these things about peach stone carving in prison. You all know the memory abilities of cultivators. Although they cannot forget photographic memory, they can still remember it after several times.  It can be done.  Pingping, Jingjing, during these eight years in prison, I did not relax in my studies!  "At the end, Zhao Chaogang's tone was a little playful. This was Zhao Chaogang trying to lighten the atmosphere. As soon as he mentioned going to jail, the atmosphere became a bit stiff. "Chaogang, I'm sorry for you!  "Liu Jingjing and Li Liping stepped forward and hugged Zhao Chaogang at the same time. They wanted to use their hugs to resolve the depression in Zhao Chaogang's heart due to being in prison. However, it was obvious that Li Liping and Liu Jingjing were wrong, because Zhao Chaogang was  I was not depressed at all about being in jail. Not to mention that Zhao Chaogang accidentally killed one person and seriously injured two people, so Zhao Chaogang did not complain much about being in jail.  He did something wrong. Compared with the person who lost his life, he was already in jail, which was much better. In addition, Zhao Chaogang got the five-color stone in prison, which made Zhao Chaogang a cultivator.  Therefore, Zhao Chaogang was not depressed at all about being imprisoned. Without this imprisonment, how could Zhao Chaogang get the five-color stone? Without the five-color stone, how could Zhao Chaogang become a cultivator, and Zhao Chaogang did not become a cultivator.  How could Zhao Chaogang meet and marry Li Liping again? Imagine if Zhao Chaogang had not become a cultivator, what would Zhao Chaogang have been like after he was released from prison?  How could he have the courage to go to Anxi University to study his previous university life? If Zhao Chaogang had not gone to Anxi University to remember his university life, how could Zhao Chaogang have met Li Liping? If Zhao Chaogang had not met Li Liping, how could he have been with Li Liping?  Even though Li Liping found Zhao Chaogang in the end, at that time, what confidence did Zhao Chaogang have to accept Li Liping?But Li Liping is a teacher at Anxi University. The identity difference between the two is too big, so Zhao Chaogang will not be with Li Liping in the end.  Of course, there is no need to worry about Zhao Chaogang getting a wife. Zhao Qiang has planted so many torreya trees, so Zhao Chaogang will have no problem finding a woman to marry in his hometown, but.  It was really difficult for Zhao Chaogang to marry Li Liping.  It was very big, and it was definitely difficult for Li Liping¡¯s parents to go through.  "Pingping, Jingjing, you have misunderstood. Regarding these eight years of prison life, I have no depression in my heart, so you don't have to be like this at all!" Zhao Chaogang gently pushed Li Liping and Liu Jingjing away.  Looking at them with tenderness.  As soon as they saw the brightness in Zhao Chaogang's eyes, Li Liping and Liu Jingjing knew what Chaogang had just said.  It was indeed true, Chao Gang didn't say anything to deceive them.  "Chaogang, why are you" "Why don't you feel depressed, right?" Before Liu Jingjing finished speaking, Zhao Chaogang on the side continued: "Jingjing, Pingping, I accidentally injured someone after all.  It also caused serious injuries to two other people, so I should have been jailed. Although at the beginning, I was really depressed. A college student with a good future suddenly became a prisoner of labor reform.  The huge contrast was hard to accept, so at the beginning, I felt gloomy. But as time went by, I gradually figured out that I had done something wrong.  I accepted the punishment. Moreover, at that time, I obtained the cultivation method and embarked on a more brilliant path, which fundamentally changed the trajectory of my life. Not only did my cultivation no longer have any obstacles,  Moreover, it can be said to be brighter. With these, there will be no dark corners in my heart. So, Pingping, Jingjing, from now on, even if you talk about my imprisonment, don¡¯t worry about me anymore.  I feel uncomfortable, because now I have a clear conscience in my heart." Zhao Chaogang directly used the idiom "clear conscience" to sum up himself. After hearing these words of Zhao Chaogang, Li Liping and Liu Jingjing felt in their hearts.  A piece of stone finally completely disappeared.  Going to jail is an unpleasant thing to hear no matter what. Therefore, in order not to remind Zhao Chaogang of this stain, Li Liping and Liu Jingjing will never mention anything about going to jail. They are afraid of hurting Zhao Chaogang.  In Chao Gang's heart, being in jail can definitely be regarded as the biggest stain in Chao Gang's life.  With this idea, Li Liping and Liu Jingjing would not ask Zhao Chaogang about his imprisonment, so they did not know that Zhao Chaogang actually did not care about his imprisonment at all, no matter how others mentioned it.  , Zhao Chaogang would not take it to heart.  However, it's fine now. With Zhao Chaogang's explanation, Li Liping and Liu Jingjing finally understood Zhao Chaogang's attitude towards jail. From now on, they don't have to worry about these things anymore, because Zhao Chaogang  Chao Gang has completely broken the inner demon of being in prison.  "Chaogang!" Li Liping and Liu Jingjing didn't say anything, they threw themselves into Zhao Chaogang's arms and started acting coquettishly.  