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Text Chapter 35 Completed

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    [[[CP|W:250|H:190|A:C]]]

    Because the Han Badao has a great reputation, and if used correctly, the carving speed will be extremely fast, so Zhou Yu decided to use the Han Badao carving technique this time. Maybe some people think that since the Han Badao has such  I think there are many inheritors of this good reputation. However, although the "Han Badao" is a very distinctive technique among Chinese jade carving techniques, it is a product of the jade burial culture.  Eventually, the jade burial culture declined.

    This technique is mostly no longer used after the popularity of jade burial.  Although there were unscrupulous people who made fake jade in later generations and imitated it, they were out of touch with that era and lacked charm. In addition, the counterfeiters were not skilled enough to create that kind of momentum, which always left many flaws.  Because most carvers nowadays practice the carving method called Qianlong Gong that has been popular since the Qing Dynasty, this skill is even more hidden in the dust of history.

    The reason why Zhou Yu knows this technique is also due to the inheritance of his sect. It seems that it is very beneficial to have a sect with a long history as his backing, because Zhou Yu's Jingming Dao was first founded in the Western Jin Dynasty.  The Han Dynasty was not far away, and the founder of Jingming Tao was from a wealthy family. Although the craftsmanship skills at that time were only of the lowest level, Zhenjun Xu Xun was also slightly involved in this.

    At that time, when Zhenjun Xu Xun first acquired the technique of the Han Eight Swordsmen, he didn't pay much attention to it. He just regarded it as an ordinary craftsmanship skill. However, due to subsequent coincidences, Zhenjun Xu Xun suddenly  I found that when making some magic weapons, using this technique to depict and engrave formations could play a very good role. It was much stronger than the ordinary methods, so I worked hard to sort out and collect the Han Badao technique, which was almost extinct at that time.  , the integration was completed, and it was integrated into the specialized weapon refining techniques of Jingming Dao. Only then did the Han Badao technique be passed down, and finally reached the hands of Zhou Yu.

    Now is a good time to use this technique. At that time, Zhou Yu suffered a lot when learning this set of carving methods before he perfected this technique. To be honest,  , if Zhou Yu is no longer a Taoist priest, he can at least be as good as a master of arts and crafts by relying on this set of techniques.

    When he was in Hongdu City, someone requested that the magic weapon made by Zhou Yu himself could be used for the same purpose using ordinary materials. If this technique was used for processing, Zhou Yu would charge four times the price for the sesame oil.  Above, Zhou Yu would not take action unless he was a trustworthy person. Liu Jie was also lucky and happened to meet him. Otherwise, it would have been very difficult for Zhou Yu to take action in person.

    Because there was a wax model for Zhou Yu to practice in advance, and Zhou Yu had secretly simulated the carving technique several times just now, he already had some calculations in his mind. He saw Zhou Yu scratching the wood block hard with the carving knife.  , felt the hardness of the wood, and then changed the force used to cut the knife and the angle between the knife and the wood block when carving, and then Zhou Yu started carving quickly without raising his head.

    As soon as Zhou Yu began to officially carve, the other students dispersed one after another to prevent them from blocking the light used by Zhou Yu when carving. Then they watched from a distance. At the same time, in order not to disturb Zhou Yu, they even  There was no sound of talking. If something really happened, it was two people whispering to each other's ears. In this way, this originally lively box was quiet at this moment, except for a few people.  The only sound left was the sound of Zhou Yu's carving knife cutting across the wood, carving the wood.

    The carving knife in Zhou Yu's hand is very stable, and it is extremely smooth when carving on the wood. Although it does not cut into the beeswax as if it were nothing, it is still very smooth. The wood is harder than beeswax.  The texture better fixed the blade, making it seem that when Zhou Yu was carving, he was more submissive than carving on beeswax because of the strength.

    This is also true. Although the beeswax is solid, Zhou Yu still has to control his strength when carving, because if he uses too much force, the beeswax will be broken by brute force, so this knife will still be broken.  Is it closed by one or two points, so the knife is not smooth, but it is different when carving wood. Although the wood is not as hard as jade, it will not fall apart if it is pinched.

    Moreover, Zhou Yu's carving knife was used to carve jade with a hardness of 5.5 to 6.5. Carving this wood is not the same as carving on beeswax. The slight hardness of this wood is more suitable for the power of this knife.  changes, so Zhou Yu felt particularly comfortable this time.

    Under the gaze of everyone, after about twenty minutes, Zhou Yu roughly carved the wood. The dragon was circling left and right on the ancient wooden sign that was shaped like an upper circle and an arch below.  The layers of cloud patterns on the wooden sign are faintly visible.

    Then from time to time, claws and scales appeared from the clouds, while Zhou Yu was carvingAt that time, although the method of Han Badao was used, other techniques were added to it, so the carvings on the wooden sign appeared in the form of bas-relief. From a distance, it seemed that there was nothing on the wooden sign, but from a closer look,  Only then can we clearly see the pattern on the wooden sign, and the cloud pattern looks simple yet complicated. Under the cloud pattern, the innate formation in the wooden sign is concealed.

    Of course, in addition to the cloud and dragon pattern, the most important thing on this wooden sign is the nine-character Taoist mantra written in Taoist cloud seal on the front: Lin, Bing, Dou, Zhe, Ji, Zhen, Lin, Qian, Xingjia.  The formation covered under the cloud pattern is used to absorb the spiritual energy and pure Yang energy in the air, and the nine-character mantra is the key to bringing this spiritual energy and pure Yang energy into play.

    This is just like this formation is the engine of a car, the spiritual energy and pure Yang energy are the gasoline, and the Nine-Character Mantra is the operating system that brings out the power of the engine. Only with the Nine-Character Mantra can the wooden sign be able to exert its true protection and ward off evil spirits.  role.

    Zhou Yu first stopped his movements, calmed his breath, and then used the carving knife to draw back and forth on the void several times to familiarize himself with the strokes of the nine-character mantra again, because carving the nine-character mantra was not like carving it with beeswax before.  Sometimes, you can pause and pause. Only if you complete it in one go will it be effective.

    After repeated trials several times, Zhou Yu felt that he was ready to cut, so he tensed up his body that had been relaxed again, aligned the angle between the carving knife and the wooden sign, and fiercely  Power, people around only felt this cold light flashing, and the words were engraved.

    ;

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