Women are like this, they like to act coquettishly at every turn.  "Haha, okay, okay, stop acting coquettishly, we still have business to do." Zhao Chaogang gently patted Li Liping and Liu Jingjing on the shoulders, and then Li Liping and Liu Jingjing let go of Zhao Chaogang.  "Pingping, Jingjing, the power of the talisman is extremely powerful. With the same mana output, the destructive power produced by the cultivator is much weaker than that of the talisman. This is because the cultivator introduces the world when refining the talisman.  It is not easy for a cultivator to introduce the power of heaven and earth into a talisman. He needs to use other tools to help him achieve this goal, and the formations on the talisman play this role.  The essence is to mobilize the power of heaven and earth through some special lines, and then use these powers of heaven and earth to deal with the enemy. Since the formation can mobilize the power of heaven and earth to deal with the enemy, the formation can also introduce the power of heaven and earth into something, such as  The power of heaven and earth inside the talisman is like a magnifying glass, which can magnify the mana of the cultivator at a geometric level. Therefore, it is extremely important to integrate the power of heaven and earth into the talisman. As a result, the body of the talisman pen needs to be engraved.  Formation method." Zhao Chaogang explained why it was necessary to carve the formation method on Fu Bibi. Li Liping and Liu Jingjing would not know these reasons if Zhao Chaogang did not tell them.  "Chaogang, we understand, you continue!" Zhao Chaogang's explanation was very clear, and Li Liping and Liu Jingjing understood it immediately.  "Very good, Pingping, Jingjing, the carving of the formationIt is not a simple matter, especially when it comes to carving the lines of the formation, it is even more difficult.  Why is the formation so powerful?  It relies on the lines of the formation, of course.  There is also the effect of the spiritual energy in the spiritual stone.  With these two things, the power of the formation can be maximized.  Some cultivators with extremely high level of formation cultivation.  The lines of the formation can be integrated into a formation base. In this way, when they respond to the enemy, they can arrange the formation as quickly as possible to ensure their own safety or destroy the enemy to the greatest extent.  I can also refine the formation base, but today we are refining talisman pens, and we don¡¯t need the formation base, so.  I won¡¯t talk about the formation foundation anymore. If you, Pingping and Jingjing, want to know more about it, I¡¯ll talk about it later.  The body of the talisman pen is very small, so it is very difficult to arrange the formation on it, which requires strong carving skills. Therefore, Pingping and Jingjing, after you finish this weapon refining.  Practice your carving skills on your own, so that you can become masters of formations and weapon refining in the future. Do you understand?  ".    "Understood.  Chaozuna, after this honeymoon, we will learn carving as soon as possible.  Don't worry!  "Li Liping and Liu Jingjing readily agreed. They want to become masters of weapon refining. Therefore, they will ignore the formation. "That's good!  "Zhao Chaogang nodded happily. Then he continued: "The body of the talisman pen is very small, and the talisman pen is used to carve talismans. Therefore, we will carve it on the talisman pen this time.  The formation method is the Yin and Yang Qi formation. Yin and Yang Qi are the most essential forces between heaven and earth. Therefore, using the Yin and Yang Qi formation can very well attract the power of heaven and earth.  In addition, the Yin and Yang Qi and the Five Elements Spiritual Qi are well compatible, so carving the Yin and Yang Qi array on the talisman pen can make the cultivator get twice the result with half the effort when refining the talisman.  The talismans are also divided into talismans with different attributes. The nine layers and nine are all talismans with the five elements attribute. If the formation engraved on the talisman pen is of the five elements attribute, then the talismans that can be refined by this talisman pen will only have the corresponding attributes.  It's too wasteful.  For example, if I carve a water attribute formation on the body of this talisman pen, then when I use this talisman pen to carve talismans, I can only carve water and wood talismans.  Among the attributes, water produces wood, so water-attributed talismans can also be used to refine wood-attributed talismans.  Correspondingly, the other three attributes, talismans of fire, earth, and metal, cannot be refined with talisman pens of water attribute.  Of course, this does not mean that you cannot use water-attributed talismans to refine talismans of fire, earth, and metal. If you want to force the refining, you can still do it.  It¡¯s just that the failure rate will drive you crazy.  The success rate of using water-attributed talismans to refine fire, earth, and metal talismans is less than one in a thousand. Such a low success rate will drive anyone crazy.  What's more, because the water attribute is at odds with these three attributes, even if the talismans of these three attributes are refined, the power of these talismans will be reduced a lot, especially the fire attribute talismans.  The power of this fire-attributed talisman drawn by the talisman pen is only one-tenth of the normal fire-attributed talisman at most.  If the cultivator is unlucky, maybe the power of this fire-attribute talisman is only one percent or one thousandth of the normal fire-attribute talisman. How can such a talisman have any lethality?  If I gave you such a talisman, I believe you wouldn't want it.  Therefore, in the world of cultivation, talismans with incompatible attributes will not be refined. This time, I simply carved the yin and yang qi array directly on the talisman pen, thus fundamentally eliminating the five elements attributes.  This shortcoming is mutually reinforcing.  " Zhao Chaogang introduced to Li Liping and Liu Jingjing why he carved the yin and yang qi formation on the talisman pen. "Chaogang, is the yin and yang qi formation a very precious formation? Otherwise, all the talisman pens will be engraved with  Isn¡¯t the Yin and Yang Qi array finished?  ". Liu Jingjing thought a lot, and she suddenly thought of the preciousness of the Yin and Yang Qi formation. The businessman's sense of smell is really very sensitive! "Jingjing, you have hit the point!  "Zhao Chaogang praised Liu Jingjing directly, because, just as Liu Jingjing said, the Yin and Yang Qi Formation is an extremely precious formation, and this formation is also extremely confidential in the world of cultivation. "The Yin and Yang Qi Formation  This formation is very precious. Now in the world of cultivation, there are only a handful of cultivators who know this formation. This is not only because the power of the Yin and Yang Qi formation is extremely powerful, but also because of the conditions required to deploy the Yin and Yang Qi formation.  Very harsh.  " "The layout conditions of the Yin and Yang Qi array are extremely harsh. What do you mean?  "This is what Li Liping is asking. "What is the yin and yang qi array? The literal meaning can be?I clearly know that the Yin and Yang Qi array requires Yin and Yang, and it still needs the purest Yin and Yang. In the world of cultivation, it is not difficult to find Yin and Yang. They are everywhere, but, if you think about it,  To find the purest yin and yang, the difficulty can be said to be as difficult as climbing to the sky.  From the moment the yin and yang qi appeared in the world of cultivation, it was integrated into the world of cultivation and became the origin of the world of cultivation. Therefore, it is simply impossible for cultivators to obtain pure yin and yang qi. They do not have that ability.  Extract the yin and yang energy from the world of cultivation.  A cultivator is originally a member of the cultivation world and has not yet transcended the cultivation world. Therefore, if you want to refine the original power of the cultivation world, how can a cultivator deep in the cultivation world do it? If you want to extract the origin of the cultivation world, first of all,  That means you have to transcend the world of cultivation.  And even if you transcend the world of cultivation, it does not mean that you can extract the origin of the world of cultivation, because once you start to extract the power of the origin of the world of cultivation, the entire world of cultivation will begin to attack you.  This is the power of the entire world of cultivation. With such a powerful power, even the Da Luo Jinxian will fall directly. Beyond the realm of Da Luo Jinxian, the original power of the world of cultivation has no allure.  Therefore, the purest yin and yang qi are extremely precious existences. In the world of cultivation, it is really difficult to obtain the yin and yang qi.  " "Chao Gang, since the yin and yang qi are so difficult to obtain, why do there still exist yin and yang qi formations in the world of cultivation?  Liu Jingjing asked with a puzzled look on her face. "Jingjing, it is difficult to obtain the yin and yang in the world of cultivation. However, being difficult to obtain does not mean that you cannot obtain it. There are countless space cracks in the world of cultivation. Inside these space cracks  There are space hurricanes everywhere. When faced with such space hurricanes, even practitioners in the Mahayana stage would avoid the three colors.  However, these space cracks are very dangerous, but correspondingly, in these space cracks, some extremely precious things will appear from time to time, just like yin and yang, which also exist in these space cracks.  Space cracks are everywhere, and many worlds have been destroyed by space cracks. Once a world is destroyed, the original power of this world will also appear. A space hurricane destroys a world, and the original power of this world is very powerful.  It may directly return to the void with the space hurricane, and then continue to move with the space hurricane.  The power of space hurricanes is strong, but some cultivators who have mastered the laws of space can still walk in space hurricanes. At that time, it was very simple for them to obtain the original power of these worlds, so  , in the world of cultivation, there are still two qi formations of yin and yang" ¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­¡­  ¡­¡­¡­(To be continued¡­) PS: Note: Thank you Yun Zhifan and Xie Zhixiu for your generous support, thank you! Chapter 1552: Core Carving: ¡­
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